Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today

Здесь есть возможность читать онлайн «Howard Goldblatt (Editor) - Chairman Mao Would Not Be Amused – Fiction From Today» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Chairman Mao Would Not Be Amused – Fiction From Today: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Chairman Mao Would Not Be Amused – Fiction From Today»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From Publishers Weekly
In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence. Translated ably enough to keep up with the colloquial tone, most tales are told with straightforward familiarity, drawing readers into small communities and personal histories that are anything but heroic. "The Brothers Shu," by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story's earthiness is matched by Wang Xiangfu's folksy "Fritter Hollow Chronicles," about peasants' vendettas and local politics, and by "The Cure," by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui's "Sham Marriage") as they are to poison the lives of urban characters (Chen Cun's "Footsteps on the Roof"). Comedy takes an elegant and elaborate form in "A String of Choices," Wang Meng's tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao's "Grass on the Rooftop." Editor Goldblatt has chosen not to expand the contributors' biographies or elaborate on the collection's post-Tiananmen context. He lets the stories speak for themselves, which, fortunately, they do, quietly and effectively.
From Library Journal
The 20 authors represented here range from Wang Meng, the former minister of culture, to Su Tong, whose Raise the Red Lantern has been immortalized on screen.
***
Chinese literature has changed drastically in the past thirty years. During the Cultural Revolution (1966-1976) arts and literature of all sorts were virtually nonexistent since they were frowned upon by official powers so that attempts to produce any were apt to cause one’s public humiliation and possibly even death by the Red Guards and other unofficial arms of the government. After 1976, in the wake of Mao’s death, literature slowly regained its importance in China, and by the mid-1980s dark, angry, satirical writings had become quite prominent on the mainland.
In the wake of Tiananmen Square, dark literature faded somewhat, but never vanished. Now Howard Goldblatt, a prominent translator of Chinese fiction and editor of the critical magazine Modern Chinese Literature, has compiled a representative collection of contemporary Chinese fiction entitled Chairman Mao Would Not Be Amused. Even with my limited knowledge of modern China I feel certain the title of the book is fairly accurate.
Mo Yan is one of my favorite contemporary writers. His dark, no-holds-barred satires Red Sorghum and The Garlic Ballads detailed what he sees as the failings of both Chinese peasants (of which he was born as one) and the Chinese leaders. His short story "The Cure" is in the same vein, detailing how a local government representative-probably self-appointed during the Cultural Revolution, although that is never made quite clear in the story-leads a lynching of the village’s two most prominent leaders and their wives. But, as in most Mo Yan stories, the bitterness directed at the lyncher is double-edged with the bitter look at a local peasant who sees the deaths of the two village leaders as a desperate chance to possibly rescue his mother from impending blindness. The story is coldly realistic and totally chilling in the rational way it treats the series of events.
Su Tong is the author of the novella "Raise The Red Lantern", the basis of the wonderful movie. His "The Brothers Shu" is a bitter look at some traditional character weaknesses of Chinese people, and particularly how they affect family life. The Shu family is incredibly dysfunctional. The father nightly climbs up the side of his two-family house to have sex with the woman upstairs until her husband bolts her windows shut. So the woman sneaks downstairs to have sex in the younger son’s bedroom while the son is tied to his bed, gagged and blindfolded. Meanwhile the elder son abuses the girl upstairs until she falls in love with him. When she becomes pregnant, they are both so shamed they form a suicide pact, tie themselves together and jump into a river, where the boy is rescued in time but the girl dies. The younger son so hates his older brother-somewhat deservedly considering the abuse heaped on him by the brother-that he pours gasoline through his bedroom and sets it ablaze.
And so on, complete with beatings and torments worthy of the most dysfunctional American families. While not a particularly likeable cast of characters, the story is strong and thoughtful.
Perhaps the most moving part about "First Person", by Shi Tiesheng is in the brief author description in the back of the book. Shi is described as “crippled during the Cultural Revolution”. So many lives were needlessly destroyed during that tumultuous decade, it is easy to feel that the arrest and subsequent conviction of the notorious Gang of Four was not nearly sufficient punishment for them.
"First Person" tells the story of a man with a heart condition-Shi frequently writes about the lives of handicapped people, according to his description-who is visiting his new 21st floor apartment for the first time. While climbing the stairs very slowly, taking frequent rests, he notices a cemetery separated from the apartment building by a huge wall. On one side of the wall is sitting a woman, while on the other side stands a man. As the man climbs the stairs he fantasizes about why the couple are there, and why they are separated by the wall. Perhaps the man is having an affair, and the wife is spying on him as he rendezvous with his lover?
But then the man notices a baby lying on a gravesite, being watched from a distance by the man, and he realizes that the couple is abandoning the child. An interesting story about the fanciful delusions a person can have, but with no real depth beyond that.
Two stories involve fear of dentists in completely different ways. Wang Meng’s "A String of Choices" is a very funny story that combines a bitter look at both Eastern and Western medicine with perhaps the most extreme case of fear of dentists imaginable. Chen Ran’s "Sunshine Between the Lips" tells of a young girl whose adult male friend exposes himself to her. If that were not traumatic enough, after he is arrested for exposing himself to a complete stranger, he sets his apartment on fire and dies a brutal death. This event, combined with a near-fatal bout of meningitis, creates in the girl a deep fear of phallic objects such as needles and penises. So imagine her trauma when she develops impacted wisdom teeth at the same time as she gets married. While this description might sound a bit ludicrous, this story is very serious and very well-executed.
A strong satire on how history can be rewritten to suit the writers’ needs is Li Xiao’s "Grass on the Rooftop". When a peasant’s hut goes on fire, he is rescued by a local student. The rescue is written up for an elementary school newspaper by a local child, but the story is picked up by other papers, changing radically with each reprinting until the rescuing student becomes a great hero of the Maoist revolution because of his supposed attempt to rescue a nonexistent portrait of Mao on the wall of the hut. While this story is uniquely Chinese in many ways, it resonates in all societies in which pride and agenda is often more important than the truth.
Anybody interested in a look at contemporary Chinese society should enjoy this collection immensely.

