Henry Green - Loving

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Green remains a dim figure for many Americans. He stopped writing in 1952, at age 47, with just nine novels and a memoir behind him. In the last years of his life-he died in 1973-he became a kind of British Thomas Pynchon, agreeing to be photographed only from behind. But those who knew him often revered him. W. H. Auden called him the finest living English novelist. His real name was Henry Vincent Yorke. The son of a wealthy Birmingham industrialist, he was educated at Eton and Oxford but never completed his degree. He became managing director of the family factory, which made beer-bottling machines. But first he spent a year on the factory floor with the ordinary workers, and his fiction is forever marked by an understanding of the English at all levels of society, something rare in class-bound British literature. Loving is a classic upstairs-downstairs story, with the emphasis on downstairs. You see the life of a great Irish country house during World War II through the eyes of its mostly British servants, who make a world of their own during a period when their masters are away. Green's generosity towards even the most scheming and rascally of them offers a lesson you never forget.
One of his most admired works, Loving describes life above and below stairs in an Irish country house during the Second World War. In the absence of their employers the Tennants, the servants enact their own battles and conflict amid rumours about the war in Europe; invading one another's provinces of authority to create an anarchic environment of self-seeking behaviour, pilfering, gossip and love.
"Loving stands, together with Living, as the masterpiece of this disciplined, poetic and grimly realistic, witty and melancholy, amorous and austere voluptuary-comic, richly entertaining-haunting and poetic-writer." – TLS
"Green's works live with ever-brightening intensity-it's like dancing with Nijinsky or Astaire, who lead you effortlessly on." – The Wall Street Journal
"Green's novels- have become, with time, photographs of a vanished England -Green's human qualities – his love of work and laughter; his absolute empathy; his sense of splendour amid loss – make him a precious witness to any age." – John Updike
"Green's books are solid and glittering as gems." – Anthony Burgess

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'E said Captain Davenport had left for England sudden. Jane and me's wonderin' if per'aps they've learned something about this invasion.'

'Maybe there's something you don't know Mary,' Miss Burch said, 'and which has nothing to do with wars or rumours of wars.'

'I won't wear it,' Mrs Welch suddenly shouted out thumping the table. 'You'll get us all butchered in our beds that's what I tell you.'

'I was only out by the larder when he rang the bell'm an' I 'id behind the monument like you said but 'e must've catched sight of my dress for he came behind.'

'Did he?' Miss Burch announced with dignity. There's no end to it nowadays,' she said. She stopped by the door, turned back towards Mrs Welch. 'And the Captain's gone over you say? I shall go and lie down.'

'Well don't stand there lookin' Mary, get on with your work,' Mrs Welch remarked as if exhausted and once she was alone got out the key, unlocked the cupboard, and poured another measure of gin. 'For why?' she asked herself aloud, 'because it ain't no use.' When they broke up after dinner in the servants' hall Albert went to clear away in the nursery. Kate followed to help. Paddy returned to his lamproom. This gave Raunce a chance to say to Edith quite formal, 'Have you seen the pictures in my room?' She called him every day now with his early tea. So she said, 'What d'you mean?'

'Why the pictures I've hanged on the walls.' She had done this bedroom out these last five weeks and had carefully examined what he had put in place of Mr Eldon's Coronation likenesses of King Edward and his Danish Queen.

'What's that?' she asked.

'It's brought a big improvement you'll see,' he answered, leading the way. He said twice to himself, 'if I make it seem ordinary she'll follow,' and did not look round for he heard her come after. But his legs went shaky. Probably it was trying to counteract this that made him walk stiff.

'Mortal damp these passages are,' he remarked as their footfalls echoed.

'You want to take care with those swollen glands,' she replied.

'That's why I've got it well wrapped round,' he said. 'Trust little Charley.' It was not long before he was opening his door and entering in front of her.

'Well?' he asked, 'what d'you say to that? Brightens the old place up doesn't it?'

Making herself dainty she looked once more at the two colourful lithographs of Windsor Castle, and the late King George's Coronation Coach, a plain house photograph of Etonians including Mr Jack in tails, and the polychrome print of scarlet-coated soldiers marching in bearskins. The frames were black and matched.

'The British Grenadiers girl,' he said hearty. 'Grenadier Guardsmen they are,' he said. 'Finest soldiers in the world,' he added.

She let this pass, merely enquiring if the pictures were not out of Mr Jack's old playroom and if he did not think they would mind his taking them.

