Jack Kerouac - The Dharma Bums

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One of the best and most popular of Kerouac's autobiographical novels, The Dharma Bums is based on experiences the writer had during the mid-1950s while living in California, after he'd become interested in Buddhism's spiritual mode of understanding. One of the book's main characters, Japhy Ryder, is based on the real poet Gary Snyder, who was a close friend and whose interest in Buddhism influenced Kerouac. This book is a must-read for any serious Kerouac fan.
Two ebullient young men are engaged in a passionate search for dharma, or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high Sierras to seek the lesson of solitude, a lesson that has a hard time surviving their forays into the pagan groves of San Francisco's Bohemia with its marathon wine-drinking bouts, poetry jam sessions, experiments in "yabyum," and similar nonascetic pastimes.
This autobiographical novel appeared just a year after the author's explosive On the Road put the Beat generation on the literary map and Kerouac on the best-seller lists. The same expansiveness, humor, and contagious zest for life that sparked the earlier novel ignites this one.

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Though sometimes I was afraid he would drive right into my head with his long beaker like a hatpin. There was also an old rat scrambling in the cellar under the shack and it was a good thing to keep the door closed at night. My other great friends were the ants, a colony of them that wanted to come in the shack and find the honey ("Calling all ants, calling all ants, come and get your ho-ney!" sang a little boy one day in the shack), so I went out to their anthill and made a trail of honey leading them into the back garden, and they were at that new vein of joy for a week. I even got down on my knees and talked to the ants. There were beautiful flowers all around the shack, red, purple, pink, white, we kept making bouquets but the prettiest of all was the one Japhy made of just pine cones and a sprig of pine needles. It had that simple look that characterized all his life. He'd come barging into the shack with his saw and see me sitting there and say "Why did you sit around all day?"

"I am the Buddha known as the Quitter."

Then it would be when Japhy's face would crease up in that l8l funny littleboy laugh of his, like a Chinese boy laughing, crow's tracks appearing on each side of his eyes and his long mouth cracking open. He was so pleased with me sometimes.

Everybody loved Japhy, the girls Polly and Princess and even married Christine were all madly in love with him and they were all secretly jealous of Japhy's favorite doll Psyche, who came the following weekend real cute in jeans and a little white collar falling over her black turtleneck sweater and a tender little body and face. Japhy had told me he was a bit in love with her himself. But he had a hard time convincing her to make love he had to get her drunk, once she got drinking she couldn't stop. That weekend she came Japhy made slumgullion for all the three of us in the shack then we borrowed Sean's jalopy and drove about a hundred miles up the seacoast to an isolated beach where we picked mussels right off the washed rocks of the sea and smoked them in a big woodfire covered with seaweed. We had wine and bread and cheese and Psyche spent the whole day lying on her stomach in her jeans and sweater, saying nothing. But once she looked up with her little blue eyes and said "How oral you are, Smith, you're always eating and drinking."

"I am Buddha Empty-Eat," I said.

"Ain't she cute?" said Japhy.

"Psyche," I said, "this world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is."

"Ah boloney."

We ran around the beach. At one point Japhy and Psyche were hiking up ahead on the beach and I was walking alone whistling Stan Getz's "Stella" and a couple of beautiful girls up front with their boyfriends heard me and one girl turned and said "Swing." There were natural caves on that beach where Japhy had once brought big parties of people and had organized naked bonfire dances.

Then the weekdays would come again and the parties were over and Japhy and I would sweep out the shack, wee dried bums dusting small temples. I still had a little left of my grant from last fall, in traveler's checks, and I took one and went to the supermarket down on the highway and bought flour, oatmeal, sugar, molasses, honey, salt, pepper, onions, rice, dried milk, bread, beans, black-eyed peas, potatoes, carrots, cabbage, lettuce, coffee, big wood matches for our woodstove and came staggering back up the hill with all that and a half-gallon of red port. Japhy's neat little spare foodshelf was suddenly loaded with too much food. "What we gonna do with all this? We'll have to feed all the bhikkus." In due time we had more bhikkus than we could handle: poor drunken Joe Ma-honey, a friend of mine from the year before, would come out and sleep for three days and recuperate for another crack at North Beach and The Place. I'd bring him his breakfast in bed. On weekends sometimes there'd be twelve guys in the shack all arguing and yakking and I'd take some yellow corn meal and mix it with chopped onions and salt and water and pour out little johnnycake tablespoons in the hot frying pan (with oil) and provide the whole gang with delicious hots to go with their tea. In the Chinese Book of Changes a year ago I had tossed a couple of pennies to see what the prediction of my fortune was and it had come out, "You will feed others." In fact I was always standing over a hot stove.

