Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"The Tidwell twins'll know," Wendell allows. "They been farming this area since the year 'ought-one."

The wagon rumbles along the winding, rocky ruts, through thorn thickets and groves of sugar maple and osage and dogwood. We find the brothers working a lofty meadow high above the neighboring spreads. No woe is frosted on the faces of this pair; their tobacco crop is hanging neatly in the barn since well before the cold snap, and they are already disking under the stalks. Erect, alert, and nearing eighty, the picture presented by these two identical Good Old Boys might describe another hieroglyph: Them as Didn't Get Stung.

They examine Wendell's stalk of sorghum and assure him how it ain't hurt in the joint, which is what roorins the crop.

"Don't let no cows into it, though," they warn. "Freeze like that makes prussic acid sorghum. Mought make a animal sickly…"

Listening to these two old American alchemists one can better understand why Wendell Berry, an M.A. from Stanford and a full professor with tenure two days a week at the U of Kentucky, busts his butt the rest of the time farming with the same antiquated methods the land of his forefathers; there is a wisdom in our past that cannot be approached but with the past's appurtenances. Think of Schliemann finding ancient Troy by way of Homer.

On the way back down from the ridge I tell Wendell of the team of scientists from Berkeley who tried probing the pyramids with a newfangled cosmic ray device in search of hidden chambers. "What they found was that there was something about the pyramids that thwarted our most advanced gadgetry. The only thing their ten tons of equipment accomplished was to electrocute a rat that tried to nest in the wiring."

"Killed a rat, did they?" says Wendell, tromping the brake to keep the wagon from overrunning the mares down the steep slope. "For Berkeley scientists, that's a start."

October 4, Friday. Dateline Paris (Kentucky, that is).

Looking for the Bible in the drawer of my ancient hotel room, I find a phone number penciled onto the unfinished wood of the drawer bottom, a dark number, etched deep and certain, after which is penciled even darker this rave review:

EPIK FUCK!

The phone is on the nightstand right next to the drawer and I must admit I'm housed upstairs alone with the classic traveling-salesman horniness. I look at the number again, but farther back in the drawer there's the Bible, after all. Besides, I have hired out to do an article, not an epic.

The passage I am seeking is Isaiah, chapter 19, verses 19 and 20. It is a pivotal quote in the first volume of a four-volume set on pyramidology that I bought in S.F. for sixty bucks, but the author has written the passage in its original Hebrew, fully aware that your usual reader will have to refer to the Bible to find out what is said. The only thing else he lets you know about the passage is that it contains 30 words and 124 Hebrew letters, and that when the numerical value of these ancient words and letters is added up by a process known as gematria the sum total of the passage equals 5,449, which is the height of the Great Pyramid in pyramid inches.

The pyramid inch is a unit so close to our own inch (25 pyramid inches = 25.0265 of our inches) that I will henceforth refer to these units simply as inches: 5,449 is also the weight of the pyramid in tons times 100. Comparisons continue ad infinitum. Compressed within the scope and accuracy of the Great Pyramid's angles and proportions seem to be all the formulas and distances pertinent to our solar system. This is one of the reasons we don't want to switch to the metric system. It'd be like cutting off our feet so we can get Birkenstock transplants.

The book falls open to Psalm 91 – "He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty" – which is one of the Egyptian verses written, according to the Urantia Book, by that first great teacher of monotheism, King Akhnoten, who, according to Enoch, was schooled personally by Melchizedec himself, who, according to Cayce blah blah, you see what I mean? The path to this pyramid can lead you down endless alleys of rumination. On to Isaiah.

Here it is, chapter 19, and underlined in the same dark pencil as was used to record the phone number on the drawer bottom:

19 In that day shall there be an altar to the lord in the midst of the land of Egypt, and a pillar at the border thereof to the lord.

20 And it shall be for a sign and for a witness unto the lord of hosts in the land of Egypt; for they shall cry unto the lord because of the oppressors, and he shall send them a saviour, and a great one, and he shall deliver them -

Wait a minute. That way lies the musclebound madness one sees caged behind the isometric eyes of the Jesus freaks – not the way I wish to wander in this quest. I don't need a course in spiritual dynamic tension. I return the gift of the Gideons to its drawer and shut it away along with the secret gematria of the Epik Fuck. All very interesting but I don't need it. Being raised a hard-shell Baptist jock I consider myself still fairly fit faithwise. Besides, going to the Great Pyramid to find God strikes me as something of an insult to all the other temples I have visited over the years, an affront to the words of spiritual teachers like St. Houlihan and St. Lao-tzu and St. Dorothy who, perhaps best of all, sums it up: "If you can't find God in your backyard in Kansas you probably can't find him in the Great Pyramid in Egypt, either."

In fact (I may as well tell it now) this expedition is not aimed at the Great Pyramid of Giza at all, nor any of the other dozens of already-studied and profusely interpreted temples lining the west bank of the mighty Nile, but another marvel, as yet undisclosed and said to contain in its magnificent halls all the mysteries of the past – explained!

Like just how did they cut those stones so hard and move them so far and fit them so tight? And what was the device that once crowned the summit of Cheops with such power that it echoes all the way down to the back of our Yankee dollar? Where did those builders come from? Where do we come from and, more important, as our nation's worth leaks away and the gears of this cycle's trip grind from Pisces to Aquarius in approach of the promised shifting of the poles, where are we bound?

This expedition is going to try to find the edifice called by John the Apostle the New Jerusalem and by Enoch of Ohio the Secret Temple of Secrets and by Edgar Cayce, in countless readings that prophesy the discovery of this hidden wonder sometime between 1958 and 1998, the Hall of Records.

Next stop: The A.R.E. Library, the Association for Research and Enlightenment, in Virginia Beach, Virginia.

October 5, 6, 7, 8. Research at Cayce's A.R.E. Library.

As the great accusing aftermath that followed the French Revolution dragged on and the lines of heads scheduled to be lopped off grew too long to be serviced by Dr. Guillotine's nifty machine, the overflow of minor-league aristocrats was relegated to a more cut-rate end. When their time came they were grasped by the arms and hustled indecorously from their cells to an open field where a burly nonunion executioner held aloft a simple sword.

To alleviate the boredoms of these day-in day-out heads-offs, the head hostlers developed this simple sport: just before the sword came down they would hiss in the ear of the trembling wretch they were holding bent forward, "You are free, mon ami: run!" and release his arms. Then the spectators would bet on how many steps the headless body would run before toppling. Seven steps was not unusual; twelve was par for a particularly spirited specimen. The record was set by a woman – twenty-four strides and no sign of falter before the sightless body encountered a parked manure wagon.

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