Chairman Mao Would Not Be Amused – Fiction From Today — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Chairman Mao Would Not Be Amused – Fiction From Today», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

After the midday meal, the lamp was lit; three strange shadows swayed up and down upon the kang mat and against the wall. Before the afternoon was half over, the woman had already wiped the room sparkling clean. A few embers still burned in the stove, where the woman stood leaning against the wall; set against the dusky lamplight, her face flickered in the glow. Steeped in a warmth and tenderness that seemed a little strange to a body and heart that the years had ground down coarse and crude, he was inexpressibly moved in the dusky lamp shadows and flickering glow of the fire. Yet even this emotion felt strange.

Everything he should ask and everything he should say he had already asked and said. Even the few words he had managed after searching and scraping the bottom of his belly had been said, too. About all that was left had to do with, well, with that coming moment, with that . All those struts he'd brought out, knowingly or not, to prop himself up had lightly and easily drifted away, like late-autumn leaves, leaving the tree standing naked.

The woman was waiting. Her face, flickering in the firelight, maintained its look of calmly bowing to fate.

The child was oblivious to what was going on between the man and the woman. She was fiddling with his deer-hoof pipe, turning it over and over in her hands while now and then a childish sentence or two of some local dialect slipped out between her lips.

A surge of impatience and resentment rose in his heart. The look of calm on the woman's face made him uneasy, and with a sweep of his hand he snatched the grimy bandanna off of his head and ordered her: "Here, wash this!"

The woman came over with a smile and reached out for it; he clutched her shoulder and with one yank twisted her toward him.

"Mama, a gun!" the girl shouted in her broad accent, pointing to a long rifle propped against the wall.

The woman didn't struggle; she simply lowered her eyes. "Let's wait till she's asleep."

"No. The side room's empty." He flared up and, without knowing why, thought back to how the team leader had boiled her noodles the night before. I have to eat his leftover noodles, and she tells me to wait?

The woman didn't utter another word; silently, she pulled over a pillow for the child, took her into her arms, and laid her down, then pulled out a gummy piece of candy that had been stuck in her pocket for who knows how long and pushed it into the child's mouth.

Without lighting a lamp, he dragged the woman onto the kang as if she were his prey. And there, in that lacquer-black darkness, the flood waters that had been choked off and swelling his chest for twenty years came gushing out in a savage frenzy. Two lives were fused into one body in that primal darkness, where it was impossible to distinguish between you and me, between man and woman, between what was somebody else's and what was your own.

