Alice McDermott - After This

Здесь есть возможность читать онлайн «Alice McDermott - After This» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

After This: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «After This»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

OVER the course of her five previous novels, Alice McDermott has staked an impressive claim on a subject matter and a turf – Irish-American Catholic families congregated, for the most part, in New York City and its suburbs on Long Island. The Irish have, of course, long been a significant presence in American fiction, appearing well before the mass immigration of the late 19th century (think of "Huckleberry Finn"), and the novels, notably, of William Kennedy attest to the subject's continuing strength. McDermott adds her own luster to this seemingly familiar community through her skill at evoking small, memorable incidents and her willingness to ignore certain narrative conventions.
Most fictional family sagas contain a lot of what could be called plain reporting: answers to the questions (who? what? when? where? why?) that are the basic stuff of journalism. But in her family dramas, McDermott has largely refused to provide a helpful framework of dates, genealogies or factual background. Instead, she has focused on the shifting inner lives of her characters, confident that God – or the larger picture – will be found in the details.
The opening of her latest novel, "After This," demonstrates McDermott's technique at its most elliptical and effective. On a blustery April day in Midtown Manhattan, Mary (no last name given) leaves a church (almost certainly St. Patrick's Cathedral) after lighting a candle, as she has done throughout the war, even though the fighting is over. (Since the war in question is clearly World War II, the action must take place, at the earliest, in the spring of 1946). Mary has also prayed: "She was 30, with no husband in sight. A good job, an aging father, a bachelor brother, a few nice friends. At least, she had asked – so humbly, so earnestly, so seriously – let me be content." Outside the church, squinting in the sunlight, Mary meets a friend of her brother's, who unexpectedly asks her to dinner. "At a restaurant," he explains, when she seems confused. "The two of us." Mary agrees, they part, and she goes into Schrafft's for what's left of her lunch hour.
At the counter she exchanges small talk about the weather with a man seated next to her. "Reminds me of some days we had overseas," he says, standing up to pay his bill. Mary watches him walk away: "And here, of all things, was desire again. (She could have put the palm of her hand to the front of his white shirt.)" Mary returns to her office and later goes home to a walk-up apartment in an unnamed borough to prepare lamb chops for her father and brother before her dinner date, which passes pleasantly and ends with a chaste kiss. The next day, when she returns to Schrafft's, the man she met the day before is waiting outside. Reader, she marries him.
This sequence could stand alone as a classic short story in the Joycean, epiphanic mode: an accretion of humdrum moments that gather force and blossom into the transfiguration of a life. Yet such stories seldom cry out for a sequel – does anyone want to know what Gabriel and Gretta Conroy said to each other the morning after "The Dead" concludes? – and McDermott's deft, delicate beginning is a hard act to follow. Mary, so vivid in her first appearance, rapidly fades into careworn motherhood. Fewer than a dozen pages later, she and her husband, John Keane, are taking a rare break from Sunday Mass at a Long Island beach, deserted after the Labor Day weekend, with their three children. John seems stunned by his responsibilities; Mary's pregnancy will only add to them. A hurricane is beginning to churn up the Eastern Seaboard, and the stinging, wind-borne sand drives the family back home. That night, a tree in the Keanes' yard is blown over. The next morning, a neighbor with a chain saw, who also happens to be a registered nurse, appears just in time to help Mary deliver her baby.
Once this hectic episode concludes, McDermott's narrative turns episodic and digressive, and "After This" begins to resemble a photo album with many missing snapshots and pages. Here is John serving on the building committee of St. Gabriel's Parish, helping raise money for a new church and gym. Over there are Mary and her daughter standing in line to see Michelangelo's Pietà in the Vatican pavillion at the 1964 World's Fair. (McDermott, characteristically, omits the 1964 part, leaving that for her readers to deduce.) Here we see the neighbor's teenage daughter going into Manhattan for an abortion, accompanied by the older of the two Keane daughters, who reads "A Farewell to Arms" in the waiting room. And up ahead, Pauline, Mary's old friend from her office days and the Keane family's honorary spinster aunt, is injured in a fall. Strangely, Pauline's mishap and its aftereffects receive far more attention than the major tragedy that befalls Mary and John, registered almost subliminally and barely referred to again.
Each of the Keane children shines briefly before disappearing. Shy, awkward Jacob drops out of St. John's after a year of poor grades and draws an unlucky lottery number for the Vietnam draft. Michael, charming and irreverent, spends most of his time at his upstate college in a seedy saloon. Annie, the bookish child (inspired by one of Pauline's visits to escape into a Faulkner novel while thinking about "the odor of aging female flesh"), goes to study in England and changes her plans because of a young man she meets on a bus. Clare, devoted youngest child and just as devoted Catholic, nonetheless finds a way to break her parents' hearts.
This assembly of splintered stories suggests that McDermott, like Virginia Woolf in "The Waves," has come to care less about her individual characters than about the unseen forces – fate, the zeitgeist, the inexorable progress of time – that shape and trace the patterns of their lives. With no warning or explanation, she provides capsule previews of the deaths of two family members that are jarring not just because they deflate suspense but because they suggest that it's futile to invest much interest in these characters.
Late in the novel, Clare Keane, having finally found a boyfriend during the long summer vacation, returns to her Catholic high school displaying new aplomb and self-confidence: "Of course of course, the teachers, even the nuns told each other, indulgent and naïve. Those who had been at the school when Annie was a student said, with a shrug, Life goes on." And that seems to be the burden and the message of "After This." Life does, irrefutably, go on. But if that's all there is to say about the matter, why bother with art and stories, which defy the limits of birth and death by trying to immortalize the interesting things that happen in between? For all its page-by-page brilliance, "After This" leaves that question hanging.

