Henry Green - Loving

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Loving: краткое содержание, описание и аннотация

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Green remains a dim figure for many Americans. He stopped writing in 1952, at age 47, with just nine novels and a memoir behind him. In the last years of his life-he died in 1973-he became a kind of British Thomas Pynchon, agreeing to be photographed only from behind. But those who knew him often revered him. W. H. Auden called him the finest living English novelist. His real name was Henry Vincent Yorke. The son of a wealthy Birmingham industrialist, he was educated at Eton and Oxford but never completed his degree. He became managing director of the family factory, which made beer-bottling machines. But first he spent a year on the factory floor with the ordinary workers, and his fiction is forever marked by an understanding of the English at all levels of society, something rare in class-bound British literature. Loving is a classic upstairs-downstairs story, with the emphasis on downstairs. You see the life of a great Irish country house during World War II through the eyes of its mostly British servants, who make a world of their own during a period when their masters are away. Green's generosity towards even the most scheming and rascally of them offers a lesson you never forget.
One of his most admired works, Loving describes life above and below stairs in an Irish country house during the Second World War. In the absence of their employers the Tennants, the servants enact their own battles and conflict amid rumours about the war in Europe; invading one another's provinces of authority to create an anarchic environment of self-seeking behaviour, pilfering, gossip and love.
"Loving stands, together with Living, as the masterpiece of this disciplined, poetic and grimly realistic, witty and melancholy, amorous and austere voluptuary-comic, richly entertaining-haunting and poetic-writer." – TLS
"Green's works live with ever-brightening intensity-it's like dancing with Nijinsky or Astaire, who lead you effortlessly on." – The Wall Street Journal
"Green's novels- have become, with time, photographs of a vanished England -Green's human qualities – his love of work and laughter; his absolute empathy; his sense of splendour amid loss – make him a precious witness to any age." – John Updike
"Green's books are solid and glittering as gems." – Anthony Burgess

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'Little Albert killed?' the nanny cried with a sort of wail.

'No. One of the peacocks crossed 'is path so he up and killed the thing. That's a flea bite, there's plenty more of the creatures. But from what I can make out Mrs Welch must have took umbrage. And who is there to say she was mistaken if she thought her life in peril even with that mad Irishman with his ear to every keyhole? So she put it back of a piece of cheese cloth away in her kitchen. Then she thought she'd dispose of the thing after, one way or another, but the carcass turned up again in such a fashion as Raunce could get hold of it. Crawling with maggots all over which is what my girl Kate tells me. Can you imagine the like Miss Swift? Infecting all our food.'

'Oh dear,' the nanny said come over limp. 'Arthur. I see yes, Arthur.'

'But that's a trifle,' Miss Burch continued placid yet firm, her eyes on her knitting. 'Now I went into the Red Library after dinner to see to the fire. Mrs Tennant will have fires lit to keep the rooms right for the pictures. And d'you know what I found. Why Edith and that man, the impudence, sat back in the armchairs they'd drawn to the fender. As if they owned the Castle.'

'Oh dear,' Miss Swift moaned.

' "Why whatever's this," I said,' Miss Burch went on. ' "It's my neck," he answered me. "Your cheek my man," I said and then Edith she did have the grace to get up on her two feet after that. But he went on sitting there. "What's it to you?" he asked though I could see he was ashamed for both of them. "Just this," I said so he couldn't be in doubt upon it. "There's right and wrong," I says, "and there's no two ways about which this is," I said.'

'His neck?' Miss Swift asked faint. 'You never can tell. Oh dear perhaps if I could have a glance.'

'He's kept his neck wrapped up the last two weeks,' Miss Burch announced, 'he makes out the glands are enlarged. But it's his whole head has swelled.'

'They can be dangerous swollen glands can,' the nanny said firmer.

'Well if you ask me things will go from bad to worse if Mrs Tennant won't come home soon. And I love that girl of mine Edith, I love that child Miss Swift.'

'She's a good girl Miss Burch. The children will do anything for her.'

'There it is Miss Swift, she's had her eyes on him a long time and wishing's not likely to make things different. But I'm afraid for her with that man. He's up to no good,' Miss Burch pronounced and then paused.

The nanny did not seem anxious for more. She merely repeated once again, 'She's a good girl Edith is.'

'I've never had a better,' Miss Burch began afresh. There, I'll go so far as that, never a better under me,' she said. 'In this great rambling place we have a week's cleaning to do each day. But you can depend on her. And that's something can't be said of the other, Kate. Sometimes I even wish with that one I'd been given an Irish girl to train up instead.'

