Haruki Murakami - Kafka on the Shore

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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She stopped speaking here, picked up the fountain pen, and closed her eyes. "My life ended at age twenty. Since then it's been merely a series of endless reminiscences, a dark, winding corridor leading nowhere. Nevertheless, I had to live it, surviving each empty day, seeing each day off still empty. During those days I made a lot of mistakes. No, that's not correct-sometimes I feel that all I did was make mistakes. I felt like I was living at the bottom of a deep well, completely shut up inside myself, cursing my fate, hating everything outside. Occasionally I ventured outside myself, putting on a good show of being alive. Accepting whatever came along, numbly slipping through life. I slept around a lot, at one point even living in a sort of marriage, but it was all pointless. Everything passed away in an instant, with nothing left behind except the scars of things I injured and despised."

She laid her hands on top of the three files on her desk. "All the details are in here. I wrote this to put it all in order, to make sure one more time about the life I lived. I have only myself to blame, but it's a gut-wrenching process. And I've finally finished it. I've written everything I need to write. I don't need this anymore, and I don't want anybody else to read it. If someone else happened to see it, it might cause harm all over again. So I want it all burned up, every last page, so nothing's left. If you wouldn't mind, I'd like you to take care of it. You're the only person I can depend on, Mr. Nakata. I'm sorry to bother you with this, but could you do it for me?"

"Nakata understands," he said, nodding seriously. "If that's what you'd like, Miss Saeki, I'll be happy to burn it all up for you. You can rest assured."

"Thank you," Miss Saeki said.

"Writing things was important, wasn't it?" Nakata asked.

"Yes, it was. The process of writing was important. Even though the finished product is completely meaningless."

"I can't read or write, so I can't write things down. Nakata's just like a cat."

"Mr. Nakata?"

"How can I help you?"

"I feel like I've known you for ages," Miss Saeki said. "Weren't you in that painting? A figure in the sea in the background? White pants legs rolled up, dipping your feet in the water?"

Nakata silently stood up and came over to stand in front of Miss Saeki. He laid his hard, sunburned hands on top of hers on the files. And as if listening carefully to something, he felt the warmth there filter from her hand to his. "Miss Saeki?"

"Yes?"

"I think I understand a little now."

"About what?"

"What memories are. I can feel them, through your hands."

She smiled. "I'm glad."

Nakata kept his hands on top of hers for a long while. Eventually Miss Saeki closed her eyes, quietly giving herself over to memories. There was no more pain there, for someone had siphoned it off forever. The circle was once again complete. She opens the door of a faraway room and finds two beautiful chords, in the shape of lizards, asleep on the wall. She gently touches them and can feel their peaceful sleep. A gentle wind is blowing, rustling the old curtain from time to time. A significant rustling, like some parable. She's wearing a long blue dress. A dress she wore somewhere a long time ago. Its hem swishes faintly as she walks. The shore is visible outside the window. And you can hear the sound of waves, and someone's voice. There's a hint of the sea in the breeze. And it's summer. Always it's summer. Small white clouds are etched against the azure sky.

Nakata carried the three thick files downstairs. Oshima was at the counter talking with one of the patrons. When he saw Nakata, he grinned. Nakata gave a polite bow in return, and Oshima went back to his conversation. Hoshino was in the reading room all the while, deep in a book.

"Mr. Hoshino?" Nakata said.

Hoshino laid his book down and looked up. "Hey, that took a while. You all finished?"

"Yes, Nakata's all finished here. If it's all right with you, I was thinking we can leave pretty soon."

"Fine by me. I'm nearly finished with this book. Beethoven just died, and I'm at the part about the funeral. Man, what a funeral! Twenty-five thousand Viennese joined the procession, and they closed all the schools for the day."

"Mr. Hoshino?"

"Yeah, what's up?"

"I have one more favor to ask of you."

"Shoot."

"I need to burn this somewhere."

Hoshino looked at the files the old man was carrying. "Hmm, that's a lot of stuff. We can't just burn it anywhere. We'd need a dry riverbed or someplace."

"Mr. Hoshino?"

"Yeah?"

"Let's go find one then."

"Maybe this is a stupid question, but is that really so important? Can't we just toss it somewhere?"

"Yes, it's very important and we have to burn it all up. It has to turn into smoke and rise into the sky. And we have to watch it, to make sure it all burns up."

Hoshino stood up and stretched. "Okay, let's find a big riverbed. I have no idea where, but I'm sure Shikoku's gotta have at least one-if we look long enough."

The afternoon was busier than it had ever been. Lots of people came to use the library, several with detailed, specialized questions. It was all Oshima could do to respond, and to run around collecting materials that had been requested. Several items he had to locate on the computer. Normally he'd ask Miss Saeki to help out, but today it didn't look like he'd be able to. Various tasks took him away from his desk and he didn't even notice when Nakata left. When things settled down for a moment he looked around, but the strange pair was nowhere to be seen. Oshima walked upstairs to Miss Saeki's study. Strangely, the door was shut. He knocked twice and waited, but there was no response. He knocked again. "Miss Saeki?" he said from outside the door. "Are you all right?"

He softly turned the knob. The door was unlocked. Oshima opened it a crack and peeked inside. And saw Miss Saeki facedown on the desk. Her hair had tumbled forward, hiding her face. He didn't know what to do. Maybe she was just tired and had fallen asleep. But he'd never once seen her take a nap. She wasn't the type to doze off at work. He walked into the room and went over to the desk. He leaned over and whispered her name in her ear, but got no response. He touched her shoulder, then held her wrist and pressed his finger against it. There was no pulse. Her skin retained a faint warmth, but it was already fading away.

He lifted her hair and checked her face. Both eyes were slightly open. She looked like she was having a pleasant dream, but she wasn't. She was dead. A faint trace of a smile was still on her lips. Even in death she was graceful and dignified, Oshima thought. He let her hair fall back and picked up the phone on the desk.

He'd resigned himself to the fact that it was only a matter of time before this day came. But now that it had, and he was alone in this quiet room with a dead Miss Saeki, he was lost. He felt as if his heart had dried up. I needed her, he thought. I needed someone like her to fill the void inside me. But I wasn't able to fill the void inside her. Until the bitter end, the emptiness inside her was hers alone.

Somebody was calling out his name from downstairs. He felt like he'd heard that voice. He'd left the door wide open and could hear the sounds of people bustling around. A phone rang on the first floor. He ignored it all. He sat down and gazed at Miss Saeki. You want to call my name, he thought, go right ahead. You want to call on the phone-be my guest. Finally he heard an ambulance siren that seemed to be getting closer. In a few moments people will be rushing upstairs to take her away-forever. He raised his left arm and glanced at his watch. It was 4:35.4:35 on a Tuesday afternoon. I have to remember this time, he thought. I have to remember this day, this afternoon, forever.

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