After This — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «After This», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

It was a scenario he no longer deemed likely. His brother had clutched his heart and hit the pavement on Thirty-fourth Street, already gone.

He lowered the leg again, heard the pile of thick books, tied together like a schoolboy’s satchel, hit the floor. Pain such as this had a tendency to reduce everything, every effort, every belief, to brittle plastic, easily shattered. It could shatter the notion of Paradise opened by a single, wracked body hung on a cross. It could shatter any hope you had that you were worth more than the bustling of your ordinary days. It could remind you easily enough that death was no more or less than the choke and sputter of a single muscle, the sudden exposure of gut and bone, your skin turned black in the cold.

If you didn’t argue against it, the idiot pain, the very things you’d based your life on could shatter.

His eyes went from the reflected crucifix to the blank gray face of the television. He could make out his own reflection there, sitting up against the headboard. His chest and shoulders in his pale pajamas, his bald head, his face, which in the reflected shadow and distorted sunlight caught by the blank screen, was suddenly the face of his brother.

It had happened before: one of his sons would be talking in another room and he’d hear, for a moment, Frank’s laughter. His niece once raised a hand, turned her head, and it was Frank’s gesture. He would raise his own chin shaving and there he’d see his brother, briefly, briefly.

Even now his own reflection in the blank gray face of the TV set had become simply his own again, too bald, too gaunt for Frank. But the glimpse, nevertheless, had been well timed, and as if to acknowledge it, small gift that it was, he pulled at the leg again. He held his breath again as the pain flared. No realistic person expected a full-fledged visitation, or even hoped for one-it was, surely, what they meant when they said “laid to rest”-but still there were tricks of the eye or of the mind that could satisfy even someone like himself, who, steeped in superstition as a child, had long ago learned to resist it. Surely there were assurances, even for the most reasonable of believers, that pain wasn’t all, in the end. That something would trump the foolishness of body and bone, day after day. Frank’s face, glimpsed briefly, assuring him, his own heart, his spirits, rising at the mere possibility of once again seeing his brother’s face.

He recalled that all the pain of that rainy day-the endless Mass at Incarnation, the traffic-choked ride to the cemetery-had been for Catherine, Frank’s daughter. All the dignity, resignation, joyful hope of resurrection the rest of them had mustered, as one must, to get through the day, undermined by the poor girl’s tears. She cried a torrent through it all. Thin as a willow in her dark sweater and skirt, bent over in the pew or under her mother’s arm at the cemetery. A scrap of tissue in her hands and the pale red hair falling over her face. Too young to be so wracked by grief. Too pretty, too newly formed to know that particular kind of disappointment. Afterward, back at the house, he had knelt beside her chair and said, “Your father will be with you for the rest of your days,” and she, nineteen at the time, had looked at him with her red eyes and said, “I’ll never stop missing him.”

