John Updike - Terrorist

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Terrorist: краткое содержание, описание и аннотация

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Terrorist by John Updike is a timely piece of contemporary literature that is well-written and dense with observation and description. Updike takes readers into the mind of a terrorist and helps us understand the possible motivation and mindset of those involved in terrorism. Terrorist is an important piece of social literature, but it is not light or easy reading. It is slow at points and requires concentration to read.
Terrorist by John Updike is about Ahmad Ashmawy Mulloy, an 18-year-old boy in Northern New Jersey who is devoted to Islam. Ahmad was raised by an Irish-American mother after his Egyptian father disappeared when he was three. Ahmad converts to Islam at age 11 and is instructed in the Qur'an by a local imam.
Ahmad is a sympathetic character. Updike lets readers into his head, forcing us to view American materialism and morality from his viewpoint. Updike also draws us into other characters' lives-Ahmad's mother, a high school guidance counselor, an African-American teenage girl, a worker in the Department of Homeland Security. It was striking to me how lost many of the characters were. In many ways, Ahmad was one of the most thoughtful and moral characters in the story. That is a disturbing realization when you consider that he is being groomed to be a terrorist.
Indeed, just as the protagonist is a thoughtful young terrorist, the novel Terrorist is a thought-provoking book. It is clear that Updike has thought a lot about American society, the inner city and modern morality. His descriptions and complex characters compel readers to do the same.
Terrorist is not easy reading. I did not get caught up in the plot, and that was disappointing. It was easy for me to put the novel down after 25 pages, both because I needed time to process and because it did not always keep my attention. Updike is a great writer, and Terrorist shows that; however, everyone may not like the book.

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The imam shuts his eyes again as in a holy trance, his closed lids shuddering with the pulse of the capillaries within them. His voice emerges from his mouth cogently, however. "Your translation to Paradise would be instant," he states. "Your family-your mother-would receive compensation, i'dla, for her loss, even though she is an unbeliever. The beauty of her son's sacrifice may perhaps persuade her to convert. All things are possible with Allah."

"My mother-she has always supported herself. Could I name another, a female friend my age, to receive the compensation? It might help her to achieve freedom."

"What is freedom?" Shaikh Rashid asks, his eyes opening and breaking the skin of his trance. "As long as we are in our bodies, we are slaves to our bodies and their necessities. How I envy you, dear boy. Compared with you, I am old, and it is to the young that the greatest glory of battle belongs. To sacrifice one's life," he continues, as his eyelids half shut, so just a wet gray glitter shows, "before it becomes a tattered, exhausted thing. What an endless joy that would be."

"When," Ahmad asks after letting these words sink into a silence, "will my istishhdd take place?" His self-sacrifice: it is becoming a part of him, a live, helpless thing like his heart, his stomach, his pancreas gnawing away with its chemicals and enzymes.

"Your heroic sacrifice," his master quickly amplifies. "Within a week, I would say. The details are not mine to specify, but a week would approximate an anniversary and send an effective message to the global Satan. The message would be, 'We strike when we please.' "

"The truck. Would it be the one I drive for Excellency?" Ahmad can grieve, if not for himself, for the truck-its cheerful pumpkin orange, its ornate script lettering, the vantage from its driver's seat that puts the world of obstacles and dangers, of pedestrians and other vehicles, just on the other side of the tall windshield, so that clearances are easier to gauge than when driving an automobile, with its long and bloated hood.

"A truck like it, which should give you no trouble in driving a short distance. The Excellency truck itself would of course incriminate the Chehabs, if any identifiable fragments remain. The hope is that none will. In the first World Trade Center bombings, you may be too young to remember, the rented truck was traced with laughable ease. This time, the physical clues will be obliterated-sunk, as the great Shakespeare puts it, full fathom five."

"Obliterated," Ahmad repeats. The word is not one he often hears. A strange layer, as of a transparent, disagreeable-tasting wool, has come to enwrap him and act as an impediment to the interaction of his senses with the world.

