Haruki Murakami - Kafka on the Shore

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Kafka on the Shore: краткое содержание, описание и аннотация

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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"Mr. Hoshino?" Nakata asked.

"Yeah?"

"I'm sorry to bother you, but what does it say on that sign over there on that gate?"

Hoshino looked up from his map and glanced where Nakata was pointing, down a high wall with an old-fashioned gate, and next to it a large wooden sign. The black gate was shut tight. "Komura Memorial Library," Hoshino read. "Huh, a library in this deserted part of town? Doesn't even look like a library. More like an old mansion."

"Ko-mu-ra-Me-mori-al-Li-bra-ry?"

"You got it. Must be made to commemorate somebody named Komura. Who this Komura guy is, though, I have no idea."

"Mr. Hoshino?"

"Yup?"

"That's it."

"What do you mean-that?"

"The place Nakata's been searching for."

Hoshino looked up from his map again and gazed into Nakata's eyes. He frowned, looked at the sign, and slowly read it again. He patted a Marlboro out of the box, put it between his lips, and lit it with his plastic lighter. He slowly inhaled, then blew smoke out the open window. "Are you sure?"

"Yes, this is it."

"Chance is a scary thing, isn't it?" Hoshino said.

"It certainly is," Nakata agreed.

Chapter 39

My second day on the mountain passes by leisurely, seamlessly. The only thing that distinguishes one day from the next is the weather. If the weather was the same I couldn't tell one day from another. Yesterday, today, tomorrow-they'd all blur into one. Like an anchorless ship, time floats aimlessly across the broad sea.

I do the math and come up with today as Tuesday. The day Miss Saeki gives a tour of the library, provided there are any people who want to take it. Just like the very first day I came to the place… Spike heels clicking on the stairs, she walks up to the second floor, the sound reverberating through the stillness. Her glistening stockings, bright white blouse, tiny pearl earrings, her Mont Blanc pen on top of her desk. Her calm smile, tinged with the long shadow of resignation. All these details seem so far away now-and no longer real.

Sitting on the sofa in the cabin, the odor of the faded fabric all around me, memories of our lovemaking rise up in my head. Miss Saeki slowly removing her clothes, getting into bed. My cock, not surprisingly, is rock hard as these thoughts filter through my mind, but the tip's not red or sore anymore and doesn't sting.

Tiring of these sexual fantasies, I wander outside and go into my usual exercise routine. I hang on to the porch railing and go through an ab workout. Then I do some quick squats, followed by hard stretching. By this time I'm covered in sweat, so I wet my towel in the stream and wipe myself off. The cold water helps calm my nerves. I sit down on the porch and listen to Radiohead on my Walkman. Since I ran away I've been listening to the same music over and over-Radiohead's Kid A, Prince's Very Best of. Sometimes Coltrane's My Favorite Things.

At two p.m.-just when the library tour is starting-I head out into the forest. I follow the same path, walk for a while, and arrive at the clearing. I sit down on the grass, lean back against a tree trunk, and gaze up at the round opening of sky through the branches. The edges of white summer clouds are visible. Up to this point, I'm safe. I can find my way back to the cabin. A maze for beginners-if this were a video game I've easily cleared Level 1. If I go any farther, though, I'll enter a more elaborate, more challenging labyrinth. The path gets narrower and I'll get swallowed up by the sea of ferns.

I ignore this and forge on ahead.

I want to see how deep this forest really is. I know it's dangerous, but I want to see-and feel-what kind of danger lies ahead, how dangerous it really is. I have to. Something's shoving me forward.

I cautiously go down a kind of path. The trees tower higher and higher, the air growing denser by the minute. Up above, the mass of branches nearly blots out the sky. All signs of summer have vanished, and it's like seasons never existed. Soon I no longer know if what I'm following is a path or not. It looks like a path, is shaped like one-but then again it doesn't, and isn't. In the middle of all this stuffy, overgrown greenery all definitions start to get a bit fuzzy around the edges. What makes sense, and what doesn't, it's all mixed up. Above me, a crow gives out a piercing caw that sounds like a warning, it's so jarring. I stop and cautiously survey my surroundings. Without the proper equipment it's too dangerous to go any farther. I have to turn around.

Which isn't easy. Like Napoleon's army on the retreat, going back is more difficult than going forward, I discover. The path back is misleading, the dense vegetation forming a dark wall in front of me. My own breathing sounds loud in my ears, like a wind blowing at the edge of the world. A huge black butterfly about the size of my palm appears from the shade of the trees and flutters into my line of sight, its shape reminding me of that bloodstain on my T-shirt. It flies slowly across an open space, then disappears among the trees again, and once it vanishes everything suddenly seems even more oppressive, the air chillier. I'm seized by panic-not knowing how to get out of here. The crow squawks out shrilly again-the same bird as before, sending the same message. I stand still and look up, but can't see it. A breeze, a real one, blows up from time to time, ominously rustling the dark leaves at my feet. I sense shadows racing past behind me, but when I spin around they've hidden themselves.

Somehow I'm able to make it back to my safety zone-the little round clearing in the forest. I plop down on the grass and take a deep breath. I look up at the patch of real sky above me a couple of times, just to convince myself I've made it back to the world I came from. Signs of summer-so precious now-surround me. Sunlight envelopes me like a film, warming me up. But the fear I felt clings to me like a clump of unmelted snow in the corner of a garden. My heart beats irregularly from time to time, and my skin still has a slightly creepy feeling.

That night I lie there in the darkness, breathing quietly with my eyes wide open, hoping to catch a figure appearing in the dark. Praying for it to appear, and not knowing if prayers have any effect. Concentrating for all I'm worth, wanting badly for it to happen. Hoping that wanting it so badly will make my wish come true.

But my wish doesn't come true, my desires are shot down. Like the night before, Miss Saeki doesn't show up. Not the real Miss Saeki, not an illusion, not her as a fifteen-year-old girl. The darkness remains just that-darkness. Right before I fall asleep I have a massive erection, harder than any I've ever had, but I don't jack off. I've made up my mind to hold the memory of making love with Miss Saeki untouched, at least for now. Hands clenched tight, I fall asleep, hoping to dream of her.

Instead, I dream of Sakura.

Or is it a dream? It's all so vivid, clear, and consistent, but I don't know what else to call it, so dream seems the best label. I'm in her apartment and she's asleep in bed. I'm in my sleeping bag, just like that night I spent at her place. Time's been rewound, setting me down at a turning point.

I wake up in the middle of the night dying of thirst, get out of my sleeping bag, and drink some water. Glass after glass-five or six. My skin's covered with a sheen of sweat, and the front of my boxers is tented in another huge erection. My cock's like some animal with a mind of its own, operating on a different wavelength from the rest of me. When I drink some water my cock automatically absorbs it. I can hear the faint sound of it soaking up the water.

I put the glass next to the sink and lean back against the wall. I want to check the time but can't find the clock. In this, the deepest hour of the night, even the clock's been swallowed up in the depths. I'm standing beside Sakura's bed. Light from a streetlight filters in through the curtain. She's facing away from me, fast asleep, her small, shapely feet sticking out from under the thin covers. Behind me I hear a small, hard sound, like someone's turned on a switch. Thick branches cut off my field of vision. There is no season here. I make a decision and crawl in next to Sakura. The single bed creaks with the extra weight. I breathe in the smell of the faintly sweaty back of her neck. Gently I wrap my arms around her. She makes a small sound but continues to sleep. The crow squawks loudly. I glance up but can't spot the bird. I can't even see the sky.

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