DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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Having Taylor 's number makes me look like I've got Attention Defecit Disorder, or whichever one it is where you freeze on the spot, or do mime acts or whatever. I devise a facial expression to cover it, frowning like I'm calculating Pi to eight billion decimal places. Underneath my new expression, I run all the thoughts that would've made me look stupid. Like the thought that my ole lady will be up by now. Probably being fucken defibrillated already, or whatever it is when the paramedics yell 'Clear!' I shuffle to the terminal doors, where a bus schedule is displayed. Buses leave regularly to Houston, which means I have plenty of time to call my ole lady. And buses from Houston leave regularly to Brownsville and McAllen, down by the Mexican border. I'm tempted to buy two tickets to the border, and just present one to Taylor, like a wedding ring or something. But my brain says no, don't even buy one yet. Chill for a second. Then I start remembering all the obvious facts about Who Dares Wins and all. Like, maybe the fact I don't take a ticket means I won't get her to come. I end up frozen at the fucken door, re-calculating Pi.

Say, for instance, two guys want to drag Taylor Figueroa to Mexico right away. One brings her roses, and says he has this plan to go to Mexico, and would she like to come along. The other dude turns up with a quart of tequila, a joint, and two tickets to the border. He doesn't show her the tickets right away, but says, 'I have hours to live – help me kill the pain.' He gets her wasted in three minutes flat, sucks her tonsils out of her throat, then pulls out the tickets and says, 'Ten minutes till the cops arrive and take you in as an accessory – let's jam.' Which one does she go with? You know the fucken answer, I don't have to tell you. And let me say, it ain't all on account of one being nice, and one being a slime-ball. It's because one of them knew she would come. As Americans, we know this to be true. We invented fucken assertiveness, for chrissakes. But in amongst all the books and tapes, in between that whole assertiveness industry – and I don't mean how to fast-talk people, and increase sales and shit, like, that's a whole other industry on its own, I mean in the industry where you end up knowing like day is day that something's going to happen for you – you never once hear how to actually fucken do it . Like, for my money, just thinking positive doesn't cut the ice at all. I've been thinking positive all year, and fucken look at me now. My ole lady thinks a new refrigerator will turn up on her doorstep, but you ain't seen the fucker yet.

I limp back to the phones. I ain't sure Taylor will come along. In fact, if I'm really honest, I guess I feel she won't. She has a lunch date, and her life is all separate, and full of sunny-smelling skin and panty lace. I just have grisly fucken reality, uninvited, with its smell of escalator motors and blood, and whirrs and beeps that suck away your shine. Dreams are so damn perfect, but reality just always tugs the other way. The fact that our two lives will rub together for the time it takes to say hello doesn't automatically mean sparks will fly. The best you can probably expect is that her peachy-lace life gets smeared with booger-slime. It's enough to make you bawl. Specially because now I'm in the wrong frame of mind for it to happen. There's the learning, O Partner: that you're cursed when you realize true things, because then you can't act with the full confidence of dumbness anymore.

In the end I just piss myself off. I pack up my goddam philosophical activity set, and pull a quarter from my pocket. I toss it. It comes down heads, which means call her in Houston immediately. I pick up the phone, and punch in her number.

fifteen

'Hello?' The voice is liquid ass in panty elastic.

Taylor, hi – it's Vern.'

'Wait up, I'll get her,' says a girl. ' Tay! Taylor – it's Vern.'

' Who ?' calls a voice in the background.

Then you hear giggles. I fucken hate that. Your chances with a girl fall sharply in the vicinity of giggles. Learning: never try to deal with more than one girl at a time.

She finally clatters onto the line. 'Tayla.'

'Uh – hi, it's Vern.'

' Vern ?'

'Vern Little – remember me?'

'Vern Little ? Like, gee…' As she speaks, you hear the other girl in quiet hysterics nearby.

'You might've seen me on the news, Vernon Gregory Little – from Martirio?'

'Like, I'm real sorry – I heard about the massacre and all, but I usually only, like, watch cable, you know?'

' Anal Intruder Channel ,' squeals the other girl.

'Fuck off , Chrissie, God .'

'Uh – well, I'm the messy-haired dude, from outside the senior party that time – I kept back some stuff of yours…'

'Oh hey, Vern . I'm sorry – you took care of me that night, like, boy, did I overdo it or what !'

'Hell, no big deal,' I say. In the background you hear her kick the other girl out of the room. Pause for giggles while she does it.

'Well it was really, like – anything could've happened to me, you know?' I push some spit around my mouth, imagine some things that could've happened to her. 'So how'd you get my number?' she asks.

'It's a long story – thing is, I'm coming over to Houston, I thought maybe we could grab a coffee or something.'

'Gee, Vern, I'm like, wow, you know? Maybe next time?'

'But, what about lunchtime, or something?'

'See, my cousin's coming over, and it's just like, whatever, a girl thing, you know? Anyway, it's real sweet of you to call…'

She utters the winding-up words, just like that. Then comes an awkward gap as she waits for the corresponding ending from me. A spike of horror makes me gamble.

' Taylor, listen – I just got out of jail, I'm on the run. I wanted to tell you some stuff before I disappear, you know?'

'Holy shit , like – what happened?

'I can't really talk on the phone.'

' God , but you seemed like, wow, you know, such a quiet guy.'

'Maybe not so quiet, as it turns out. Not so damn quiet anymore.'

' God , but you're only, like – fourteen, no?'

'Uh, seventeen actually, now, these days. So yeah, I guess I must've just snapped, against the injustice and all.'

' Oh my God. ..'

I stand at the phones, flick my eyes around the terminal, and wait for the bait to drop. I wait in the name of all the conclusive knowledge, collected throughout the history of the world, that says girls just can't resist bad boys. You know it, I know it. Everybody knows it, even if you ain't allowed to say it anymore.

'Vern, maybe I could, like – whatever, you know? I mean it's like, God . D'you know the Galleria in Houston?'

'Not a whole lot.'

'See, I have to be at Victoria 's Secret around two – I could, like, catch you out front, on Westheimer or whatever.'

' Victoria 's Secret ?' I trample my tongue.

She giggles. 'I know, it's so embarrassing – I'm supposed to be, like, underwear shopping, I can't believe I just invited you.'

'I'll wear shades.'

'Whatever,' she says, laughing. 'Are you, like – in a car?'

'I'll take a cab.'

'Whatever, look – there's like this inflatable octopus out front of the Galleria, some kind of promotion – I'll keep an eye out around quarter of two.'

See how things work? First I'm like a skidmark on her mouthpiece, and she wants to wind up the call. But see what happens now I'm in trouble . See the awesome power of trouble . Trouble fucken rocks .

The Houston bus costs twenty-two bucks. I'm hungry, but I only have forty-four bucks fifty left. Getting both of us to Mexico will cost more than that. When my bus pulls into Houston, just before one o'clock, I head to the phones and look up 'Cash' in the yellow pages. My music has to go. A cab drives me miles away, to a pawnbroker where I get offered twenty-five bucks for my two-hundred-dollar stereo, which I accept because the taxi meter is running, and already cost me ten bucks, which I had to pay up-front as soon as the driver knew we were going to a fucken pawnbroker. I also get offered twenty-five cents apiece for my discs. I sneer at the pawnbroker, and he gets mad. Real red ass on the pawnbroker, actually, as we say down here.

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