John Updike - Terrorist

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Terrorist: краткое содержание, описание и аннотация

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Terrorist by John Updike is a timely piece of contemporary literature that is well-written and dense with observation and description. Updike takes readers into the mind of a terrorist and helps us understand the possible motivation and mindset of those involved in terrorism. Terrorist is an important piece of social literature, but it is not light or easy reading. It is slow at points and requires concentration to read.
Terrorist by John Updike is about Ahmad Ashmawy Mulloy, an 18-year-old boy in Northern New Jersey who is devoted to Islam. Ahmad was raised by an Irish-American mother after his Egyptian father disappeared when he was three. Ahmad converts to Islam at age 11 and is instructed in the Qur'an by a local imam.
Ahmad is a sympathetic character. Updike lets readers into his head, forcing us to view American materialism and morality from his viewpoint. Updike also draws us into other characters' lives-Ahmad's mother, a high school guidance counselor, an African-American teenage girl, a worker in the Department of Homeland Security. It was striking to me how lost many of the characters were. In many ways, Ahmad was one of the most thoughtful and moral characters in the story. That is a disturbing realization when you consider that he is being groomed to be a terrorist.
Indeed, just as the protagonist is a thoughtful young terrorist, the novel Terrorist is a thought-provoking book. It is clear that Updike has thought a lot about American society, the inner city and modern morality. His descriptions and complex characters compel readers to do the same.
Terrorist is not easy reading. I did not get caught up in the plot, and that was disappointing. It was easy for me to put the novel down after 25 pages, both because I needed time to process and because it did not always keep my attention. Updike is a great writer, and Terrorist shows that; however, everyone may not like the book.

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She murmurs forgivingly, marking the new level of intimacy.

He goes on, "Our problem is, the asset was holding out on us, keeping too many cards in his own hands. He wasn't following procedure. He had some vision of a great revelation and round-up, like in the movies, starring guess who? Him. We know about the money conduit in Florida, but the bagman has vanished. He and his brother own a cut-rate furniture store up in northern New Jersey, but nobody answers any phones or comes to the door. We know something about a truck, but don't know where it is or who's doing the driving. The explosives team, we got two out of the four, but they aren't talking, or else the translator isn't telling us what they're saying. They all cover for each other, even the ones on our payroll, you can't trust your own recruits any more. It's an unholy mess, and wouldn't you know the body turns up on a Sunday morning!"

In their native Pennsylvania, she knows, people could be trusted. A dollar is still a dollar there, a meal a meal, a deal a deal. Rocky looks like a boxer should, and dishonest men smoke cigars, wear checked suits, and wink a lot. She and the Secretary have wandered far from that elemental land of genial sincerity, of row houses numbered with stained glass in unchanging fanlights, of miners' sons who become star quarterbacks, of pork sausage sizzling in its own fat and scrapple drenched in maple syrup-foods that make no pretense of not being loaded with lethal cholesterol. She longs to comfort the Secretary, to press her lean body like a poultice upon his ache of overwhelming responsibility; she wants to take his meaty weight, which strains against his de rigueur black suit, upon her bony frame, and cradle him on her pelvis. Instead, she asks, "Where is the store?"

"A city called New Prospect. Nobody ever goes there."

"My sister lives there."

"Yeah? She should get out. It's full of Arabs-Arab-Americans, so-called. The old mills brought them in and then slowly folded. The way things are going, there won't be a thing America makes. Except movies, which are getting crappier every year. My wife and I-you've met Grace, haven't you?-used to love them, we used to go all the time, before the kids came and we had to get sitters. Judy Garland, Kirk Douglas-they gave good honest value, every performance, one hundred ten percent. Now all you hear about these kid movie actors-the women don't like being called actresses any more, everybody's an actor -is drunk driving and who's pregnant out of wedlock. They make these poor black teen-age girls think it's just the thing, to bring a baby into the world without any father. Except Uncle Sam. He gets the bills, and no thanks from them: welfare's their right. If there's anything wrong with this country-and I'm not saying there is, compared to any other, France and Norway included-is we have too many rights and not enough duties. Well, when the Arab League takes over the country, people'll learn what duties are."

"Exactly so, sir." The "sir" is meant to recall him to himself, his own duties in the present emergency.