Six months later, when he gave her his arm on the day she was married, he felt himself a poor substitute, although she had whispered her gratitude, leaving the scent of her lipstick on his cheek and his ear. She had married a kid from Greenwich, a wealthy boy who had a seat on the Stock Exchange now. They lived in Garden City and had refused so many invitations, to Clare’s christening party, to her first Holy Communion, to confirmations and graduations, even to a few odd Sunday suppers, that he and Mary had simply stopped asking. “She moves in different circles now,” Ellen, Frank’s wife, had said, with more pride than disappointment, although many of her invitations were also refused.

Last he saw her, just last year, he was waiting for his wife and the girls outside A amp;S when Catherine, in a beige Cadillac, pulled into the parking space beside him. It took him a moment to recognize her, and she was out of her car by the time he waved at her through his own passenger window. Then he opened his door to get out and greet her. But she was already walking away, her head down. There was another woman with her and she was the one who glanced over her shoulder when he called. But neither one of them paused.

He looked again at his reflection in the TV set. You’ll be pleased to know that she drives a Cadillac. That she’s doing quite well, her own daughter growing, Ellen tells me. A big house in Garden City. I can’t say that it didn’t cut me like a knife, Frank, standing in that parking lot. I can’t say that I didn’t see some of it in you, while you were here, with your own Cadillacs every other year, your Chivas Regal and your fancy beer, a certain fascination, when we were kids, with the society page.

He lifted the leg again. The pain, he realized, was constant, there was only the illusion of ebb and flow.

His eyes went again to the crucifix above his head, reflected in the mirror. The strained arms, the arched spine. All that effort to open the gates of heaven for us and we (he thought) probably spend our first hours among the heavenly hosts settling old scores with our relatives.

Absolutely, Mr. Gallagher.

He pulled at the leg again-it was only stubborness that made him continue to believe that what he was doing was therapeutic.

At noon mary called from the city. They had met Pauline at Penn Station and now they were having lunch at Schrafft’s before the show. It was hotter than heck. They were looking forward to getting into the cool theater.

And then, with (he would have said) much hemming and hawing, she asked him cautiously (she was building up to something) how he was feeling, if he’d gotten any sleep, if he could eat-and, finally, if his contraption was doing him any good.

He said, Yes it was, believe it or not, and he knew immediately that the lie had taken the wind out of her sails.

Still, she said, “Pauline says it’s a slipped disk.”

“Pauline’s the expert, then,” he said.

Her silence was a remarkable concoction: hurt, impatience, recrimination, blood-red anger, fear, worry-the kind of concoction only a long marriage can brew. Rising behind it was the faint clatter of dishes, the hum of restaurant conversation.

“No,” she said finally. “But a gal from the office had a brother-in-law with the same problem. Just woke up one morning with a terrible pain. Down his leg. A slipped disk.”

His wife would replace the natural laws with anecdotes. No gravity until someone’s sister’s cousin’s husband had fallen down the stairs. Night and day mere rumor until a girl she used to know in high school was stricken with insomnia, or burned to a crisp by the sun.

“Is that so?” he said placidly. “Same exact thing?”

“Yeah,” she said, with some hesitation. “More or less. You know, his leg.”

The line clicked to say their three minutes were up and instead of getting off, she said, “Hold on,” and dropped another dime into the phone.

“Right or left?” he asked when the coin had been swallowed.

“What?” she said.

And he repeated more emphatically, “Was it the right leg or the left leg? Of this fellow just like me?”

She paused and then said, “Very funny,” to show that it wasn’t. “Pauline read an article about it,” she said. “It happens to a lot of men. It’s evolution. It’s the price men pay for standing upright.”

Pauline, he thought, would be happy to learn that there is a price men pay for standing upright.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «After This»

Представляем Вашему вниманию похожие книги на «After This» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «After This»

Обсуждение, отзывы о книге «After This» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x