Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"Heliotrope was very persuasive," he answered. "And who can say how thick this Vietnam shit is gonna get?"

"M'kehla, you're way past getting drafted."

"But I'm not past knowing bum shit when I see it border to border. Hang around shit long enough you're gonna get some on you I also know that."

"Listen. When I was on the run I came across a lot of American expatriots. You know what they all had in common, especially the men?"

He didn't answer. He picked an egg out of the bucket and rolled it around his long magician's fingers.

"They were all very damn hangdog apologetic, that's what they all had in common."

"Apologetic about what?"

"About running away from home with all this bum shit needing cleaned up is what! Besides, what about Percy? He isn't draft age either."

"In a way he is. His square daddy keeps trying to force him to shape up. His teachers are always on his case – pledge allegiance, cut his hair, mind his tongue."

He paused. Percy's red head had ducked out of the bus and he was sneaking across our yard.

"There are some pegs that'll never fit a square hole. No matter how much force is used."

"We can change the hole," I reminded him.

"Can we?" M'kehla carefully put the egg back in the bucket and looked at me. "Can we really?"

This time it was me didn't answer. The issue was too long between us for short answering. During the decade of our friendship we had shared a vision, a cause if you will. We were comrades in that elite though somewhat nebulous campaign dedicated to the overthrow of thought control. We dreamed of actually changing the human mind to make way for a loftier consciousness. Only from this unclouded vantage, we maintained, could humanity finally rise out of its repetitious history of turds and turmoil and realize that mighty goal of One World. One World Well Fed, Treated Fair, At Peace, Turned On, and In Tune with the Universal Harmony of the Spheres and the Eternal Everchanging Dharma of… of… Anyway, One Wonderful World.

We never claimed to know precisely when the birth of this New Consciousness would take place, or what assortment of potions might be required to initiate contractions, but as to the birthplace we had always taken it for granted that this shining nativity would happen here, out of the ache of an American labor.

Europe was too stiff to bring it off, Africa too primitive, China too poor. And the Russians thought they had already accomplished it. But Canada? Canada had never even been considered, except recently, by deserters of the dream. I didn't like seeing them leave, these dreamers like brilliant and broken Heliotrope and old comrade M'kehla. These freckle-faced Huck Finns.

After his second helping of eggs Percy began to yawn and Betsy packed him away to share Quiston's bunk. M'kehla looked wider awake than ever. He finished his coffee and announced he was ready for action. I explained the day's plan. We had a new string of calves that needed branding and an old string of friends coming out to help. We would herd, corral, brand, barbecue, swim, and drink beer and end up at the fireworks display in Eugene at dusk.

"What we have to do now is prepare. We need to spread sawdust, buy beer, reinforce the corral to be sure it'll keep the calves in -"

"And the goat out," Betsy added.

M'kehla was already heading for the door. "Then let us so embark."

We got the tractor started and the auger hooked up and holes for new posts drilled. I set the posts while M'kehla tamped them fast with stones and gathered more stones from the ditches. I had to hustle to keep up. I was glad when the first visitor showed up to give me an excuse for a break.

It was my cousin Davy, the ex-boxer. His nose was red and his eyes even redder. I asked Davy what he was doing out this early. He said it was as a matter of fact this late; he had come because in the course of a long night's ramble he had acquired an item that he thought might interest me:

"For your Independence Day doo-dah."

He brought it from the back seat of his banged-up Falcon station wagon, a beautiful American flag trimmed with gold braid. It was a good twenty feet long. Davy claimed to have won it in a contest during the night. He didn't remember what kind of contest, but he recalled that the victory was decisive and glorious. I told him it was a great item; too bad I didn't have a pole. Davy turned slowly around until he spotted a small redwood that the frost had killed the winter after I planted it.

"How about yon pole?" he drawled, then pointed at the last unposted hole where M'kehla and I were working, "in hither hole." So the three of us felled and bucked the dead limbs off the redwood. Davy made a try at barking it with the draw knife but gave up after ten minutes. M'kehla and I deepened the augered hole by hand until it would support the height of our spar, and drug it over. We attached the hooks and pulleys and tilted the pole into the hole just as Frank Collin Dobbs and crew were arriving in his cutaway bus. In our hurry to get the flag aloft for their arrival we just tossed in dirt, promising to tamp it later. Dobbs got out just as I pulled the brilliant banner aloft. He and Davy snapped to a rigid salute. They launched into the Marine Hymn so far off key I was moved to join them.

M'kehla had chosen not to honor the ceremonies. He turned his back on the foolishness and was finishing our fencing task, reaching around the flagpole and hammering in the last section of wire.

This is when Killer made that piledriving sneak attack that started this story about verve and nerve, and the loss of it, and old friends, and strange beasts.

How came I with this awful goat? Much the same way the farm came by a lot of its animal population: the animals were donated by animal fanciers who had run out of space or patience. Our original peacocks had been abandoned by Krishnas whose ashram had been repossessed; the horses were from rock stars' girlfriends, adrift without permanent pastures. Donkeys without gold mines, sheep without shearers, parrots without perches – they had all found their various ways to the seeming stability of our farm.

Stewart, for instance, had simply come trotting in one day, a halfgrown pup eager to enlist. Varmint-Boy was living in our swamp in an old U.S. Army tent so he decided he would act as the induction officer. He whistled the pup into his tent and shot him up with a boot-camp dose of methadrine. For hours the new recruit drilled chasing birds and fetching sticks, until the shadow grew long and the drill instructor bored. The exhausted pup lay down to sleep but of course could only stare and ponder. Pondering is hard for a dog and not necessarily healthy, but Stewart survived (though he never lost that strung-out stare) to become the top dog. The Varmint was finally drummed off the place for this and other such crimes against innocence.

Killer came from much more conventional sectors. He was the mascot for our high school team, the Nebo Hill Billies. Our symbol is the charging goat. For ten seasons Killer was tied to the bench of the football team, where visiting teams tried to run over him. He was paraded across basketball courts where opposing symbols reared and teased at him. Terry-cloth bears and papier-mâché eagles. Enough to sour any animal.

The meaner he turned the more they came at him. The eye was put out by a baseball spike in a close play at home. The horn he lost during a Creswell homecoming game. A Creswell scatback was down after a hard hit on the punt return and the ambulance had driven across to get him. Killer had tugged at his tether when the flashing contraption drove onto the field. The fallen hero was lifted into the machine and the siren was started. This was more than Killer could endure. To the applause of the stands he snapped his dog chain and charged head-on into the ambulance. Fans that witnessed this famous charge spoke afterward of it with wonder and affection. "Not only knocked the headlight and turn signal clean off he then got tangled underneath in the front suspension; it was another half hour before they could get it all unloosed and towed off the field."

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