Jack Kerouac - The Dharma Bums

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One of the best and most popular of Kerouac's autobiographical novels, The Dharma Bums is based on experiences the writer had during the mid-1950s while living in California, after he'd become interested in Buddhism's spiritual mode of understanding. One of the book's main characters, Japhy Ryder, is based on the real poet Gary Snyder, who was a close friend and whose interest in Buddhism influenced Kerouac. This book is a must-read for any serious Kerouac fan.
Two ebullient young men are engaged in a passionate search for dharma, or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high Sierras to seek the lesson of solitude, a lesson that has a hard time surviving their forays into the pagan groves of San Francisco's Bohemia with its marathon wine-drinking bouts, poetry jam sessions, experiments in "yabyum," and similar nonascetic pastimes.
This autobiographical novel appeared just a year after the author's explosive On the Road put the Beat generation on the literary map and Kerouac on the best-seller lists. The same expansiveness, humor, and contagious zest for life that sparked the earlier novel ignites this one.

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"Comparisons are odious, Smith," he sent sailing back to me, quoting Cervantes and making a Zen Buddhist observation to boot. "It don't make a damn frigging difference whether you're in The Place or hiking up Matterhorn, it's all the same old void, boy." And I mused about that and realized he was right, comparisons /are /odious, it's all the same, but it sure felt great and suddenly I realized this (in spite of my swollen foot veins) would do me a lot of good and get me away from drinking and maybe make me appreciate perhaps a whole new way of living.

"Japhy I'm glad I met you. I'm gonna learn all about how to pack rucksacks and what to do and hide in these mountains when I'm sick of civilization. In fact I'm grateful I met you."

"Well Smith I'm grateful I met you too, learnin about how to write spontaneously and all that."

"Ah that's nothing."

"To me it's a lot. Let's go boys, a little faster, we ain't got no time to waste."

By and by we reached the boiling yellow dust where caterpillars were churning around and great big fat sweaty operators who didn't even look at us were swearing and cussing on the job. For them to climb a mountain you'd have to pay them double time and quadruple time today, Saturday.

Japhy and I laughed to think of it. I felt a little embarrassed with my silly beret but the cat operators didn't even look and soon we left them behind and were approaching the final little store lodge at the foot of the trail. It was a log cabin, set right on the end of the lake, and it was enclosed in a V of pretty big foothills. Here we stopped and rested awhile on the steps, we'd hiked approximately four miles but on flat good road, and went in and bought candy and crackers and Cokes and stuff. Then suddenly Morley, who'd not been silent on the four-mile hike, and looked funny in his own outfit which was that immense packboard with air mattress and all (deflated now) and no hat at all, so that he looked just like he does in the library, but with big floppy pants of some kind, Morley suddenly remembered he'd forgotten to drain the crankcase.

"So he forgot to drain the crankcase," I said noticing their consternation and not knowing much about cars, "so he forgot to brain the drankbase."

"No, this means that if it gets below freezing tonight down here the goddamn radiator explodes and we can't drive back home and have to walk twelve miles to Bridgeport and all and get all hung-up."

"Well maybe it won't be so cold tonight."

"Can't take a chance," said Morley and by that time I was pretty mad at him for finding more ways than he could figure to forget, foul up, disturb, delay, and make go round in circles this relatively simple hiking trip we'd undertaken.

"What you gonna do? What we gonna do, walk back four miles?"

"Only thing to do, I'll walk back alone, drain the crankcase, walk back and follow you up the trail and meet you tonight at the camp."

"And I'll light a big bonfire," said Japhy, "and you'll see the glow and just yodel and we'll direct you in."

"That's simple."

"But you've got to step on it to make it by nightfall at camp."

"I will, I'll start back right now."

But then I felt sorry about poor old hapless funny Henry and said "Ah hell, you mean you're not going to climb with us today, the hell with the crankcase come on with us."