He hears her. He turns back to moody contemplation of the capital's Sunday calm, with its distant prospect of the Tidal Basin and the smooth white knob, like an observatory with no opening for the telescope, of the Jefferson Memorial. People blame Jefferson now for holding on to his slaves and fathering children by one of them, but they forget the economic context of the times and the fact that Sally Hem-mings was very pale. It's a heartless city, the Secretary thinks, a tangle of slippery power, a scattering of great white buildings like the field of icebergs that sank the Titanic. He turns and tells his undersecretary, "If this thing in New Jersey blows up, there'll be no sitting on fat-cat boards for me. No speaker's fees. No million-dollar advance on my memoirs." It was the sort of confession a man should make only to his wife.

Hermione is shocked. He has come closer to her but has fallen in her estimation. She tells him a shade tartly, trying to recall this beautiful, selfless public servant to himself, "Mr. Secretary, no man can serve two masters. Mammon is one; it would be presumptuous of me to name the other."

The Secretary takes this in, blinks his surprisingly light blue eyes, and swears, "Thank God for you, Hermione. Of course. Forget Mammon." He settles at his exiguous desk and vehemently punches beeping triplets of code numbers into the electric console, and leans back in his ergonomically correct chair to bark into the speaker-phone.

Hermione doesn't usually phone on a Sunday. She prefers weekdays, when she knows Jack isn't likely to be there. She has never had much to say to Jack, which used to slightly hurt Beth's feelings; it was as if Herm were carrying on their parents' ridiculous Lutheran anti-Semitic prejudices. Also, Beth has deduced, on a weekday her "big" sister has the excuse of her red light blinking on her other phone when she thinks Beth is rambling on too long. But today she calls while church bells are ringing, and Beth is glad to hear her voice. She wants to share her good news. "Herm, I've gone on this diet and in just five days I've lost twelve pounds!"

"The first pounds are the easiest," Hermione says, always putting down anything Beth does or says. "At this point you're just losing water, which will come right back. The real test comes when you can see the difference and decide to pig out to celebrate. Is this the Atkins diet, by the way? They say it's dangerous. He was about to be sued by a thousand people, that's why his sudden death seemed so fishy."

"It's just the carrot-and-celery diet," Beth tells her. "Whenever I have the urge to nibble, I go for one of these baby carrots they sell everywhere now. Remember how carrots used to come into Philly from the Delaware truck farms, in a tied bunch with the dirt and sand still on them? Oh, how I used to hate that feeling of biting down on grains of sand- it sounded so loud in your head! No danger of that with these baby ones; they must come out of California and are all peeled down to exactly the same size. The only trouble is, if they sit too long in the sealed pack they come out slimy. The trouble with celery is, after a couple of stalks this ball of string collects in your mouth. But I'm determined to stick with it. It's easier to nibble cookies, God knows, but every bite adds on calories. A hundred thirty each, I was shocked to read on the package! The print is so fine, it's diabolical!"

That Hermione hasn't yet cut her short seems odd; Beth knows she's boring on the subject of doing without food, but it's all she can think about, and talking about it out loud holds her to it, keeps her from backsliding, despite her faint spells and stomach cramps. Her stomach doesn't understand what she's doing to it, why it's being punished, not knowing it's been her worst enemy for years, lying there under her heart crying out to be filled. Carmela won't lie on her lap any more, she's become so jumpy and irritable.

"What does Jack make of all this?" Hermione asks. Her voice sounds level and grave, a little halting and solemn, weighing her words. This prospect of a new, slim, presentable sister is something they both could be giggling about, the way they used to when sharing their room in tbe Pleasant Street house, sharing die sheer joy of being alive. As she got more serious and studious, Hermione stopped knowing how to giggle; she found it hard to lighten up. Beth wonders if that is the reason she never found a husband- Herm didn't know how to make men forget their troubles. She lacked ballon, as Miss Dimitrova had said.

Beth lowers her voice. Jack is in the bedroom reading and he may have read himself to sleep. Central High has started up again, and he has volunteered to teach a course on civics, saying he needs more exposure to these kids he is supposed to counsel. He claims they are getting away from him. He claims he is too old, but that's his depression talking. "He doesn't say much," she tells Hermione in answer to her question. "I think he's afraid to jinx it. But he has to be pleased; I'm doing it for him."

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