Henry Green - Loving

•Yes'm.'

'AH right then and I don't want to hear any more. But if you so much as breathes a word of what 'as just passed I'll tan the 'ide clean off your back you little poulterer you h'understand?'

'Yes'm.' He turned, ran out.

Then high shrieking giggles came faint with distance from without. Mrs Welch moved over to perforated iron which formed a wall of the larder, advanced one eye to a hole and grimly watched.

The back premises of this grey Castle were on a vast scale. What she saw afar was Kate and Edith with their backs to her in purple uniforms and caps the colour of a priest's cassock. They seemed to be waiting outside O'Conor's lamp room. This was two tall Gothic windows and a pointed iron-studded door in a long wall of other similar doors and windows topped by battlements above which was set back another wall with a greater number of windows which in its turn was terraced into the last storey that was almost all blind Gothic windows under a steep roof of slate. Mrs Welch after seeming to linger over the great shaft of golden sun which lighted these girls through parted cloud let a great gust of sigh and turned away saying, 'Well if Aggie Burch can't hold 'em in leash it's none of my business, the pair of two-legged mice, the thieves,' she added.

But as Edith reached for O'Conor's latch Kate screamed at her, 'And what if there's a mouse?' Then Edie, hands to the side over a swelling heart, gave back, 'Oh love you can't say that to me,' and leant against the door post. 'That you can't say love,' she said, dizzy once more all of a sudden.

'Aw come on I only meant it for a game.'

'Oh Kate.'

'You're soft that's what it is dear.'

'Not after what come to pass this very morning you didn't ought.'

'Why see who's brought 'erself to have a peek at him,' Kate said of a moulting peacock which head sideways was gazing up with one black white-rimmed eye. 'Get off,' she cried, 'I don't like none of you.'

'Quiet dear. It's likely his favourite.'

'Why what d'you know,' said Kate, 'she's not taken up with us at all at all, it's the buzzard above she's fixed on, would you believe.'

'A buzzard?'

'And if I said I didn't care.'

'No Kate you mustn't, don't strike her I said. You can't tell what might happen if he came to learn.'

'Oh Paddy,' Kate said, 'I'll bet he's well away after that dinner he ate. He'll never stir. But I shan't if you wouldn't rather.'

'She's his special I know,' Edith went on. 'I can't distinguish one from the other but there's something tells me. And who's to say if he is asleep in the dark?'

'You go on in to oblige me then,' Kate said.

'Not me I shan't. I couldn't.'

'Well I will at that.'

'Nor you won't either,' Edith said. 'You've made me frighted.'

'I will then,' Kate answered, raising the heavy latch. 'But love I'll never cause a sound even the smallest,' she said low. Edith plastered her mouth over with the palm of a hand.

'No,' she said muffled, 'no,' as O'Conor's life was opened, as Kate let the sun in and Edith bent to look.

What they saw was a saddleroom which dated back to the time when there had been guests out hunting from Kinalty. It was a place from which light was almost excluded now by cobwebs across its two windows and into which, with the door ajar, the shafted sun lay in a lengthened arch of blazing sovereigns. Over a corn bin on which he had packed last autumn's ferns lay Paddy snoring between these windows, a web strung from one lock of hair back onto the sill above and which rose and fell as he breathed. Caught in the reflection of spring sunlight this cobweb looked ta be made of gold as did those others which by working long minutes spiders had drawn from spar to spar of the fern bedding on which his head rested. It might have been almost that O'Conor's dreams were held by hairs of gold binding his head beneath a vaulted roof on which the floor of cobbles reflected an old king's molten treasure from the bog.

'He won't wake now, only for tea,' Kate said. 'Because after he's had his he feeds the birds.'

'Oh Kate isn't he a sight and all.'

'Well come on we can't stand looking. What's next?'

'If I make a crown out of them ferns in the corner,' Edith said, "will you fetch something he can hold?'

'You aim to make him a bishop? Well if I 'ad my way I'd strip those rags off to give that pelt of his a good rub over.'

'Don't talk so. You couldn't.'

'Who's doing all the talking?' O'Conor gave a loud snore. Both girls began to giggle.

'Oh do be quiet dear,' Edith said picking a handful of ferns and starting to twist them. Then they were arrested by movement in the sunset of that sidewall which reflected glare from the floor in its glass.

For most of one side of this room was taken up by a vast glass-fronted cupboard in which had once been kept the bits, the halters and bridles, and the martingales. At some time O'Conor had cut away wooden partitioning at the back to make a window into the next chamber, given over nowadays to his peacocks. This was where these birds sheltered in winter, nested in spring, and where they died of natural causes at the end. As though stuffed in a dusty case they showed themselves from time to time as one after another across the heavy days they came up to look at him. Now, through a veil of light reflected over this plate glass from beneath, Edith could dimly see, not hear, a number of peacocks driven into view by some disturbance on their side and hardly to be recognized in this sovereign light. For their eyes had changed to rubies, their plumage to orange as they bowed and scraped at each other against the equal danger. Then again they were gone with a beat of wings and in their room stood Charley Raunce, the skin of his pale face altered by refraction to red morocco leather.

The girls stood transfixed a. s if by arrows between the Irishman dead motionless asleep and the other intent and quiet behind a division. Then dropping everything they turned, they also fled.

Miss Swift was deaf and could not always hear her charges' words as along with Evelyn and Moira and Mrs Welch's Albert she came that afternoon to the dovecote round by the back. She groaned while she settled herself in the shady seat and the doves rose in a white cloud on softly clapping wings.

'What's troublin'

'er?' Albert asked.

'It's only nanny's rheumatism,' Miss Moira quoted.

'Why come to that I got an uncle 'as 'is joints boiled Tuesdays and Thursdays over at St Luke's down the old Bow Road.'

'Now shall poor old nanny tell you a story of the two white doves that didn't agree?'

Moira nudged Evelyn and pointed. A pair of these birds on a ledge were bowing beak to beak. The two girls copied them, nodding deeply one to the other as they sat on either side of Miss Swift. This woman rubbed a knee with both hands without looking at it. She had closed her eyes.

'Once upon a time there were six little doves lived in a nest,' she began and Raunce came out of an unused door in that Castle wall. The rusted hinges creaked. The two girls waved but Mrs Welch's Albert beyond Evelyn might almost have been said to cringe. Raunce put a ringer to his lips. He was on his way back from the round he had made of the peacocks' corn bins and during which he startled Kate and Edith. Then Miss Evelyn and Miss Moira each put a finger to their mouths as they went on bowing to each other. Raunce made off. Miss Swift continued, 'Because they were so poor and hungry and cold in their thin feathers out there in the rain.' She opened her eyes. 'Children,' she said, 'stop those silly tricks' and the girls obeyed. 'But the sun came out to warm them,' she intoned.

'Jesus,' Albert muttered, 'look at that.'

This dovecote was a careful reproduction of the leaning tower of Pisa on a small scale. It had balconies to each tier of windows. Now that the birds had settled again they seemed to have taken up their affairs at the point where they had been interrupted. So that all these balconies were crowded with doves and a heavy murmur of cooing throbbed the air though at one spot there seemed to be trouble.