J.G. Ballard - Super-Cannes

Здесь есть возможность читать онлайн «J.G. Ballard - Super-Cannes» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Super-Cannes: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Super-Cannes»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

Super-Cannes — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Super-Cannes», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Stunned by the sound, Frances lost control of the car as the black vacuum in the wake of the express sucked the BMW from her hands. She gripped the wheel and shouted: 'He's going to crash! Paul!'

'Where?'

She pointed to the road ahead, where brake lights flared in alarm. The Audi overran the stone kerb, struck the sea wall and whirled into the air before plunging onto the beach below.

I took the wheel from Frances 's hands and steered the BMW onto the pedestrian walkway. The two Mercedes slewed around each other and stopped, for a moment vanishing into the darkness as they switched off their lights. We rolled to a halt beside a derelict bar, its wooden walls covered with fading posters for the Juan jazz festival. I turned off the engine and stepped onto the sea wall.

Frances sat stiffly over the wheel, staring at the instrument panel. She touched the brake lever, as if convinced that her clumsy driving had led to the accident.

Leaving her, I walked down the beach and let the cold sea sluice across my feet, soaking the rope soles of the espadrilles. I ran along the dark sand, the night air cutting through the open seams of Greenwood 's dinner jacket.

The Audi lay on its back in the shallow waves, flames lifting from the engine compartment. When the water retreated, I saw the driver's body trapped under the rear seat, an arm pressed to the passenger window. The dying flames flowed across the water that swilled around the car.

Two men in dinner jackets stepped from the first Mercedes, scaled the sea wall and walked to the water's edge, where one of them began to film the scene with a camcorder, waiting until the La Garoupe beam lit the stage for him. When I was twenty yards away he turned the camera and filmed me as I stood exhausted in the sodden espadrilles, my back to the lights of Golfe-Juan.

I walked towards them, pointing to the trapped driver, but the two men climbed the beach and returned to their car.

'Paul! Help him!'

Frances ran along the sand, a high-heeled shoe in each hand, throat muscles working while she gasped at the night air. She strode into the waves and gestured with her shoes at the car.

'My God, they killed him…'

I held her as the waves broke around our knees, and steered her through the undertow onto the beach. A vehicle with a pulsing emergency light moved along the road from Golfe-Juan, slowing to a stop when it approached the burning car.

'Paul, it's the police… talk to them.'

'They aren't police.' I watched the occupants step from the vehicle. 'It's the ambulance you ordered. We saw it outside the Villa Grimaldi…'

We stood at the water's edge as the paramedics pulled the dead driver from the Audi. He was a large, fleshy man in his fifties, and his pallid skin seemed to have been immersed in the sea for days. His dinner jacket clung to one arm, lying beside him like the wing of a drowned bird. The paramedics turned him onto his back and began to work at his chest. On the collars of their white overalls were printed the name and telephone number of an emergency ambulance service in Toulon.

Looking down over their shoulders, I recognized the blanched features of Pascal Zander.

I stared into the security chief 's eyes. Once so sharp and devious, they now gazed at nothing, the flat pupils like empty windows.

All the memories of his professional life, the secret codes and misdemeanours, were being washed away by the sea. One of the paramedics, a blond young man with a surfer's physique, pointed to my feet, and I realized that I was standing on Zander's hand.

I counted the pudgy fingers, their skin impressed with the sole pattern of my espadrilles, and realized that a few hours earlier they had probably fondled my wife's breasts.

Giving up their attempt to revive the dead man, the paramedics returned to the ambulance, where they lit cigarettes and spoke into their radio. I heard Frances gasp as she stood beside me, and turned to see her running along the beach to her car.

' Frances, wait! We'll call the police…'

Carrying her shoes, I set off towards the BMW. I was fifty yards away when I heard its engine begin to race. Frances waved me away, ran the car off the kerb and pulled out to pass the ambulance.

In the pale light reflected from the waves I could see her face, almost stiff with shock. She swerved around the two Mercedes limousines and set off at speed towards Juan-les-Pins.

A mile away, beyond the Golfe-Juan marina, the siren of a police car seesawed through the night. The driver of the second Mercedes stepped from the car and opened the passenger door, beckoning to me. I stared at the dead man on the sand, at his overweight, deflating body. The floating sleeves of his dinner jacket semaphored as the waves swilled up the beach, signalling a death to the sea. I held Frances 's shoes to my face, smelling the perfumed insoles and the fresh scent of brine.

The chauffeur waited while I climbed the sea wall to the Mercedes. He wore evening dress under his bowling jacket, and as I stepped up to him I saw his face and overlit eyes.

'Halder? What are you doing here?'

'Time to leave, Mr Sinclair.'

'You were driving the car? I thought you were guarding Zander…' I pointed to the dead man on the sand, his exposed torso washed by the waves. Halder's face was expressionless. In the headlights of the approaching police car he resembled an accident bystander already bored by the tableau around him, the overturned Audi, a body and the waves. Too distracted to face me, he had distanced himself from any judgement on events.

'We're leaving, Mr Sinclair.' He gestured towards the open passenger door. 'It's best if you come with us.'

A strong hand reached from the rear seat and gripped my wrist.

Too tired to resist, I watched myself step into the car.

'Paul…' Alain Delage drew me towards the jump seat. 'I'm glad we waited for you. I told Jane you'd join us.'

His composed face glowed in the police headlights. As I sat down he smiled with the ready sympathy of a rescuer reaching from a liferaft to help a survivor from the sea.

Facing me, squeezed together in the rear seat, were Jane and Simone Delage, the camcorder across their laps. Jane still wore her black silk dressing gown, and lay half-asleep against Simone's shoulder. Recognizing me, she raised a hand in welcome, and managed a faint flicker of her bloodless lips. I realized that I was still holding Frances Baring's shoes, and placed them on the floor at Delage's feet.

Half a mile behind us, the spotlight of the police car lit up the shacks along the beach. When Halder started the engine of the Mercedes I drummed on the glass behind his head.

'Alain – the police are on their way. We need to talk to them.'

'Not now, Paul.' Delage signalled to Halder. 'The ambulance men will tell them everything. It's been a long day for you…'

He sat back, larger and more confident than I remembered him. The overturned Audi had moved into the deeper water, and the paramedics returned to the beach. They knelt beside the dead security chief, taking a blood sample from his thigh.

Zander's dinner jacket had at last detached itself from his arm. It floated off, working its way across the waves, sleeves moving in a wavering breaststroke, determined to reach the safety of the open sea.

We sped on into an even deeper night.

34 Course Notes and a Tango

'Mr sinclair, you've been most helpful.' Sergeant Jucaud paused at the door and tucked his notebook into his jacket. 'Pascal Zander was a close friend of the Cannes police.'

'As he often said – I'm glad to tell you all I know…'

I shook the young detective's hand and watched him walk back to his car. He paused by the Jaguar, admiring its lines, and knelt by the rear wing. Something out of the ordinary had caught his trained eye, perhaps an unpaid parking ticket snagged by the boot handle. With a small knife he teased a paint fleck from the chromium bumper, then raised it to the sunlight and waved reassuringly to me. The array of dents and scratches marking the Jaguar's venerable bodywork were too slight to suggest that the car had been involved in a serious collision. The miscreant paint fleck had probably come from Wilder Penrose's fibreglass door, still bearing its open wound like a duelling scar. Besides, as Sergeant Jucaud knew, I could hardly have reversed the Audi into the sea.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Super-Cannes»

Представляем Вашему вниманию похожие книги на «Super-Cannes» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Super-Cannes»

Обсуждение, отзывы о книге «Super-Cannes» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x