Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today

Здесь есть возможность читать онлайн «Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Chairman Mao Would Not Be Amused – Fiction From Today: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Chairman Mao Would Not Be Amused – Fiction From Today»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From Publishers Weekly
In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence. Translated ably enough to keep up with the colloquial tone, most tales are told with straightforward familiarity, drawing readers into small communities and personal histories that are anything but heroic. "The Brothers Shu," by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story's earthiness is matched by Wang Xiangfu's folksy "Fritter Hollow Chronicles," about peasants' vendettas and local politics, and by "The Cure," by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui's "Sham Marriage") as they are to poison the lives of urban characters (Chen Cun's "Footsteps on the Roof"). Comedy takes an elegant and elaborate form in "A String of Choices," Wang Meng's tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao's "Grass on the Rooftop." Editor Goldblatt has chosen not to expand the contributors' biographies or elaborate on the collection's post-Tiananmen context. He lets the stories speak for themselves, which, fortunately, they do, quietly and effectively.
From Library Journal
The 20 authors represented here range from Wang Meng, the former minister of culture, to Su Tong, whose Raise the Red Lantern has been immortalized on screen.
***
Chinese literature has changed drastically in the past thirty years. During the Cultural Revolution (1966-1976) arts and literature of all sorts were virtually nonexistent since they were frowned upon by official powers so that attempts to produce any were apt to cause one’s public humiliation and possibly even death by the Red Guards and other unofficial arms of the government. After 1976, in the wake of Mao’s death, literature slowly regained its importance in China, and by the mid-1980s dark, angry, satirical writings had become quite prominent on the mainland.
In the wake of Tiananmen Square, dark literature faded somewhat, but never vanished. Now Howard Goldblatt, a prominent translator of Chinese fiction and editor of the critical magazine Modern Chinese Literature, has compiled a representative collection of contemporary Chinese fiction entitled Chairman Mao Would Not Be Amused. Even with my limited knowledge of modern China I feel certain the title of the book is fairly accurate.
Mo Yan is one of my favorite contemporary writers. His dark, no-holds-barred satires Red Sorghum and The Garlic Ballads detailed what he sees as the failings of both Chinese peasants (of which he was born as one) and the Chinese leaders. His short story "The Cure" is in the same vein, detailing how a local government representative-probably self-appointed during the Cultural Revolution, although that is never made quite clear in the story-leads a lynching of the village’s two most prominent leaders and their wives. But, as in most Mo Yan stories, the bitterness directed at the lyncher is double-edged with the bitter look at a local peasant who sees the deaths of the two village leaders as a desperate chance to possibly rescue his mother from impending blindness. The story is coldly realistic and totally chilling in the rational way it treats the series of events.
Su Tong is the author of the novella "Raise The Red Lantern", the basis of the wonderful movie. His "The Brothers Shu" is a bitter look at some traditional character weaknesses of Chinese people, and particularly how they affect family life. The Shu family is incredibly dysfunctional. The father nightly climbs up the side of his two-family house to have sex with the woman upstairs until her husband bolts her windows shut. So the woman sneaks downstairs to have sex in the younger son’s bedroom while the son is tied to his bed, gagged and blindfolded. Meanwhile the elder son abuses the girl upstairs until she falls in love with him. When she becomes pregnant, they are both so shamed they form a suicide pact, tie themselves together and jump into a river, where the boy is rescued in time but the girl dies. The younger son so hates his older brother-somewhat deservedly considering the abuse heaped on him by the brother-that he pours gasoline through his bedroom and sets it ablaze.
And so on, complete with beatings and torments worthy of the most dysfunctional American families. While not a particularly likeable cast of characters, the story is strong and thoughtful.
Perhaps the most moving part about "First Person", by Shi Tiesheng is in the brief author description in the back of the book. Shi is described as “crippled during the Cultural Revolution”. So many lives were needlessly destroyed during that tumultuous decade, it is easy to feel that the arrest and subsequent conviction of the notorious Gang of Four was not nearly sufficient punishment for them.
"First Person" tells the story of a man with a heart condition-Shi frequently writes about the lives of handicapped people, according to his description-who is visiting his new 21st floor apartment for the first time. While climbing the stairs very slowly, taking frequent rests, he notices a cemetery separated from the apartment building by a huge wall. On one side of the wall is sitting a woman, while on the other side stands a man. As the man climbs the stairs he fantasizes about why the couple are there, and why they are separated by the wall. Perhaps the man is having an affair, and the wife is spying on him as he rendezvous with his lover?
But then the man notices a baby lying on a gravesite, being watched from a distance by the man, and he realizes that the couple is abandoning the child. An interesting story about the fanciful delusions a person can have, but with no real depth beyond that.
Two stories involve fear of dentists in completely different ways. Wang Meng’s "A String of Choices" is a very funny story that combines a bitter look at both Eastern and Western medicine with perhaps the most extreme case of fear of dentists imaginable. Chen Ran’s "Sunshine Between the Lips" tells of a young girl whose adult male friend exposes himself to her. If that were not traumatic enough, after he is arrested for exposing himself to a complete stranger, he sets his apartment on fire and dies a brutal death. This event, combined with a near-fatal bout of meningitis, creates in the girl a deep fear of phallic objects such as needles and penises. So imagine her trauma when she develops impacted wisdom teeth at the same time as she gets married. While this description might sound a bit ludicrous, this story is very serious and very well-executed.
A strong satire on how history can be rewritten to suit the writers’ needs is Li Xiao’s "Grass on the Rooftop". When a peasant’s hut goes on fire, he is rescued by a local student. The rescue is written up for an elementary school newspaper by a local child, but the story is picked up by other papers, changing radically with each reprinting until the rescuing student becomes a great hero of the Maoist revolution because of his supposed attempt to rescue a nonexistent portrait of Mao on the wall of the hut. While this story is uniquely Chinese in many ways, it resonates in all societies in which pride and agenda is often more important than the truth.
Anybody interested in a look at contemporary Chinese society should enjoy this collection immensely.

