DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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'Some preacher you are,' I say. I turn for the door but he grips my arm and spins me around. One tubular vein stands out from his neck, throbbing like it lives on a reproductive organ.

'Blind, dumb shit ,' he spits, his breath like hot sandpaper in my ear. 'Where's this God you talk about? You think a caring intelligence would wipe out babies from hunger, watch decent folk scream and burn and bleed every second of the day and night? That ain't no God. Just fuckin people . You stuck with the rest of us in this snake-pit of human wants , wants frustrated and calcified into needs , achin and raw.'

The outburst takes me aback. 'Everybody needs something,' I mutter.

'Then don't come cryin to me becausen you got in the way of another man's needs.'

'But, Lasalle…'

'Why you think the world chewin its own legs off? Becausen the goodies are right there, but we can't fuckin get 'em. Why can't we get 'em? Becausen the market for promises need us not to. That ain't the work of no God. That's human work, animals who dreamed up an outside God to take the heat.' Lasalle pokes a trembling lip at my face. 'Wise the fuck up. Intermingling needs make this world go round. Serve that intermingling, and you needs can get fulfilled. Ever hear say, "Give the people what they want?"'

'Sure, but – where's that leave God?'

'Boy you really missed the boat. I'll make it simple, so's even fuckin you can understand. Papa God growed us up till we could wear long pants; then he licensed his name to dollar bills, left some car keys on the table, and got the fuck outta town.' Water rushes to his eye-holes. 'Don't be lookin up at no sky for help. Look down here, at us twisted dreamers.' He takes hold of my shoulders, spins me around, and punches me towards the mirror on the wall. 'You're the God. Take responsibility. Exercise your power.'

Four men appear at the door: two guards, a chaplain, and the guy in the dark suit. 'Time for the final event,' says the suit.

My eyes snap to the cubicle where the other prisoner takes a quiet dump, but the men walk right past it and grab hold of Lasalle. His lip juts dumb again, his shoulders droop. Through the corner of my eye I see Jonesy calling me out.

'Lasalle? You a con ?' I ask.

'Not for long,' he says softly. 'Looks like not for long.'

'C'mon, Little,' calls Jones from the door. 'Lasalle won the first vote.'

'But Lasalle, was that like – the secret of life?'

He tuts and shakes his head as the group march him to the door.

'I mean – what's the practical…?'

He holds a hand up to the guards. They stop. 'You mean, how do you do it ? Big yourself up – watch any animal for clues. As for us humans – check this…' He pulls a lighter from his pocket, and motions us to hush. He clicks the lighter once, softly, then cranes an ear toward the toilet cubicles, where the other con still sits out of sight. After a moment, you hear rustling in the cubicle. Then a lighter clicks inside. We watch a puff of smoke rise up, as the con drags on a cigarette he didn't even know he wanted. The power of suggestion. Lasalle turns to me with a smile, and clicks his lighter in the air. 'Learn their needs, and they'll dance to any fuckin tune you play.'

Jonesy grabs my arm as the group turns to the corridor. I wrassle free, and pounce a couple of steps after Lasalle, but Jonesy threads his arms through mine, Deadlocking me from behind. It's what he needs. I don't struggle.

' Thanks, Lasalle ,' I holler.

'No sweat, Vernon God ,' comes the voice.

'Boy,' says Jonesy, when he gets me to the stairs, 'you really bought his bullshit.'

'Somebody told me he was a preacher.'

'Yeah, right . Clarence Lasalle, the fuckin axe-murderer.'

I lie awake on my bunk tonight as Lasalle's execution buzzes from the TVs along the row. I expect to hear Taylor 's voice, but one of my fellow inmates says she left the show to try and be a roving reporter. She has all the contacts now, I guess. Just needs that one big story. Anyway, we only catch the last hour of the show. Lasalle doesn't make any final statement, which seems kind of cool. He chooses 'I Got You under my Skin' for his final tune. What a guy.

This view of my ceiling grows familiar over the rest of the week, I even work on my art project, underneath a towel, lying here on my back. The entertainment appliances disappear again, right after Lasalle's event, and I get to thinking about his last talkings. It all sounded too simple, like a TV-movie or something, like just any ole thing they'd run violin music to. It gets me thinking though, about my wasted ole damn life. They don't even have job descriptions for the kind of talents I have. I guess the tragedy is that I should've been up there as the prosecutor, or even Brian Dennehy – I'm the one that can sense stuff about people, and situations and all. Sure, I'm not a great student or anything, or athlete or anything, but I have these talents, I'm sure I have. I guess the way their powerdimes mount up against mine, the final tally of dimes in the power system means they go through, and I don't. One learning, though: my big flaw is fear. In a world where you're supposed to be a psycho, I just didn't yell loud enough to get ahead. I was too darn embarrassed to play God.

Watch any animal, said Lasalle. Give them what they want, and watch any animal. I can understand the giving thing, but I spend nights all the way to the Ides of March, I survive two, then three more execution votes, trying to place the animal clues. I end up watching these useless brown moths that thwack around the light in my cell, felty splinters torn from nighttime, lost and confused. I guess they're animals. I hear moths are actually programmed to fly a straight line, steered by the moon. But these supermarket kind of lights mess up their navigation. Now look at them. I watch one snag behind the light cage, spanking dust off its wings in puffs. Then, 'Thp,' it spins to the floor, broken. The light just buzzes on. So much for the moon. I can relate to moths, boy.

Fantasy animals start to infect my dreams, linen spaniels that romp with Jesus, but in daylight I struggle to make sense of Lasalle's concept. I guess the only permanent animal I know is Kurt the dog, and I ain't sure he counts when it comes to the Secret of Everything. Ole Kurt, who drives himself crazy with the smell of next door's barbecue, who props up his self-esteem by being president of the barking circuit. You know he wouldn't be president of anything, if the circuit knew how damn measly he was. He would've been laughed out of town, if they knew. But they don't.

I sit up on the bunk. Kurt gets by with the bark of a much bigger dog.

twenty-five

'Well but, Vernon, are you using the bathroom every day?' 'Heck, Ma.'

'It's just that this week you're up against that sweet cripple who supposedly killed his parents. And he cries all the time. All the time.'

'You sayin I look guilty?'

'Well on camera you always just lie staring at the ceiling, Vernon, you can be so impassive .'

'But I didn't do nothin.'

'Don't let's start that again. I just don't want the day to arrive and you not be – you know, ready – it's March twenty-eight tomorrow, I mean, that'll be another vote under the bridge…'

Death Row always hushes when my ole lady calls. I guess it's like that in TV-land too, you know how entertaining she can be.

'Did you get the thing I sent for Pam?' I ask.

'Well yes, and thank you very much, from both of us. You know, we were even saying…'

'Mom – I think you should use it at the, you know – the time…'

'Well that's what we were saying…' I wait while she gives a bitty sob, and blows her nose. My eyes mist up too. She leaves the receiver for a second to compose herself, and returns with a sigh. 'Then we can just remember you the way you were – just imagine you're out on your bike…'

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