DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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A chill wades through my skin to wake me. It's after five in the morning. I hear the roar of a bus on the highway, and hoist my pack up to the roadside. A motorcoach hammers around the bend, glowing cool and cozy inside. I flap my arms, and make like I just arrived from the scene of an urgent reason to travel. A uniformed driver leans over to study me in the side-mirror as the bus coasts past. Then, 'Pschhsss,' he pulls over and stops, two hundred yards down the highway. I fly towards those tail-lights.

The door puffs open. 'You in trouble?' asks the driver.

'I have to get to San Antonio.'

'Martirio's only a few miles away, you should pick up the next service there – I can't just stop on a whim, y'know.'

'Yeah, but – I'm stuck out here, and…'

'You're stuck out here?' he looks around. 'We have like predetermined stops, you can't just hail the service any old where.' I shoot him these puppy-dog eyes, and he eventually says, 'I'd have to charge you the whole fare, like from Austin – thirteen-fifty.'

I climb aboard without even checking where the cowgirl's sitting, or even if there is a cowgirl. I just gulp down the aura of crumpled bedclothes, of travelers messy with chippings of sleep, and shuffle to an empty row at the back. My adrenal gland coughs as we move away, half expecting Lally to appear, or Ella's mom, or some kind of shit. I don't even want to think what, because Fate always pays attention to what you think, then slams it up your fucken ass.

'Drrrrrr,' the motorcoach hits the road, and after nameless miles I hang suspended on the knife-edge of a doze, my brain like crystal grits. Then we pass a field of manure or something, the type of smeary tang your family pretends not to notice when you're in the car with them, and it suddenly floods my senses with Taylor Figueroa. Don't ask me why. I sense her in a field by the highway. She's down on all fours behind a bush, naked except for blue synthetic panties that strain hard into her thigh-vee, and glow dirty ripe. I'm there too. We're safe and comfortable, with time on our hands. I surf her upholstery with my nose, map her sticky heem along glimmering edges to the panty-leg, where the tang sharpens like slime-acid chocolate, stings, bounces me back from her poon. In my dream I bounce back too far. Then I see we're in a field of ass-fruit, and suddenly I don't know if it's Taylor 's scent, or just the field I can smell. I scramble back to her cleft, but the edges have vanished. The forbidden odor dissolves into the body-heat and aftershave of the bus. I wake up snorting air like crazy. She's gone. Empty distance rolls past the window.

I sit up straight in the seat, hoping to fool myself into normality. But the waves start tumbling in, tidal waves of horror on the back of this beautiful dream. Now bright images of Jesus form around me. He doesn't look at me. He looks away, and takes the barrel into his mouth, tastes its heat. Around him, milky eyes dot the school yard like flowers, jerky eyes getting slower, fading dead away. Boom. Fractured air oozes coughs and gurgles, the hiss of desperate clotting, of vital last messages nobody hears. Mr Nuckles the teacher is here too, his face trimmed with bubbles of young blood. The memories are back. I shoot disorderly tears for the fallen, for Max Lechuga, Lori Donner, and everybody, and I know I'm fucked for the rest of the journey, maybe for the rest of my life, fucked and nailed through the eye of my dick to the biggest cross. How could they think I did this? I hung out with the underdog, moved out of the pack, that's how, and now I fill his place, now anything original I ever said or did has turned a sinister shade. I understand him for the first time.

'You all right?' asks an ole lady, approaching down the aisle. I must be gasping like a fish or something. She brings her hand to my face, and I meet with it like it was the hand of God.

'I'll be okay,' I say through a curtain of spit. She withdraws her hand, but my face follows it, without instructions from me, aching for another touch.

'I'm so sorry you have troubles. I'm right over here – if you need some company, I'm right over here.' She pulls herself back to her seat.

An angel from heaven, that ole lady, but I can't feel a thing except pain and darkness, the darkness of purgatory. I bury my face in my hands, and sit shaking with hurt, praying for some kind of hopeful distraction. Then, I swear on my daddy's grave, Muzak starts to play in the bus. Just a welling violin note at first.

Sailing, take me away…

It's light when we roll into San Antone, but too early to be busy. I'm as hungry as a loose dog. My eyes are still gritty with salt. I skulk around the terminal restroom until eight o'clock, then I go to the phones to call Taylor Figueroa's folks. I just feel empty, drained of my life juices. The current logic is this: if I can get Taylor 's number, and take the first step into my dream, it'll boost me up, maybe even enough to call home and explain things. If I don't get Taylor 's number, then I'll have so little left to lose that I'll call home anyway, because I won't care about being boosted up.

I punch in the number. A thought comes as I do it, that maybe my ole lady became best friends with the Figueroas overnight, and is over there drinking coffee, or bawling, more likely. You know how Martirio is. It's shit, because my ole lady never went to the Figueroas' in her life. But you know how Martirio is. The number rings.

Teaches,' Taylor 's mom answers in a cool, deep voice.

'Mrs Figueroa? This is a friend of Taylor 's – I lost her number and wondered how I could get in touch.'

'Who's speaking?'

'Uh – just an ole school buddy, like, from school.'

'Yes, but who?'

'Oh, it's – Danny Naylor here, excuse me.' Big fucken mistake. Her voice immediately gets all relaxed and intimate.

'Well hi , Dan, I didn't recognize you at all – how's life treating you up at A &M?'

'Oh, great, great, I'm loving it, actually.'

'I saw your mom at the New Life market the other day, and she tells me you're coming down for the bluebonnet cookout.'

'Oh, sure – you know me.' Sweat runs down my fucken back, my vision gets metallic, like I just downed forty cups of coffee.

'Hooray,' she says. 'I'll be seeing your mom at the committee meeting tomorrow, I'll let her know you called, and that you're fine.'

'Oh, great, thanks a lot.'

'And I just know Tay 'll be pleased to hear from you – hold on, I'll get you her number.'

Now there's a fucken thing. 'I just know Tay 'll be pleased?' I get a sudden twist of the knife over that. Typical of asshole Naylor to horn in on my thing. Like, he only ever had one good joke in his whole school career. It makes me want to go, 'Yeah, I'll just update her on my genital cancer,' or something. Fucken Naylor, boy.

'Here it is Dan, she's still down at UT Houston – I know she has a lunch date, so you'll catch her then, if not right now.'

I list the number under 'T', and under 'F, in case I get amnesia, then I write it across the cover of the address book as well. 'Thanks Mrs Figueroa – you take care now, and give my love to Mom.'

'Sure, Dan – see you at the cookout.'

I hang up the phone, shaking my head from the dumbness of it all. You can picture Danny arriving at the cookout and going, ' What fucken call?' Or everybody finding out he died in a line-dancing accident a week ago, or something. I just take the fucken cake, boy. I mean, there must be some highly twisted gangstas out there, really hard cases and all, but I bet they never got involved in a dorky piece of slime in their lives. Like, I bet ole Adult Hitler, a nasty piece of action, never had anyone looking out for him at the cookout because he called pretending to be Danny Fucken Naylor.

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