Chairman Mao Would Not Be Amused – Fiction From Today — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Chairman Mao Would Not Be Amused – Fiction From Today», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

She was a long time registering my request. First, she said she'd run out of tea; then she said there wasn't any water ready boiled and the fire in the stove had gone out. She talked on and on, sitting there in her chair. Finally, she said, "Love?"

For the seventy-second time, I thought to myself, I've got to go. But somehow I couldn't make myself get up. The sun, three hours of whose light I'd squandered while sitting in there, had sunk down past her kitchen. In that room in the fading light, I noticed her foot had gotten fatter, too, cocked up on her knee and squeezed into a sneaker. Still, there was no way I could bring myself to say, I've got to go. In the silence, I could almost see her after I'd gone, still sitting there.

I finally did get the drink of water. I was the one who lit the stove. When the water was just about to boil, I broke the silence: "How about a stroll over to Wild Goose Pagoda?" She said it was all the same to her whether she went or not. Then another half hour of silence before I suggested again that we go to the pagoda. In the meantime, she had turned on some music, let it play for about a minute, and turned it off again. At last, I found the strength to stand up and say, "I've got to be going." Her eyes (they looked fatter, too) seemed to say that she wouldn't oppose the wishes of anyone in the world. In other words, I was free to come and go as I pleased.

We went out, and she escorted me across the campus. Some students were playing volleyball. I said I had to use the rest room. She gave me directions on how to get there. It seemed so complex: I had to turn several corners and go all the way inside some building. When I came back, she had changed her mind. (I thought that it was fine for her to have made up her mind in the first place; if she changed it back again, all the better.) I told her what I had just been thinking, and she told me that we could take a shortcut to Wild Goose Pagoda, that there were a lot of vendors selling Xi'an-style snacks near the pagoda, and that we could have for dinner some things I couldn't find in Beijing. That interested me. I didn't remind her, though, what a terrific gourmand she used to be.

I practically had to force her to decide whether or not she was going to climb the tower, and then I had to tell her three times, "If you don't want to climb it, you can wait for me at the bottom." As far as I recall, this was all we said along the way. Walking together, riding the bus, stepping off the bus, and continuing to walk on, we were locked into an acute awkwardness. She said she may as well climb the pagoda, so I went to buy a couple of tickets. Going up (seven stories in all), I wasn't sure if I should give her a hand or if we should each make our own way. I figured I'd let my elbow bump hers on the way up-that way, she could decide what to do. I kept thinking that's what I was going to do, but I may not actually have done it. Through the four windows of the pagoda's top story, we gazed out at the city and suburbs of Xi'an, spreading out as far as the eye could see… If it had been just me going up the pagoda, that last phrase wouldn't have stuck in my mind.