A rat scrounging for food lost its footing, slipped through the roof, and dropped down, screeching shrilly; in its frantic flight, it bumped into a scalding yet supple mound of flesh; it couldn't make out what this thing could be, and the scrabbling of its tiny, piercing claws on the kang mat left behind only its frightened, scattered soul.

On the first day, that is how it went.

On the second day, that is how it went.

On the third day, that is still how it went.

He could tell he was in the grip of madness, but he didn't have the strength to stop this gush of insanity surging from the very core of his body. And he had only to think of that night before the woman belonged to him, how another man had already boiled her noodles, for that gush of madness to swell ten times over until it was many times larger than his own flesh-and-blood body, as if a hairy monster, panting heavily, stood there confronting him.

But over time, this gush of madness spent itself, drop by drop, on the woman's warm and soft, broad and giving bosom. Once that rabid nature had calmed down, his masculine self-respect and confidence were reborn in his body. One day after he had finished breakfast, he waited until the woman had cleaned and tidied everything up and then pulled out ten yuan from his chest pocket.

"Here."

The woman stared blankly without taking it.

"Too little? Here's ten more."

The woman still stared blankly.

"Don't try to fool me. You've already got a home, you've got a man, he's not dead, you've got other kids, they're all back home waiting for you."

"No, no…" The woman shook her head, alarmed.

"Go fool your own devil!" His anger was rising. "You'll live here for three months, five months, maybe a year or more, but when you see your chance, you'll be gone, and here I'll be, all alone again. Right? What do you think I'm after? Feeding you two all for nothing? So go! Go, if that's what you want. I am a man, you hear, and no one's going to make a monkey out of me!"

Tears trickled from the woman's eyes.

For some reason, he actually got some satisfaction out of those tears. He'd been feeling like a fool for days, knowing he hadn't broken this calm woman. As for himself, he'd kept getting flustered, waiting for nightfall, and as soon as it got dark, he'd get skittish about doing it. But now everything was all right. He'd poked through the blank-paper window that seemed to veil her, and she was clearly under his control.

The woman sobbed and cried, "Elder Brother-"

"Oh, so now you call me Elder Brother." Deep down he laughed grimly. So you can't keep it up after all, can you? If you've got what it takes to pull off something like this, then you've got to have what it takes to keep it up right to the end. But he didn't say these words aloud; he just squatted on the kang and smirked, feeling that everything was firmly in his grasp.

"Elder Brother, we've had a terrible harvest at home this year. We had no choice. I know I haven't done right by you. If you don't want to let us stay here, then we'll go. And your quilt, I pulled out the padding and washed it yesterday, but I haven't had time to sew it back up yet. After I finish that, I'll go."

Suddenly, a gush of tears stung his eyes, and he fought mightily to keep it back. His quilt hadn't been washed since that day three years ago, on the eve of his second daughter's wedding. For the past few days, this woman had been working in and around the house as if there were no tomorrow; in town, everybody said he'd stumbled upon a god of wealth right in the middle of the road. To tell the truth, he'd also tossed around the idea of keeping the woman and her child tied down here. He'd even thought about going back with her to Hejialiang to get that letter of proof. She was a good woman, but then a sham was still a sham. What angered him was that she had faked it so realistically that she had stirred his heart.

Yet in the end, her eyes, puffy and soft with tears, softened his masculine heart.

"If you want to stay, stay. If you want to go, go. I can't tell you what to do."

The woman fell to her knees in front of him. "Elder Brother, the girl's father and I will never forget you."

His temper flared up again; he was in a rage. "You go back, and tell your man that maybe my bullets can't reach him, but if they could, the first person I'd shoot would be him. The bastard!"

"Elder Brother, he's just a poor wretch, too. I'll do up the quilt for you. We'll leave tomorrow."

The little girl didn't understand what was going on between the adults; all she cared about was holding her mama tight, crying and yowling.

He had thought that they might make a scene, but now that it was actually happening, he felt totally at a loss-what kind of show did he think he was putting on anyway? But as he recalled the two fingerprints stamped on the guarantee and thought of how this woman who should have been his wife had really been somebody else's wife all along, surge after surge of the wildfire in his heart rose to his head. Husband and wife-the whole show had ended as quickly as it had begun.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today»

Представляем Вашему вниманию похожие книги на «Chairman Mao Would Not Be Amused – Fiction From Today» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today»

Обсуждение, отзывы о книге «Chairman Mao Would Not Be Amused – Fiction From Today» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x