William Boyd - Restless

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Restless: краткое содержание, описание и аннотация

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What happens to your life when everything you though you knew about your mother turns out to be an elaborate lie? During the long hot summer of 1976, Ruth Gilmartin discovers that her very English mother Sally is really Eva Delectorskaya, a Russian émigré and one-time spy.
In 1939 Eva is a beautiful 28-year-old living in Paris. As war breaks out, she is recruited for the British Secret Service by Lucas Romer, a mysterious, patrician Englishman. Under his tutelage she learns to become the perfect spy, to mask her emotions and trust no one. Even those she loves most.
Since then Eva has carefully rebuilt her life – but once a spy, always a spy. And now she must complete one final assignment. This time, though, Eva can't do it alone: she needs her daughter's help.
Restless is a tour de force. Exploring the devastating consequences of duplicity and betrayal, William Boyd's gripping new novel captures the drama of the Second World War and paints a remarkable portrait of a female spy. Full of suspense, emotion and history, this is storytelling at its very finest.

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'What's a demonstration, Mummy?' he asked.

'We're protesting. Protesting that the University of Oxford should take money from a tyrant and a dictator, a man called the Shah of Iran.'

'The Shah of Iran,' he repeated, liking the sounds of the words. 'Will Hamid be there?'

'Definitely, I would say.'

'He comes from Iran as well, doesn't he?'

'Indeed he does, my clever lad…'

I stopped, astonished – there seemed to be about 500 people gathered in two groups on either side of the main entrance to the college. I had been expecting the usual small quorum of earnest lefties and some punks looking for fun but here were dozens of police, arms linked, keeping the entrance to the college as wide and as clear as possible. Others stood in the street on their walkie-talkies, impatiently waving cars on. There were banners – saying DICTATOR, TRAITOR, MURDERER and OXFORD 'S SHAME and (more wittily) THE SHAM OF IRAN – and orchestrated chanting in Farsi led by a masked man with a megaphone. Yet the mood was strangely festive – perhaps because it was a beautiful warm summer evening, perhaps because it was a decorous Oxford demonstration, or perhaps because it seemed hard to be really outraged and revolutionary about the opening of a new library. There was a lot of grins, laughter, banter – still, I was impressed: it was the largest political demonstration I had seen in Oxford. It reminded me of my Hamburg days and, thinking of Hamburg, I was reminded of Karl-Heinz and all the fervent, angry marches and demonstrations we had been on together. My mood collapsed somewhat.

I spotted Hamid with a group of other Iranians, chanting along with the megaphone man, and pointing their fingers in emphatic unison. The larking English students, in their combat jackets and keffiyehs, looked like amateurs; for them this protest was a kind of extra-curricular luxury, nothing was really at stake – a bit of fun on a sunny evening.

I looked around at the crowd and at the sweating, harassed policemen holding back the protestors' half-hearted surges. I saw another two dozen coppers coming down the road from vans parked outside Keble – the Shah's sister must be due. Then I spotted Frobisher – he was standing on a low wall with other journalists and press photographers – snapping away with a camera at the crowd of demonstrators. I turned my back on him quickly and almost bumped into Ludger and Ilse.

'Hey, Ruth,' Ludger said with a wide smile, seemingly pleased to see me. 'And Jochen too. Great! Have an egg.'

He and Ilse each had two boxes of a dozen eggs that they were handing out to the crowd.

Jochen took one carefully. 'What do I do with this?' he said, uneasily – he had never really warmed to Ludger, despite Ludger's ceaseless, amiable jocularity, but he liked Ilse. I reached out and took an egg as well, to encourage him.

'When you see the rich lady getting out of the limousine you throw it at her,' Ludger said.

'Why?' Jochen asked – reasonably enough, I thought – but before anyone could give him a cogent answer Hamid had picked him up and set him on his shoulders.

'Now you can have a good view,' he said.

I wondered if I should be playing the responsible mother but decided not to – it was never too early in your life to try to destroy the myth of the all-powerful system. What the hell, I thought: the counter-culture dies hard, and in any event it might be good for Jochen Gilmartin to throw an egg at a Persian princess, I reckoned. As Jochen surveyed the scene from Hamid's shoulders I turned to Ilse.

