Haruki Murakami - Kafka on the Shore

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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Nakata came over beside him and started sniffing, his nose twitching like a squirrel. "I can. The sea's right over there." He pointed to the forest.

"You have quite a nose there," Hoshino said. "I have a touch of a sinus problem myself, so I'm always a bit stuffed up."

"Mr. Hoshino, why don't we walk over to the ocean?"

Hoshino thought about it. How could a little walk on the beach hurt anything? "Okay, let's go."

"Nakata has to take a dump first, if it's all right."

"Take your time, we're in no rush."

While Nakata was in the toilet Hoshino walked around the apartment, checking it out. Like the Colonel said, there was pretty much everything they needed. Shaving cream in the bathroom, a couple of new toothbrushes, Q-tips, Band-Aids, nail clippers. All the basics. Even an iron and ironing board. Very considerate of him, Hoshino thought, though I imagine his secretary did all the work. They haven't forgotten a thing.

He opened the closet and found fresh underwear and clothes. No aloha shirts, unfortunately, just some ordinary striped shirts and polo shirts, brand-new Tommy Hilfigers. "And here I was thinking Colonel Sanders was pretty quick on the uptake," Hoshino complained to no one in particular. "He should've figured out I only wear aloha shirts. If he went to all this trouble, he at least could've bought me one." He noticed the shirt he had on was getting a bit rank, so took it off and pulled on a polo shirt. It was a perfect fit.

They walked through the pines, up over a breakwater, and down to the beach. The Inland Sea was calm. They sat down side by side on the sand, not speaking for a long time, watching the waves rise up like sheets being fluffed into the air and then, with a faint sound, break apart. Several small islands were visible offshore. Neither of them had been to the sea very often in their lives, and they feasted their eyes on the scene.

"Mr. Hoshino?" Nakata said, breaking the silence.

"What is it?"

"The sea is a really nice thing, isn't it?"

"Yeah, it is. Makes you feel calm."

"Why is that?"

"Probably 'cause it's so big, with nothing on it," Hoshino said, pointing. "You wouldn't feel so calm if there was a 7-Eleven over there, or a Seiyu department store, would you? Or a pachinko place over there, or a Yoshikawa pawnshop? But as far as the eye can see there's nothing-which is pretty darn nice."

"I suppose you're right," Nakata said, giving it some thought. "Mr. Hoshino?"

"What's up?"

"I have a question about something else."

"Shoot."

"What's at the bottom of the sea?"

"There's like another world down there, all kinds of fish, shellfish, seaweed, and stuff. You've never been to an aquarium?"

"No, I've never been. The place where Nakata lived for a long time, Matsumoto, didn't have one of those."

"No, I don't imagine it would," Hoshino said. "A town like that off in the hills-I guess a mushroom museum or something would be about all you could expect. Anyhow, there's all kinds of stuff at the bottom of the sea. The animals are different than us-they take oxygen from the water and don't need air to breathe. There're some beautiful things down there, some delicious things, plus some dangerous things. And things that'd totally creep you out. If you've never seen it, it's hard to explain, but it's completely different than what we're used to. Way down at the bottom it's totally dark and there are some of the grossest creatures you've ever seen. What do you say when all this blows over we check out an aquarium? They're kind of fun, and I haven't been to one in a long time. I'm sure there's one around here."

"Yes, I'd love to go to a place like that."

"There's something I wanted to ask you."

"Yes?"

"The other day we lifted up that stone and opened the entrance, right?"

"Yes, you and I opened up the entrance. After that Nakata fell sound asleep."

"What I want to know is-did something take place because the entrance opened up?"

Nakata gave a nod. "Yes. It did."

"But you still don't know what that is."

Nakata gave a decisive shake of his head. "No, Nakata doesn't know yet."

"So maybe it's happening someplace else, right this minute?"

"Yes, I think that's true. As you said, it's happening. And I'm waiting for it to finish happening."

"And once whatever it is finishes taking place, everything will work itself out?"

Another definitive shake of the head. "That Nakata doesn't know. I'm doing what I'm doing because I must. But I have no idea what will happen because of what I do. I'm not so bright, so it's too hard for me to figure out. I don't know what's going to happen."

"At any rate, it's gonna take some time, right? For whatever this is to finish up and some conclusion or something to happen?"

"That is correct."

"And while we're waiting we have to make sure the cops don't grab us. 'Cause there's still stuff that needs doing?"

"Correct. I don't mind visiting the police. I'm ready to do whatever the Governor tells me to do. But now is just not a good time to do that."

"You know what? If the cops heard your crazy story, they'd just blow it off and make up some convenient confession, something anyone would believe. Like you were robbing the house and you heard somebody, so you grabbed a knife from the kitchen and stabbed him. They don't give a damn what the real facts are, or what's right. Framing somebody just to jack up their arrest rate. They wouldn't bat an eye. Next thing you know, you're thrown in jail or some maximum-security psycho ward. They'd lock you up and throw away the key. You don't have enough money to hire some fancy lawyer, so they'd stick you with some court-appointed bozo who couldn't care less, so it's obvious how it'd end up."

"I'm afraid I don't understand all-"

"I'm just telling you what cops are like. Believe me, I know," Hoshino said. "So I really don't want to take 'em on, okay? Cops and me just don't hit it off."

"I'm sorry to cause so many problems for you."

Hoshino sighed deeply. "As they say, though, 'Take the poison, take the plate.'"

"What does that mean?"

"If you're gonna take poison, you might as well eat the plate it came on."

"But if you eat a plate, you'll die. It's not good for your teeth, either. And it'll hurt your throat."

"I'd have to agree," Hoshino said, puzzling over it. "Yeah-why do you have to eat the plate?"

"I'm not so bright, so I really can't tell you. But aside from the poison, the plate's way too hard."

"Um. You got that right. I'm starting to get confused myself. I never was one for using my head, either. What I'm trying to say is, I've come this far so I'll stick with you and make sure you escape. I can't believe you did anything bad, and I'm not going to just abandon you here. I've got my honor to consider."

"Much obliged. Nakata can't thank you enough. I'll presume on you again, though, and ask one more favor."

"Go for it."

"We'll need a car."

"Would a rental car be okay?"

"Nakata doesn't really know what that is, but any kind is fine. Big or small is all right as long as it's a car."

"No problem. Now you're talking my specialty. I'll go pick one up in a while. So we're gonna be heading out somewhere?"

"I think so. We probably will be headed out somewhere."

"You know something, Mr. Nakata?"

"Yes?"

"I never get bored when I'm with you. All kinds of off-the-wall things happen, but that much I can say for sure-being with you's never boring."

"Thank you for saying that. I feel relieved to hear it. But Mr. Hoshino?"

"What's up?"

"I'm not really sure I understand what being bored means."

"You've never been bored before?"

"No, not even once."

"You know, I kind of had the feeling that might be the case."

Chapter 37

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