Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today

Здесь есть возможность читать онлайн «Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Chairman Mao Would Not Be Amused – Fiction From Today: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Chairman Mao Would Not Be Amused – Fiction From Today»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From Publishers Weekly
In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence. Translated ably enough to keep up with the colloquial tone, most tales are told with straightforward familiarity, drawing readers into small communities and personal histories that are anything but heroic. "The Brothers Shu," by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story's earthiness is matched by Wang Xiangfu's folksy "Fritter Hollow Chronicles," about peasants' vendettas and local politics, and by "The Cure," by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui's "Sham Marriage") as they are to poison the lives of urban characters (Chen Cun's "Footsteps on the Roof"). Comedy takes an elegant and elaborate form in "A String of Choices," Wang Meng's tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao's "Grass on the Rooftop." Editor Goldblatt has chosen not to expand the contributors' biographies or elaborate on the collection's post-Tiananmen context. He lets the stories speak for themselves, which, fortunately, they do, quietly and effectively.
From Library Journal
The 20 authors represented here range from Wang Meng, the former minister of culture, to Su Tong, whose Raise the Red Lantern has been immortalized on screen.
***
Chinese literature has changed drastically in the past thirty years. During the Cultural Revolution (1966-1976) arts and literature of all sorts were virtually nonexistent since they were frowned upon by official powers so that attempts to produce any were apt to cause one’s public humiliation and possibly even death by the Red Guards and other unofficial arms of the government. After 1976, in the wake of Mao’s death, literature slowly regained its importance in China, and by the mid-1980s dark, angry, satirical writings had become quite prominent on the mainland.
In the wake of Tiananmen Square, dark literature faded somewhat, but never vanished. Now Howard Goldblatt, a prominent translator of Chinese fiction and editor of the critical magazine Modern Chinese Literature, has compiled a representative collection of contemporary Chinese fiction entitled Chairman Mao Would Not Be Amused. Even with my limited knowledge of modern China I feel certain the title of the book is fairly accurate.
Mo Yan is one of my favorite contemporary writers. His dark, no-holds-barred satires Red Sorghum and The Garlic Ballads detailed what he sees as the failings of both Chinese peasants (of which he was born as one) and the Chinese leaders. His short story "The Cure" is in the same vein, detailing how a local government representative-probably self-appointed during the Cultural Revolution, although that is never made quite clear in the story-leads a lynching of the village’s two most prominent leaders and their wives. But, as in most Mo Yan stories, the bitterness directed at the lyncher is double-edged with the bitter look at a local peasant who sees the deaths of the two village leaders as a desperate chance to possibly rescue his mother from impending blindness. The story is coldly realistic and totally chilling in the rational way it treats the series of events.
Su Tong is the author of the novella "Raise The Red Lantern", the basis of the wonderful movie. His "The Brothers Shu" is a bitter look at some traditional character weaknesses of Chinese people, and particularly how they affect family life. The Shu family is incredibly dysfunctional. The father nightly climbs up the side of his two-family house to have sex with the woman upstairs until her husband bolts her windows shut. So the woman sneaks downstairs to have sex in the younger son’s bedroom while the son is tied to his bed, gagged and blindfolded. Meanwhile the elder son abuses the girl upstairs until she falls in love with him. When she becomes pregnant, they are both so shamed they form a suicide pact, tie themselves together and jump into a river, where the boy is rescued in time but the girl dies. The younger son so hates his older brother-somewhat deservedly considering the abuse heaped on him by the brother-that he pours gasoline through his bedroom and sets it ablaze.
And so on, complete with beatings and torments worthy of the most dysfunctional American families. While not a particularly likeable cast of characters, the story is strong and thoughtful.
Perhaps the most moving part about "First Person", by Shi Tiesheng is in the brief author description in the back of the book. Shi is described as “crippled during the Cultural Revolution”. So many lives were needlessly destroyed during that tumultuous decade, it is easy to feel that the arrest and subsequent conviction of the notorious Gang of Four was not nearly sufficient punishment for them.
"First Person" tells the story of a man with a heart condition-Shi frequently writes about the lives of handicapped people, according to his description-who is visiting his new 21st floor apartment for the first time. While climbing the stairs very slowly, taking frequent rests, he notices a cemetery separated from the apartment building by a huge wall. On one side of the wall is sitting a woman, while on the other side stands a man. As the man climbs the stairs he fantasizes about why the couple are there, and why they are separated by the wall. Perhaps the man is having an affair, and the wife is spying on him as he rendezvous with his lover?
But then the man notices a baby lying on a gravesite, being watched from a distance by the man, and he realizes that the couple is abandoning the child. An interesting story about the fanciful delusions a person can have, but with no real depth beyond that.
Two stories involve fear of dentists in completely different ways. Wang Meng’s "A String of Choices" is a very funny story that combines a bitter look at both Eastern and Western medicine with perhaps the most extreme case of fear of dentists imaginable. Chen Ran’s "Sunshine Between the Lips" tells of a young girl whose adult male friend exposes himself to her. If that were not traumatic enough, after he is arrested for exposing himself to a complete stranger, he sets his apartment on fire and dies a brutal death. This event, combined with a near-fatal bout of meningitis, creates in the girl a deep fear of phallic objects such as needles and penises. So imagine her trauma when she develops impacted wisdom teeth at the same time as she gets married. While this description might sound a bit ludicrous, this story is very serious and very well-executed.
A strong satire on how history can be rewritten to suit the writers’ needs is Li Xiao’s "Grass on the Rooftop". When a peasant’s hut goes on fire, he is rescued by a local student. The rescue is written up for an elementary school newspaper by a local child, but the story is picked up by other papers, changing radically with each reprinting until the rescuing student becomes a great hero of the Maoist revolution because of his supposed attempt to rescue a nonexistent portrait of Mao on the wall of the hut. While this story is uniquely Chinese in many ways, it resonates in all societies in which pride and agenda is often more important than the truth.
Anybody interested in a look at contemporary Chinese society should enjoy this collection immensely.