'I don't pay attention,' he announced.

'So I notice,' she said.

'Well what's the object?' he wanted to know. They can't remember what they've got.' He was getting almost brisk with her.

'No,' she replied, 'but that's not saying they would never recognize a picture which is hung on the wall.'

'All right,' he said, 'what then? They couldn't make out I'd took it could they when it's in the house all the time.'

'Oh I'm not talkin' of that old picture,' she replied, not looking at him. There's other matters I've noticed.'

'Really!' he asked as though he had not made up his mind whether or no to be sarcastic.

'Yes Mr Raunce,' she said.

'Aw come on now,' he objected, 'you don't need to call me Mr Raunce, not when we're like this. I'm Charley to you as we are.'

'All right, yes… Charley,' she murmured.

'Listen dear you don't want to bother your head with what you see,' he began again.

'Me?' she answered. 'I'm not worrying.' S 'Well then what is it you take exception to?' i 'Oh nothing,' she said as if she did not care what he did.

'Should it be the lamp wicks now why they're just my perks since I come into the place,' he explained. 'I know old Aggie Burch reckons she tumbled something the other day and I don't doubt she's talked. But you needn't run away with the notion I put new wicks down in my book and then buy none. Why it's to get them a stock up. One day they might turn round to find there won't be r wicks being made no more for the duration. If I didn't tell Mrs T. i i they were required I couldn't get any for 'er could I?'! › 'It'll be all right till they find you out.' / 'No one ever found out Charley Raunce. Lucky Charley they call me.' i I 'It's the lucky ones have furthest to fall,' she said low. [, 'But what's it to you?' he asked as though challenging her. 'It's | nothing to you,' he said. j 'I do care,' she said and turned away abruptly.!

'What's this?' he enquired chuckling, a light in his eyes. Coming • up behind he laid hold of her shoulders. 'Here give us a little kiss,' he said. For answer she burst into noisy tears. 'Now girlie,' he cried; as if stricken, dropped his hands and sat heavily down on the bed. He seized her wrist and began rubbing the knuckles.

'Oh I don't know,' she broke out keeping her head turned so he should not see and blowing her nose, 'it's all this talk of invasion -an' the Jerries an' the Irish – then what I witnessed when I called: my young lady – an' you makin' out I never seen what I did – oh it's. disgustin' that's what this old place is, it's horrible,' she said. '

'Why whatever's up?' Raunce asked abashed, still rubbing the back of her hand.

'First you blow hot then you blow cold,' Edith said and snuffled.

'Blow hot then cold?'

'One minute you say the Jerries are comin' over,' she complained, 'and next you won't have a body try to get over home while there's time.'

He pulled gently on her arm. 'Come and sit by father,' he said.

'Me?' she said in a brighter voice. 'What d'you take me for?'

'That's better,' he said although she was still standing there. 'The trouble with you is you take everything so dead serious.'

'And how do you view things for the matter of that?' she enquired.

'Here,' he replied, 'we don't want you jumpin' on me into the bargain. No me,' he went on, 'I take things to 'eart.'

'Yes?' she said and sat down as though bemused.

'I take things right down inside me girl,' he said putting an arm lightly round her. 'When I feel whatever it is I feel it deep. I'm not like some,' he was going on when she turned her face so that he looked into her eyes which seemed now to have a curve of laughter in their brimming light.

'Oh baby,' he said, reached out with his face. He might have been about to kiss her. She twisted slightly, came out with a 'now then,' and he ceased. 'Look,' he went on and put his other arm round her waist so that he had her in a hoop of himself and was obliged to lean awkwardly to do this. 'Look,' he said again, 'it's what is to happen to you I can't get out of my system, that I think of all the time.'

'And so you should,' she said.

'What's that?' he asked and began to pull at her. She put one hand loose on his nearest arm, holding it between a small finger and thumb.

'Well,' she answered looking away at the rain through that pointed window so that he could not see her face which was smiling, 'the two ladies are gone. They're not coming back are they? We're all alone Charley. We've only you to look to, to know what's best.' He relaxed.

'And you'd rather have it that way, eh ducks?' he asked jovial. 'What can Mrs T. do for you?'

'She can ring up them green police can't she?' Edith said loud and sudden and pushed and shook his arms off while he stayed limp. One of his arms fell across her lap. He lifted it off at once. 'They'd never come for us, not them Irish,' she said.

'Come what for?' he asked confused.

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