Don Delillo - Falling Man

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Amazon.com Review
The defining moment of turn-of-the-21st-century America is perfectly portrayed in National Book Award winner Don DeLillo's Falling Man. The book takes its title from the electrifying photograph of the man who jumped or fell from the North Tower on 9/11. It also refers to a performance artist who recreates the picture. The artist straps himself into a harness and in high visibility areas jumps from an elevated structure, such as a railway overpass or a balcony, startling passersby as he hangs in the horrifying pose of the falling man.
Keith Neudecker, a lawyer and survivor of the attack, arrives on his estranged wife Lianne's doorstep, covered with soot and blood, carrying someone else's briefcase. In the days and weeks that follow, moments of connection alternate with complete withdrawl from his wife and young son, Justin. He begins a desultory affair with the owner of the briefcase based only on their shared experience of surviving: "the timeless drift of the long spiral down." Justin uses his binoculars to scan the skies with his friends, looking for "Bill Lawton" (a misunderstood version of bin Laden) and more killing planes. Lianne suddenly sees Islam everywhere: in a postcard from a friend, in a neighbor's music-and is frightened and angered by its ubiquity. She is riveted by the Falling Man. Her mother Nina's response is to break up with her long-time German lover over his ancient politics. In short, the old ways and days are gone forever; a new reality has taken over everyone's consciousness. This new way is being tried on, and it doesn't fit. Keith and Lianne weave into reconciliation. Keith becomes a professional poker player and, when questioned by Lianne about the future of this enterprise, he thinks: "There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not."
DeLillo also tells the story of Hammad, one of the young men in flight training on the Gulf Coast, who says: "We are willing to die, they are not. This is our srength, to love death, to feel the claim of armed martyrdom." He also asks: "But does a man have to kill himself in order to accomplish something in the world?" His answer is that he is one of the hijackers on the plane that strikes the North Tower.
At the end of the book, De Lillo takes the reader into the Tower as the plane strikes the building. Through all the terror, fire and smoke, De Lillo's voice is steady as a metronome, recounting exactly what happens to Keith as he sees friends and co-workers maimed and dead, navigates the stairs and, ultimately, is saved. Though several post-9/11 novels have been written, not one of them is as compellingly true, faultlessly conceived, and beautifully written as Don De Lillo's Falling Man. -Valerie Ryan
From Publishers Weekly
Starred Review. When DeLillo's novel Players was published in 1977, one of the main characters, Pammy, worked in the newly built World Trade Center. She felt that "the towers didn't seem permanent. They remained concepts, no less transient for all their bulk than some routine distortion of light." DeLillo's new novel begins 24 years later, with Keith Neudecker standing in a New York City street covered with dust, glass shards and blood, holding somebody else's briefcase, while that intimation of the building's mortality is realized in a sickening roar behind him. On that day, Keith, one half of a classic DeLillo well-educated married couple, returns to Lianne, from whom he'd separated, and to their young son, Justin. Keith and Lianne know it is Keith's Lazarus moment, although DeLillo reserves the bravura sequence that describes Keith's escape from the first tower-as well as the last moments of one of the hijackers, Hammad-until the end of the novel. Reconciliation for Keith and Lianne occurs in a sort of stunned unconsciousness; the two hardly engage in the teasing, ludic interchanges common to couples in other DeLillo novels. Lianne goes through a paranoid period of rage against everything Mideastern; Keith is drawn to another survivor. Lianne's mother, Nina, roils her 20-year affair with Martin, a German leftist; Keith unhooks from his law practice to become a professional poker player. Justin participates in a child's game involving binoculars, plane spotting and waiting for a man named "Bill Lawton." DeLillo's last novel, Cosmopolis, was a disappointment, all attitude (DeLillo is always a brilliant stager of attitude) and no heart. This novel is a return to DeLillo's best work. No other writer could encompass 9/11 quite like DeLillo does here, down to the interludes following Hammad as he listens to a man who "was very genius"-Mohammed Atta. The writing has the intricacy and purpose of a wiring diagram. The mores of the after-the-event are represented with no cuteness-save, perhaps, the falling man performance artist. It is as if Players, The Names, Libra, White Noise, Underworld-with their toxic events, secret histories, moral panics-converge, in that day's narrative of systematic vulnerability, scatter and tentative regrouping.

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She was dazed and had no sense of time, she said.

There was water somewhere running or falling, flowing down from somewhere.

Men ripped their shirts and wound them around their faces, for masks, for the smoke.

She saw a woman with burnt hair, hair burnt and smoking, but now she wasn’t sure she’d seen this or heard someone say it.

Times they had to walk blind, smoke so thick, hand on the shoulder of the person in front.

She’d lost her shoes or kicked them off and there was water like a stream somewhere, nearby, running down a mountain.

The stairwell was crowded now, and slow, with people coming from other floors.

“Someone said, Asthma. Now that I’m talking, it’s coming back a little bit. Asthma, asthma. A woman like desperate. There were panic faces. That’s when I think I fell, I just went down. I went down five or six steps and hit the landing, like stumble-falling, and I hit hard.”

She wanted to tell him everything. This was clear to him. Maybe she’d forgotten he was there, in the tower, or maybe he was the one she needed to tell for precisely that reason. He knew she hadn’t talked about this, not so intensely, to anyone else.

“It was the panic of being trampled even though they were careful, they helped me, but it was the feeling of being down in a crowd and you will be trampled, but they helped me and this one man I remember, helping me get to my feet, elderly man, out of breath, helping me, talking to me until I was able to get going again.”

There were flames in elevator shafts.