Chairman Mao Would Not Be Amused – Fiction From Today — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Chairman Mao Would Not Be Amused – Fiction From Today», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Yet the nights were hard to endure, and this hardship had nothing to do with the weather. Old Mu Xi had long adjusted to wind and rain, scorching heat and freezing cold. In winter, there were fewer tender leaves, so he had to eat old ones, but his stomach had become strong. The hardship derived from his feeling of suspension.

Whenever he fell asleep, he felt clearly that he was suspended in midair. Beneath him, the villagers were busy working their fields, barefoot children ambled along the bank between the plots, chimneys gave out a light-gray smoke; yet all of that had nothing to do with him. Hanging in midair, he felt dizzy; it seemed as if his innards were flying out of his body. The nightmare would continue until he was startled awake by his extreme terror. Since fleeing into the forest, he had spent every night this way. Mornings when he arose, he would be pale, his body shivering like a typhoid victim's. Each step was agony. He would struggle to collect a large quantity of leaves to compensate for the strength he had lost during the night. Slowly, he would recover his energy, and toward afternoon he would have regained his vitality almost fully.

Old Mu Xi passed one month after another, one year after another in such a pattern. In moments of desperation, he often dreamed of finding a place that no one could think of or remember. There, one would neither hear the wind chimes echoing in the mountains nor see the leaves changing color with the seasons. The earth and sky would merge. Perhaps in such a place, he would no longer feel suspended in midair, and he wouldn't have to eat all those leaves.

After many, many years, he finally returned to his hometown. He didn't choose the way home purposely. He never chose his way. This homecoming could only be called a coincidence. Even he was surprised for a long time.

On a familiar little hill, he saw the small tile-roofed house where he had once lived, and a few of the same villagers. Like one transfixed, he stood there for a long time, thinking how awkward it had been to be among them back then, when every day had seemed as long as a year. He didn't feel like going home to have a look around, even if they pardoned him; for him, returning home was meaningless, and he could no longer participate in that way of life. Calmly, he jumped into a stream at the entrance to the village to take a bath; then he returned to the mountain.

Many people saw him, yet nobody recognized him. In fact, the incident had happened so long ago that nobody connected him with it anymore. That night, people in the village closed their doors very early and stayed inside. And the topic they discussed was the wild man. Old Mu Xi stayed for a few days in the mountains near his hometown, but he soon became bored and headed north, where the forest was denser. As he left his hometown, he heard deafening firecrackers, which the villagers, fearing the wild man, set off to boost their courage. Old Mu Xi laughed and walked quickly northward through the smell of gunpowder.