"It'd cost too much money if that thing froze tonight, Smith no I think I better go back. I've got plenty of nice thoughts to keep me acquainted with probably what you two'll be talking about all day, aw hell I'll just start back right now. Be sure not to roar at bees and don't hurt the cur and if the tennis party comes on with everybody shirtless don't make eyes at the searchlight or the sun'll kick a girl's ass right back at you, cats and all and boxes of fruit and oranges thrown in" and some such statement and with no ado or ceremony there he went down the road with just a little handwave, muttering and talking on to himself, so we had to yell "Well so long Henry, hurry up" and he didn't answer but just walked off shrugging.

"You know," I said, "I think it doesn't make any difference to him anyway. He's just satisfied to wander around and forget things."

"And pat his belly and look at things as they are, sorta like in Chuangtse" and Japhy and I had a good laugh watching forlorn Henry swaggering down all that road we'd only just negotiated, alone and mad.

"Well here we go" said Japhy. "When I get tired of this big rucksack we'll swap."

"I'm ready now. Man, come on, give it to me now, I feel like carrying something heavy. You don't realize how /good /I feel, man, come on!" So we swapped packs and started off.

Both of us were feeling fine and were talking a blue streak, about anything, literature, the mountains, girls, Princess, the poets, Japan, our past adventures in life, and I suddenly realized it was a kind of blessing in disguise Morley had forgotten to drain the crankcase, otherwise Japhy wouldn't have got in a word edgewise all the blessed day and now I had a chance to hear his ideas. In the way he did things, hiking, he reminded me of Mike my boyhood chum who also loved to lead the way, real grave like Buck Jones, eyes to the distant horizons, like Natty Bumppo, cautioning me about snapping twigs or "It's too deep here, let's go down the creek a ways to ford it," or "There'll be mud in that low bottom, we better skirt around" and dead serious and glad. I saw all Japhy's boyhood in those eastern Oregon forests the way he went about it. He walked like he talked, from behind I could see his toes pointed slightly inward, the way mine do, instead of out; but when it came time to climb he pointed his toes out, like Chaplin, to make a kind of easier flapthwap as he trudged. We went across a kind of muddy riverbottom through dense undergrowth and a few willow trees and came out on the other side a little wet and started up the trail, which was clearly marked and named and had been recently repaired by trail crews but as we hit parts where a rock had rolled on the trail he took great precaution to throw the rock off saying "I used to work on trail crews, I can't see a trail all mettlesome like that, Smith." As we climbed the lake began to appear below us and suddenly in its clear blue pool we could see the deep holes where the lake had its springs, like black wells, and we could see schools of fish skitter.

"Oh this is like an early morning in China and I'm five years old in beginningless time!" I sang out and felt like sitting by the trail and whipping out my little notebook and writing sketches about it.

"Look over there," sang Japhy, "yellow aspens. Just put me in the mind of a haiku… 'Talking about the literary life-the yellow aspens.' "

Walking in this country you could understand the perfect gems of haikus the Oriental poets had written, never getting drunk in the mountains or anything but just going along as fresh as children writing down what they saw without literary devices or fanciness of expression. We made up haikus as we climbed, winding up and up now on the slopes of brush.

"Rocks on the side of the cliff," I said, "why don't they tumble down?"

"Maybe that's a haiku, maybe not, it might be a little too complicated," said Japhy. "A real haiku's gotta be as simple as porridge and yet make you see the real thing, like the greatest haiku of them all probably is the one that goes 'The sparrow hops along the veranda, with wet feet.'

By Shiki. You see the wet footprints like a vision in your mind and yet in those few words you also see all the rain that's been falling that day and almost smell the wet pine needles."

"Let's have another."

"I'll make up one of my own this time, let's see, ' Lake below… the black holes the wells make,' no that's not a haiku goddammit, you never can be too careful about haiku."

"How about making them up real fast as you go along, spontaneously?"

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