In contrast, Shaikh Rashid has come sharply out of his trance, sensitive to the boy's queasy mood, quickly insisting to him, "You will not be there to experience it. You will already be in Jannah, in Paradise, at that instant, confronting the delighted face of God. He will greet you as His son." The shaikh bends forward earnestly, changing gears. "Ahmad, listen to me. You do not have to do this. Your avowal to Charlie does not obligate you, if your heart quails. There are many others eager for a glorious name and the assurance of eternal bliss. The jihad is overwhelmed by volunteers, even in this homeland of evil and irreligion."

"No," Ahmad protests, jealous of this alleged mob of others who would steal his glory. "My love of Allah is absolute. Your gift is one I cannot refuse." Seeing a kind of flinch on his master's face, a clash of relief and sorrow, a disconcerted gap, in his usual composed surface, through which his mere humanity flashes, Ahmad relents, joining him in humanity with the joke, "I would not have you think that our hours studying the Eternal Book were wasted."

"Many study the Book; few die for it. Few are given your opportunity to prove its truth." From this stern high plane Shaikh Rashid relents in turn: "If there is any uncertainty in your heart, dear boy, speak it now, without penalty. It will be as if this conversation has never taken place. I ask from you only silence, a silence in which someone with more courage and faith may carry out the mission."

The boy knows he is being manipulated, yet accedes to the manipulation, since it draws from him a sacred potential. "No, the mission is mine, though I feel shrunk to the size of a worm within it."

"Good, then," the teacher concludes, leaning back, lifting up his little black shoes, and resting them in view on the silver-threaded footstool. "You and I will not speak of this again. Nor will you visit here again. Word has reached me that the Islamic Center may be under surveillance. Inform Charlie Chehab of your heroic resolve. He will arrange that you soon receive detailed instruction. Give him the name of this sharmoota whom you value above your mother. I cannot say that I approve: women are our fields, but our mother is the Earth itself, from which we drew existence."

"Master, I would rather entrust the name to you. Charlie has a connection with her that might lead him to disrespect my intent."

Shaikh Rashid resents such a complication, which mars the purity of his pupil's submission. "As you wish," he says stiffly.

Ahmad prints joryleen grant on a piece of notepaper, just as he saw it, not many months ago, inscribed in ballpoint on the edges of the pages of a thick high-school textbook. They were nearly equals then; now he is headed for Jannah and she for Jahannan, the pits of Hell. She is the only bride he will enjoy on Earth. Ahmad notices in writing that the trembling has passed out of his teacher's hands into his own. His soul feels like one of those out-of-season flies that, trapped in winter in a warm room, buzz and insistently bump against the glass of a window saturated with the sunlight of an outdoors wherein they would quickly die.

The next day, a Wednesday, he wakes early, as if at a shout that quickly dies away. In the kitchen, in the dark before six o'clock, he encounters his mother, who is back on the morning shift at Saint Francis. She wears, chastely, a beige street dress and a blue cardigan thrown across her shoulders; her footsteps pad silently in the white Nikes she wears for the miles she traverses the hospital's hard floors. He gratefully senses that her recent mood-the short temper and distraction caused by one of those obscure disappointments whose atmospheric repercussions have bothered him since early childhood-is lifting. She wears no makeup; the skin beneath her eyes is blanched, and her eyes are reddened by her swim in the waters of sleep. She greets him with surprise: "Well, you're an early bird!"

"Mother-"

"What, darling? Don't make it long, I'm on duty in forty minutes."

"I wanted to thank you, for putting up with me all these years."

"Why, what a strange thing to say! A mother doesn't put up with her child; die child is her reason for being."

"Without me, you would have had more freedom to be an artist, or whatever."

"Oh, I'm as much of an artist as I have talent for. Without you to care for, I might have just sunk myself in self-pity and bad behavior. And you've been such a good boy, really- never giving me real trouble, like I hear about at the hospital all the time. And not just from the other nurse's aides but from the doctors, with all that education they have and the lovely homes. They give rfieir children everything, and yet they turn out horribly-self-destructive and other-destructive. I don't know how much credit to give your Mohammedanism. Even as a baby, you were so trusting and easy. Everything I suggested, you diought was a good idea. It worried me, even, you seemed so easily led, I was afraid you'd be influenced by the wrong people as you grew older. But look at you! A man of the world, earning good money just as you said you would, and handsome besides. You have your father's lovely lanky build, and his eyes and sexy mouth, but nothing of his cowardice, always looking for a shortcut."

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