One rather strange thing was that his fellow villagers had already forgotten the murder case. They had also forgotten the position they had taken in the dispute, yet they had never forgotten Mu Xi as a person. In folk legend, he had been gradually elevated to a hero of the forest, a powerful and unconstrained hero like a heavenly steed soaring across the skies. One day, they put up posters inviting Old Mu Xi to return, to come home, to return to the people, but he had gone far away and did not see those notices. Even if he had, he would not have believed in the pardon because he was confident he had seen through the people's hearts and minds. Home would not be the place for him. He wanted to go where people had totally forgotten, a place where the sky and earth had merged.

He found that lately, his capacity for food was growing and the blood in his veins had turned green (he scratched his finger once on a thorny vine). Nights had become more and more terrifying. The clear-cut separation of sky from earth forced him to struggle desperately since he felt suspended between them. Old Mu Xi was both startled and scared.

When Old Mu Xi had begun living in the forest, he often mumbled to himself. The language he had used in society obviously was strongly rooted in him. With passing time, Old Mu Xi's desire to speak grew fainter and fainter. One day, he discovered he could not speak a single word. He tried to use the language that had served him in the past for thinking, but it had escaped him. The sound he produced after much effort turned out to resemble baby talk. Quickly, Old Mu Xi discovered the benefit of losing his linguistic memory. His throat became coarse and natural. Often, he didn't need to think to express his urges accurately and easily. Thus he roared, cried, and shouted at will day and night, feeling completely free. One day after several years in his dream world, he felt extremely lucky that he had not gone home, because he could not have endured the sounds those people made. To him, they were shrill and irritating, a completely senseless display of technique. Even little children would twist their lips strangely to make outlandish sounds. Now that he was hidden in the forest, whenever he recalled that he used to talk like that, he would blush with shame.

Although the murder had occurred years before, the image of his victim was still sharp in Old Mu Xi's mind, for he was a born bearer of grudges. Numerous times in those moments before falling asleep, he engaged his enemy in bloody battle, emitting heroic roars. Numerous times, he experienced the pride of triumph and the humiliation of defeat. In these moments of half sleep, his brief human life repeated itself. When Old Mu Xi woke up, his desire for battle had disappeared completely. He would think of the foe he had killed years before and be somewhat surprised: could it be that he had not killed him? Was that forcible seizure of the cropland some kind of illusion? But regardless of the event's authenticity, it or something like it had forced his departure. Old Mu Xi was certain about that, and he felt himself very fortunate indeed. In the same way that he refused to believe in pardons, the stubborn Mu Xi would not make peace with his enemy. In the dim night, as he floated in midair, facing his opponent across two isolated realms, his emotions were clear and unambiguous. On such occasions, he would devise all kinds of unrealistic schemes for murdering his foe, maneuvering again and again, dismissing the idea, then maneuvering again, and then dismissing the plan again in order to conceal his inner horror, to forget the feeling of being suspended in midair.

One day about half a month after he had left for the north, he saw a group of people tramping around in the grassland in the woods. They all cupped their hands in the shape of a trumpet and called into the air: "Old Mu Xi! Old Mu Xi…"

Old Mu Xi's jaw dropped in surprise. The sound seemed famil iar, yet the memory was so distant and vague that he could not un derstand their cries. The people struck him as somehow strange Their pronunciation was not as displeasing as that of ordinary people, yet it was too mechanical. Always they shouted exactly the same "Old-Mu-Xi" without variation, without rise and fall, very unsatisfyingly. From the bushes, he stared at them, restraining himself, expecting that one of them would give out some different sound.

But they didn't know what he was thinking. They appeared to be indulged in their game as they called out forcefully, "Old Mu Xi! Old-Mu-Xi!" Amid the sound were children's loud voices.

Old Mu Xi flew into a rage. Without thinking, he jumped out from his hiding place, ran into the middle of their circle, and shouted, "Ha! Hahaha! Ah! Guaguagua!"

Seeing the longhaired wild man and hearing his piercing cries echo through mountain and forest, everybody fled madly down the slopes, losing their shoes along the way.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today»

Представляем Вашему вниманию похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today»

Обсуждение, отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x