'You see that photographer in the denim jacket – on the wall with the others, the journalists?' I said.

'Yes. And so?'

'He's a policeman. He's looking for you.'

She turned away at once and fished in the pockets of her jacket for a hat – a pale blue bush hat with a floppy brim – that she pulled on low on her head, and added a pair of sun-glasses. She whispered something to Ludger and they slipped away into the crowd.

Suddenly the police started to call and gesture to each other. All traffic was stopped and a motorcade of cars led by two outriders with flashing lights came at some speed down Broad Street. The noise of the jeering and the shouting became shrill as the cars stopped and the bodyguards stepped out, shielding a small figure in a silk turquoise dress and short jacket. I saw dark, lacquered bouffant hair, big sun-glasses and, as she was ushered quickly towards the porters' lodge and the nervous dons in the welcome committee, the eggs began to fly. I thought that the sound of their cracking open as they hit was like distant gunshots.

'Throw, Jochen!' I shouted spontaneously – and saw him hurl his egg. Hamid let him stay up a second longer and then slid him down his front to the ground.

'I hit a man on the shoulder,' Jochen said, 'one of the men in sun-glasses.'

'Good boy,' I said. 'Now let's go home. That's enough excitement for the day.'

We said our goodbyes and walked away from the demonstration up Broad Street and on to the Banbury Road. After a minute or two we were joined, surprisingly, by Ludger and Ilse. Jochen began at once to explain to them that he had deliberately not aimed at the lady because her dress looked pretty – and expensive.

'Hey, Ruth,' Ludger said stepping in beside me, 'thanks for the warning about the pig.'

I saw Ilse had taken Jochen's hand; she was talking to him in German.

'I thought she was in more serious trouble,' I said. 'I think they just want to warn her.'

'No, no,' Ludger said, with a nervous laugh. He lowered his voice. 'Her head is a bit fucked-up. A bit crazy. Nothing heavy, you know.'

'Fine,' I said. 'Just like the rest of us, then.'

Jochen reached for Ludger's hand. 'Give me a swing, Ludger.'

So Ludger and Ilse between them began to swing Jochen off his feet as we walked homewards, Jochen laughing with uncontrolled pleasure, calling at every swing to be launched higher, higher.

I dropped back a little, bent down to adjust the strap on my shoe, and didn't spot the police car until it had pulled up alongside me. Through the open window Detective Constable Frobisher smiled at me.

'Miss Gilmartin – I thought it was you. Could I have a quick word?' He stepped out of the car, the driver remaining inside. I sensed Ludger, Ilse and Jochen continuing on their way regardless and managed not to look at them.

'I just wanted you to know,' Frobisher said. 'The German girl – seems she's back in London again.'

'Oh, right.'

'Did you see the demo?'

'Yes, I was in Broad Street. Some of my students were participating. Iranians, you know.'

'Yeah, that was what I was wanting to talk to you about,' he said, stepping away from the car. 'You move, I take it, among the foreign-student community.'

'I wouldn't say "move", exactly – but I do teach foreign students all year round, pretty much.' I flicked my hair back out of my eyes and used the gesture to glance up the road. Ludger, Ilse and Jochen were about a hundred yards off, standing still now, looking back at me, Ilse holding Jochen's hand.

'Let me put it this way, Miss Gilmartin,' Frobisher said, making his voice confidential, semi-urgent. 'We'd be very interested if you saw and heard anything unusual – political, like: anarchists, radicals. The Italians, the Germans, the Arabs… Anything that strikes you – just give us a call, let us know.' He smiled, genuinely, not politely, and I suddenly saw the real Frobisher for an instant, saw his serious zeal. Under the formulaic pleasantries and the air of earnest dullness, was someone shrewder, cleverer, more ambitious. 'You can get closer to these people than we can, you hear things we'd never hear,' he said, letting his guard drop again, 'and if you gave us a call from time to time – doesn't matter if it's just a hunch – we'd really appreciate it.'

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