"What does it mean that those trees and mountains out there are not magic but real?" I'd yell, pointing outdoors.

"What? "they'd say.

"It means that those trees and mountains out there are not magic but real."

"Yeah?"

Then I'd say, "What does it mean that those trees and mountains aren't real at all, just magic?"

"Oh come on."

"It means that those trees and mountains aren't real at all, just magic."

"Well which is it, goddammit!"

"What does it mean that you ask, well which is it goddammit?" I yelled.

"Well what?"

"It means that you ask well which is it goddammit."

"Oh go bury your head in your sleeping bag, bring me a cup of that hot coffee." I was always boiling big pots of coffee on the stove.

"Oh cut it out," yelled Warren Coughlin. "The chariot will wear down!"

One afternoon I was sitting with some children in the grass and they asked me "Why is the sky blue?"

"Because the sky is blue."

"I wanta know /why /the sky is blue."

"The sky is blue because you wanta know why the sky is blue."

"Blue blue you," they said.

There were also some little kids who came around throwing rocks on our shack roof, thinking it was abandoned. One afternoon, at the time when Japhy and I had a little jet-black cat, they came sneaking to the door to look in. Just as they were about to open the door I opened it, with the black cat in my arms, and said in a low voice "I am the ghost."

They gulped and looked at me and believed me and said "Yeah." Pretty soon they were over the other side of the hill. They never came around throwing rocks again. They thought I was a witch for sure.

Chapter 26

Plans were being made for Japhy's big farewell party a few days before his boat sailed for Japan. He was scheduled to leave on a Japanese freighter. It was going to be the biggest party of all time, spilling out of Sean's hi-fi living room right out into the bonfire yard and up the hill and even over it. Japhy and I had had our fill of parties and were not looking forward to it too happily. But everybody was going to be there: all his girls, including Psyche, and the poet Ca-coethes, and Coughlin, and Alvah, and Princess and her new boyfriend, and even the director of the Buddhist Association Arthur Whane and his wife and sons, and even Japhy's father, and of course Bud, and unspecified couples from everywhere who would come with wine and food and guitars. Japhy said "I'm gettin sick and tired of these parties. How about you and me taking off for the Marin trails after the party, it'll go on for days, we'll just bring our packs and take off for Potrero Meadows camp or Laurel Dell."

"Good."

Meanwhile, suddenly one afternoon Japhy's sister Rhoda appeared on the scene with her fiance. She was going to be married in Japhy's father's house in Mill Valley, big reception and all. Japhy and I were sitting around in the shack in a drowsy afternoon and suddenly she was in the door, slim and blond and pretty, with her well-dressed Chicago fiance, a very handsome man. "Hoo!" yelled Japhy jumping up and kissing her in a big passionate embrace, which she returned wholeheartedly. And the way they talked!

"Well is your husband gonna be a good bang?"

"He damn well is, I picked him out real careful, ya grunge-jumper!"

"He'd better be or you'll have to call on me!"

Then to show off Japhy started a woodfire and said "Here's what we do up in that real country up north," and dumped too much kerosene into the fire but ran away from the stove and waited like a mischievous little boy and /broom! /the stove let out a deep rumbling explosion way inside that I could feel the shock of clear across the room. He'd almost done it that time. Then he said to her poor fiance "Well you know any good positions for honeymoon night?" The poor guy had just come back from being a serviceman in Burma and tried to talk about Burma but couldn't get a word in edgewise. Japhy was mad as hell and really jealous. He was invited to the fancy reception and he said "Can I show up nekkid?"

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