'No Roman Catholics thank you,' Miss Swift said sharp.

'Yes,' Miss Burch agreed, 'we don't want those fat priests about confessin' people or taking snuff.' She stared from her knitting at Miss Swift for a moment. 'Are you feeling quite well?' she asked.

'Me?' the nanny said in a quavering voice. Thank you I'm sure. Poor nanny…' she began as if about to continue but Agatha broke in, Then that's all right. But I'm sorry for the girls nowadays,' she announced. 'It puts me in mind of the South Africa war. They see the men going out to get killed and it makes them restless. I remember how it was with me at the time. Then they look at us old women and they say to themselves they don't wish to end up like us. I was the same at their age. It's only after they've lived a few years longer that they'll come to realize there's worse than sleeping alone in your own bed, with a fresh joint down in the larder for dinner every day.'

'And a pension at the end, not just the old age,' Miss Swift put in quite bright once more. 'It was a weight off poor old nanny's mind I can tell you when they asked nanny to come back to Miss Violet after she'd done for her from a baby. To take on her own child's sweet babies the little angels.'

'Ah Mrs Jack,' Miss Burch announced in a voice of doom.

Miss Swift looked askance. She hurriedly went on, 'And two of the best behaved little girls as ever I've had in my charge,' she said, 'so loving with their pretty little ways the Iambs. There's but one thing I could wish which is that there were more children round about for them to play with. You know Miss Burch it's not right at the age they are and with their position in life to have none but themselves. I was right glad when Mrs Jack told me about this Albert.' She paused for breath.

'Ah Mrs Jack,' Miss Burch put in as though sorrowing.

The nanny set off again, more breathless still. 'Of course it's the times,' she said. 'Now even after the last war they would never have entertained it, the very idea. Why a boy like Albert, the cook's own nephew, dear me no. Never in your life. But it's come about. It's the shortage. Having no petrol,' she ended and lay back, blue about the lips.

'What was revealed came as a great shock to me,' Miss Burch said and paused to pick up a dropped stitch. The nanny rested herself with closed eyes. There was a silence. 'A great shock,' Miss Burch repeated getting up speed once more with her knitting. Miss Swift did not utter.

'They can do what they like after all,' Miss Burch went on, 'there's little or nothing we can say will make any difference when all's told. Yet I've got to consider my girls. It's not so much the example. Enough goes on in any farm yard. But there's the upset to a girl of Edith's age coming from a good home. I'm afraid for her.'

'She's a strong girl,' Miss Swift said faint, 'I can tell.'

'That's as may be,' Miss Burch replied, 'but going to call the lady and then to turn round after drawing those curtains to find the Captain Davenport in her bed as well why…' Miss Burch said and pursed her lips. There was no response so she looked up full at Miss Swift. This woman was lying back eyes closed or rather screwed shut in a wild look of alarm.

There,' Agatha added and returned to her knitting, 'I never meant to tell you. It slipped out. These last days I've been afraid it would throw my Edith right off her balance. It's her I mind for.'

They imagine things that's how it is,' the nanny murmured. 'I remember when I was a girl. Always imagining I was till I didn't rightly know."

'I saw him don't worry,' Miss Burch said in a loud voice. 'Why I thought she was going to faint away into my arms when she came out. Of course the moment she told me I went straight in. And there she lay the young lady naked as the day she was born with him just putting his shirt on. It didn't take me long to come away again I can tell you.'

'She was all the time the sweetest child,' the nanny said in a stronger voice. Miss Burch looked at her quickly, saw her face was smooth now, that she seemed peaceful. 'Miss Violet had such lovely golden hair,' Miss Swift went on, 'the only child I knew to keep it always. On her wedding day it was the same, oh dear. What a number of years that is to be sure.'

'So I told Edith, Miss Swift, how she'd best be off out of it. The less said the better I told her. And the next time we were alone I insisted she shouldn't pay attention, that what they did was no concern of ours. But she's took it to heart. I know. There's times I feel desperate.'

'Such a picture in white when she come up the aisle. Dear me it's a strange thing but I feel quite tired. I fancy I'll take a little nap.'

'Are you sure there's nothing you'd like, a cup of tea or something?'

'No thank you Miss Burch all the same.'

Agatha got her knitting together. She cast another glance at Miss Swift who was very blue about the lips.

'You're sure there's nothing now?' she said once more. 'You wouldn't like me to change your hot-water bottle?'

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