We left Wild Goose Pagoda and walked along at a moderate pace. "Shall we get something to eat?" She seemed to have forgotten about the eating part. Neither of us was hungry at all, but we each had a deep-fried dried persimmon. All I could think about was rushing to the bus station and getting away from her as soon as possible. Then of all things, she started going on about how there used to be so many snack vendors around this place, but now there's hardly anything except for stuff like bean noodles. As for me, I was still thinking of the twenty cents I'd spent on those two dried persimmons. She said she knew of a good restaurant near Dachai Market but didn't say if she thought we should go or not. I said, "Let's head over there." We headed over.

Dachai was bustling and brightly lit. She led me into a food shop selling pastries. I asked her, "What's the point of coming in here?" So we went right out again and started on a search for that unfindable restaurant. Already it was seven-thirty, and most of the restaurants had shut down. Red faces of drinkers careened out of restaurant doors. We kept on, walking from street to street with no idea what we were after. All I could think of was hurrying to a bus stop so I could get away from her. But the city buses were so crammed full of people that we didn't feel like getting on any of them.

The stores all sold cassette players, leather jackets, shampoo- stuff like that. We walked into yet another restaurant, a dumpling place, where everybody was eating standing up. We walked right out again, but as we did, she kept looking over her shoulder, back inside. Then there was another place, which had run out of everything but pig organs. She said she just couldn't remember where that one good restaurant was. We slipped into a wonton place and had a bowl apiece; I paid, of course. Then I asked her if she was taking the number 3 bus or the number 1. I figured if she took the 3, I'd take the 1. She said either would do. I said I wanted to go to the long-distance bus station to order a ticket and asked her if she wanted to come along. Why I had to suggest that to her, I don't know. We went all the way through the night market again, through all the boiling and frying and clouds of steam, through all the people milling around and bumping into me. I had no idea, none, what the connection was between her and me or why we absolutely had to walk along here, getting shoved and elbowed, or if I really had to buy a long-distance bus ticket. When she saw me actually holding a bus ticket for early the next morning, she pointed to a shop next door selling southern-style foods and then pointed inside the place at some kind of soft, fluffy cake. I ignored her. Then we stood in a corner of this city where I didn't know a soul, waiting for the local bus to come. It came.

I managed to grab an empty seat for her. "Bye," I said when I got to my stop (which came before hers). She turned her face toward the window. I got off the bus but wasn't relieved at all. Nine-thirty in the Xi'an suburbs, walking through mud, suddenly I was hungry. As luck would have it, there ahead of me stood a place selling meat pastries and, incredibly, it was still open for business. I had a couple of the pastries (good ones, too) and washed them down with a bowl of hot sticky-dumpling soup. When I walked outside, I thought I saw the bus carrying Xiao Tong still coming toward me down the road, and I wondered whether I really had seen her.

"Next stop Xi'an -end of the line. One of our nation's renowned ancient cities, Xi'an has served as capital for more than ten dynasties over the long history of the Chinese people…"

Xi'an.

The woman conductor had just yanked the woolen blanket out from underneath my pillow. I hopped down from the upper berth. Xi'an. No need for the woman on the PA system in that tiny one-and-a-half-square-meter booth (every time I went to the toilet, I saw her sitting there, right next door to the toilet) to make the announcement; from the train's deceleration, I already knew Xi'an was coming up. Just like all the other times I had shouldered my satchel and prepared to step into the press of disembarking passengers, I thought perhaps I ought to make some sort of parting remarks to the acquaintances I'd made on the trip. But I didn't. I did, however, make a rough calculation of my expenses since I'd started out just the day before: two box lunches, one beer, a cold plate of beef, and the noodles for breakfast. Altogether…

The comrades sent to greet me had the sign for the conference held high, so I spotted it from a good distance away. I relaxed when I saw it. The first words spoken by the first comrade to shake my hand gave me a start: "Say, didn't you run into trouble on the way?"

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today»

Представляем Вашему вниманию похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today»

Обсуждение, отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x