Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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You know about what happened, dont you? said John Grady. You mean in the messhall?

Yeah.

Yeah.

John Grady reached and got his cigarettes off the table and lit one and blew out the match.

I never thought I'd do that.

You didnt have no choice.

I still never thought it.

He'd of done it to you.

He drew on the cigarette and blew the smoke unseen into the darkness. You dont need to try and make it right. It is what it is.

Rawlins didnt answer. After a while he said: Where'd you get the knife?

Off the Bautistas. I bought it with the last forty-five pesos we had.

Blevins' money.

Yeah. Blevins' money.

Rawlins was lying on his side in the springshot iron bedstead watching him in the dark. The cigarette glowed a deep red where John Grady drew on it and his face with the sutures in his cheek emerged from the darkness like some dull red theatric mask indifferently repaired and faded back again.

I knew when I bought the knife what I'd bought it for.

I dont see where you were wrong.

The cigarette glowed, it faded. I know, he said. But you didnt do it.

In the morning it was raining again and they stood outside the same cafe with toothpicks in their teeth and looked at the rain in the plaza. Rawlins studied his nose in the glass.

You know what I hate?

What?

Showin up at the house lookin like this.

John Grady looked at him and looked away. I dont blame you, he said.

You dont look so hot yourself.

John Grady grinned. Come on, he said.

They bought new clothes and hats in a Victoria Street haberdashery and wore them out into the street and in the slow falling rain walked down to the bus station and bought Rawlins a ticket for Nuevo Laredo. They sat in the bus station cafe in the stiff new clothes with the new hats turned upside down on the chairs at either side and they drank coffee until the bus was announced over the speaker.

That's you, said John Grady.

They rose and put on their hats and walked out to the gates.

Well, said Rawlins. I reckon I'll see you one of these days.

You take care.

Yeah. You take care.

He turned and handed his ticket to the driver and the driver punched it and handed it back and he climbed stiffly aboard. John Grady stood watching while he passed along the aisle. He thought he'd take a seat at the window but he didnt. He sat on the other side of the bus and John Grady stood for a while and then turned and walked back out through the station to the street and walked slowly back through the rain to the hotel.

He exhausted in the days following the roster of surgeons in that small upland desert metropolis without finding one to do what he asked. He spent his days walking up and down in the narrow streets until he knew every corner and callejón. At the end of a week he had the stitches removed from his face, sitting in a common metal chair, the surgeon humming to himself as he snipped with his scissors and pulled with his clamp. The surgeon said that the scar would improve in its appearance. He said for him not to look at it because it would get better with time. Then he put a bandage over it and charged him fifty pesos and told him to come back in five days and he would remove the stitches from his belly.

A week later he left Saltillo on the back of a flatbed truck heading north. The day was cool and overcast. There was a large diesel engine chained to the bed of the truck. He sat in the truckbed as they jostled out through the streets, trying to brace himself, his hands at either side on the rough boards. After a while he pulled his hat down hard over his eyes and stood and placed his hands outstretched on the roof of the cab and rode in that manner. As if he were some personage bearing news for the countryside. As if he were some newfound evangelical being conveyed down out of the mountains and north across the flat bleak landscape toward Monclova.

IV

AT A CROSSROADS STATION somewhere on the other side of Paredón they picked up five farmworkers who climbed up on the bed of the truck and nodded and spoke to him with great circumspection and courtesy. It was almost dark and it was raining lightly and they were wet and their faces were wet in the yellow light from the station. They huddled forward of the chained engine and he offered them his cigarettes and they thanked him each and took one and they cupped their hands over the small flame against the falling rain and thanked him again.

De dónde viene? they said.

De Tejas.

Tejas, they said. Y dónde va?

He drew on his cigarette. He looked at their faces. One of them older than the rest nodded at his cheap new clothes.

Él va a ver a su novia, he said.

They looked at him earnestly and he nodded and said that it was true.

Ah, they said. Qué bueno. And after and for a long time to come he'd have reason to evoke the recollection of those smiles and to reflect upon the good will which provoked them for it had power to protect and to confer honor and to strengthen resolve and it had power to heal men and to bring them to safety long after all other resources were exhausted.

When the truck finally pulled out and they saw him still standing they offered their bundles for him to sit on and he did so and he nodded and dozed to the hum of the tires on the blacktop and the rain stopped and the night cleared and the moon that was already risen raced among the high wires by the highway side like a single silver music note burning in the constant and lavish dark and the passing fields were rich from the rain with the smell of earth and grain and peppers and the sometime smell of horses. It was midnight when they reached Monclova and he shook hands with each of the workers and walked around the truck and thanked the driver and nodded to the other two men in the cab and then watched the small red taillight recede down the street and out toward the highway leaving him alone in the darkened town.

The night was warm and he slept on a bench in the alameda and woke with the sun already up and the day's commerce begun. Schoolchildren in blue uniforms were passing along the walkway. He rose and crossed the street. `'omen were washing the sidewalks in front of the shops and vendors were setting up their wares on small stands or tables and surveying the day.

He ate a breakfast of coffee and pan dulce at a cafe counter in a sidestreet off the square and he entered a farmacia and bought a bar of soap and put it in the pocket of his jacket along with his razor and toothbrush and then set out along the road west.

He got a ride to Frontera and another to San Buenaventura. At noon he bathed in an irrigation ditch and he shaved and washed and slept lying on his jacket in the sun while his clothes dried. Downstream was a small wooden cofferdam and when he woke there were naked children splashing in the pool there and he rose and wrapped his jacket about his waist and walked out along the bank where he could sit and watch them. Two girls passed down the bankside path bearing between them a clothcovered tub and carrying covered pails in their free hand. They were taking dinner to workers in the field and they smiled shyly at him sitting there half naked and so pale of skin with the angry red suture marks laddered across his chest and stomach. Quietly smoking. Watching the children bathe in the silty ditchwater.

He walked all afternoon out the dry hot road toward Cuatro Ciénagas. No one he met passed without speaking. He walked along past fields where men and women were hoeing the earth and those at work by the roadside would stop and nod to him and say how good the day was and he agreed with all they said. In the evening he took his supper with workers in their camp, five or six families seated together at a table made of cut poles bound with hemp twine. The table was pitched under a canvas fly and the evening sun resolved within the space beneath a deep orange light where the seams and stitching passed in shadow over their faces and their clothes as they moved. The girls set out the dishes on little pallets made from the ends of crates that nothing overbalance on the uncertain surface of the table and an old man at the farthest end of the table prayed for them all. He asked that God remember those who had died and he asked that the living gathered together here remember that the corn grows by the will of God and beyond that will there is neither corn nor growing nor light nor air nor rain nor anything at all save only darkness. Then they ate.

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