There was a man talking about a giant earthquake. She forgot all about the plane and was ready to believe an earthquake even though she’d heard a plane. And someone else said, I been in earthquakes, a man in a suit and tie, this ain’t no earthquake, a distinguished man, an educated man, an executive, this ain’t no earthquake.

There were dangling wires and she felt a wire touch her arm. It touched the man behind her and he jumped and cursed and then laughed.

The crowd on the stairs, the sheer force of it, hobbling, crying, burnt, some of them, but mostly calm, a woman in a wheelchair and they carried her and people made room, bending into single file on the stairs.

Her face held an earnest appeal, a plea of some sort.

“I know I can’t sit here alive and safe and talk about falling down some stairs when all that terror, all those dead.”

He didn’t interrupt. He let her talk and didn’t try to reassure her. What was there to be reassuring about? She was slumped in the chair now, talking into the tabletop.

“The firemen racing past. And asthma, asthma. And some people talking said bomb. They were trying to talk on cell phones. They went down the stairs hitting numbers.”

This is where bottles of water were passed up the line from somewhere below, and soft drinks, and people were even joking a little, the equity traders.

This is where the firemen went racing past, going up the stairs, into it, and people got out of the way.

This is also where she saw someone she knew, going up, a maintenance man, a guy she used to joke with whenever she saw him, going up right past her, carrying a long iron implement, like something to pry open an elevator door, maybe, and she tried to think of the word for the thing.

He waited. She looked past him, thinking, and it seemed important to her, as if she were trying to recall the man’s name, not the name of the tool he was carrying.

Finally he said, “Crowbar.”

“Crowbar,” she said, thinking about it, seeing it again.

Keith thought he’d also seen the man, going up past him, a guy in a hard hat and wearing a workbelt with tools and flash-lights and carrying a crowbar, bent end first.

No reason ever to remember this if she hadn’t mentioned it. Means nothing, he thought. But then it did. Whatever had happened to the man was situated outside the fact that they’d both seen him, at different points in the march down, but it was important, somehow, in some indeterminate way, that he’d been carried in these crossing memories, brought down out of the tower and into this room.

He leaned forward, elbow braced on the coffee table, mouth pressed against his hand, and he watched her.

“We just kept going down. Dark, light, dark again. I feel like I’m still on the stairs. I wanted my mother. If I live to be a hundred I’ll still be on the stairs. It took so long it was almost normal in a way. We couldn’t run so it wasn’t some kind of running frenzy. We were stuck together. I wanted my mother. This ain’t no earthquake, making ten million dollars a year.”

They were moving out of the worst of the smoke now and this is when she saw the dog, a blind man and a guide dog, not far ahead, and it was like something out of the Bible, she thought. They seemed so calm. They seemed to spread calm, she thought. The dog was like some totally calming thing. They believed in the dog.

“We, finally, I don’t know how long we had to wait, it was dark wherever we were but then we came out and passed some windows and saw the plaza where it’s a bombed-out city, things on fire, we saw bodies, we saw clothes, pieces of metal like metal parts, things just scattered. This was like two seconds. I looked two seconds and looked away and then we went through the underground concourse and up into the street.”

This was all she said for a time. He went over to the chair by the door and found her cigarettes in the briefcase and took one out of the pack and put it in his mouth and then found the lighter.

“In the smoke all I could see was those stripes on the firemen’s coats, the bright stripes, and then some people in the rubble, all that steel and glass, just injured people sitting dreaming, they were like dreamers bleeding.”

She turned and looked at him. He lit the cigarette and walked over and handed it to her. She took a drag, closing her eyes and exhaling. When she looked again, he was back across the table, seated on the sofa, watching her.

“Light one up for yourself,” she said.

“Not for me, no.”

“You quit.”

“Long time ago. When I thought I was an athlete,” he said. “But blow some my way. That would be nice.”

After a while she began to speak again. But he didn’t know where she was, somewhere back near the beginning, he thought.

He thought, Wet all through. She was wet all through.

There were people everywhere pushing into the stairwell. She tried to recall things and faces, moments that might explain something or reveal something. She believed in the guide dog. The dog would lead them all to safety.

She was going through it again and he was ready to listen again. He listened carefully, noting every detail, trying to find himself in the crowd.

Her mother had said it clearly, years earlier.

“There’s a certain man, an archetype, he’s a model of dependability for his male friends, all the things a friend should be, an ally and confidant, lends money, gives advice, loyal and so on, but sheer hell on women. Living breathing hell. The closer a woman gets, the clearer it becomes to him that she is not one of his male friends. And the more awful it becomes for her. This is Keith. This is the man you’re going to marry.”

This is the man she marries.

He was a hovering presence now. There drifted through the rooms a sense of someone who has earned respectful attention. He was not quite returned to his body yet. Even the program of exercises he did for his postsurgical wrist seemed a little detached, four times a day, an odd set of extensions and flexions that resembled prayer in some remote northern province, among a repressed people, with periodic applications of ice. He spent time with Justin, taking him to school and picking him up, advising on homework. He wore a splint for a while, then stopped. He took the kid to the park to play catch. The kid could toss a baseball all day and be purely and inexhaustibly happy, unmarked by sin, anyone’s, down the ages. Throw and catch. She watched them in a field not far from the museum, into the sinking sun. When Keith did a kind of ball trick, using the right hand, the undamaged one, to flip the ball onto the back of the hand and then jerk the arm forward propelling the ball backwards along the forearm before knocking it into the air with his elbow and then catching it backhanded, she saw a man she’d never known before.

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