Elfriede Jelinek - Wonderful Wonderful Times

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A dozen years after the collapse of the Third Reich, four adolescents commit a gratuitously violent assault and robbery in a Viennese park. So begins Jelinek's (The Piano Teacher) brilliant new novel, an unrelenting and horrifying exploration of postwar Austria, where the sins of the fathers are visited upon a new generation too disaffected to understand the source of its inarticulate rage. Jelinek's prose is breathless and incisive as she paints psychological portraits of her characters in swift, sure brushstrokes. Among the group of young criminals in the park are Rainer Witkowski, a liar and a coward who fancies himself a poet, an intellectual and a leader of men, and his twin sister, Anna, who responds to rejection by losing her ability to speak. Their father, Otto, is a brutally sadistic, crippled ex-Nazi who takes pornographic pictures of his battered wife and whose sexual abilities are failing now that the aphrodisiac of Auschwitz is only a dim memory. He is unrepentant; history, he believes, has forgiven him. The son cites Sartre's proposition that history does not exist. But it does, and it repeats itself here in an explosion of sickeningly familiar violence.

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The landscape recedes from Anna endlessly. In the end, nobody can stick her company for long. The clarity of the air is blocked by the mental unclarity in these youngsters, and each impedes the other. Rainer nervously smokes a cigarette. Which makes the air temporarily untransparent.

IN THE GYM changing room a bomb with a percussion fuse explodes. Numerous new, fashionable dreams of the post-War generation are totally destroyed. Among other things, flared skirts, grey flannel trousers, jeans, socks, knee-length stockings, pullovers, blouses, blazers and the dreaded kilt are destroyed. Someone had waited for a moment when nobody would be injured. Otherwise the injured person would have seen the one who threw the bomb. And nobody claims responsibility for this pupil's prank, which is in fact more than a prank, it is a criminal offence.

It was an irresponsible act, as one newspaper puts it. No wonder nobody claims responsibility.

Sophie transported the bomb in her tennis bag. The headmaster saw her and said hello. But no one stops a Sophie Pachhofen. And no one considers her capable of something like this.

The young Damians, who have nothing else on their minds, cry over their ruined clothing because it will be a long time till they've talked their parents into buying them new fashionable trousers and skirts. And to think that Sophie went to such trouble for unsuitable persons such as these. But she did it for her own sake. The gym changing room, which stank of sweat and floor polish, will have to be completely renovated. The kids who are taking their school-leaving exams will not even benefit from that, since the job is scheduled for the holidays.

Herr Witkowski wants to take his children away from the school because a thing like that has happened there. In two-part harmony they beg and implore him to allow them to stay, and he gives his permission because they'll be leaving school soon anyway and then they'll be dancing to a different tune. Witkowski senior indicates how that tune goes.

Hans (between whom and Sophie Things Are Happening, as everyone knows) bought the ingredients of the bomb, proudly and without raising any objection, in a store where normally only Institute of Technology students buy things. He hummed and hahed so long that he very nearly drew attention to himself. So proud. The mental link between him and Sophie has now been forged and soon the physical will follow. At present he is persuading Sophie that a human being without love is a mean speck of dust.

Something inside Rainer shatters, because some part of a person (usually the heart) always breaks if the loved one is unfaithful. Fear of the real suspicion that may perhaps fall upon his guiltless head cripples many resolutions relating to Sophie, though. Anna feels nothing at all in the aftermath of her shock. Only Hans can break through this paralysis, with his love. But alas, all that he is breaking these days is his vows to be faithful to Anna.

The vineyards of Vienna 's 19th District have taken themselves off to an immense distance. Mountains of fear are piling high.

The parents are going out of their minds because they have to buy new clothes.

Some pupils are unfriendly, suspecting their schoolmates. Denunciations and interrogations ensue. Bawling schoolkids all over the place. Blubbing lasses, giggling boys in corridors, toilets and Nature Study rooms.

Without any result.

Boxed ears.

Sophie descends the stairs and climbs into a taxi outside as if she never did anything else all day long.

Once, Anna Witkowski utters an inarticulate scream, and is given permission to go home. Before class is over.

Teachers talk as if they were full of understanding. The one who did it should own up, nothing will happen to him, we only want to know who it was. When they realise it's not getting them anywhere they roar like oxen.

Rainer Witkowski writes an astonishingly tame essay on The Outsider by Camus; but what he thinks is untamed and free, as thoughts always are. Parents slap girls because they want high-heeled shoes to wear instead of the flat, sensible shoes that were destroyed.

Sophie wears an Adlmiiller designed dress, and a radiant sun settles into her hair. But the colour of the sun is nothing compared with the dress.

Anna Witkowski takes leave of her senses. But nobody notices, because there was no sense to that terrible, senseless deed either. And the reactions to it are witless too.

THE ONE WHO pays for the car has the sole right to its use. Herr Witkowski pays for it, and he is driven around by Rainer. It is only rarely that Rainer is allowed to drive it on his own. Whatever their destination, the invalid has a monopoly on the passenger seat, and gives the directions and instructions.

The trusty jalopy will be heading off to the woods for the holidays, too, otherwise an invalid would never get out and about, and after all he needs oxygen as much as anyone else does.

Today Herr and Frau Witkowski say they're going to drive into town to go window-shopping. Shop windows are the gateway to the wide world. And that gateway is wide open when you're in Karntnerstrasse. Which you only get to from the suburbs twice a year at most. You squeeze up flat against the wall so as not to be crushed by the people making for the famous cafes. Today they are going there because only the best is good enough for Herr Witkowski, he tells his wife that nothing is too expensive for him because when all's said and done you have to pay the price if you want a quality article, and if you don't you end up paying more in the long run. Look at that fridge, and the washing machine, just think of the things we could keep cool or wash with them. But mostly they look at fashion stores. Modern times are making this city affluent, which only recently got rid of the occupying forces and which now belongs to itself and its own population once more, even the workers can afford the plentiful luxuries. The moment workers can afford too little they rebel. The last time this was a real danger was 1950. Communists took advantage of supply problems and stirred up gullible people against their very own country.

Rainer trots along after his parents, telling anyone who will listen that he's not with those two old farts. Only recently, Sophie ridiculed him for wanting to buy something nice with the stolen money and claimed that that was why he joined in the robbery. There are so many beautiful luxury goods here, but he doesn't want them and he will tell Sophie, too, that he doesn't want them, at all.

Gaping in wonder, the ponderous little group moves towards the palace at the corner of Annagasse where the czar of fashion, Adlmuller, has his studio and sales establishment. Heavens, what a coincidence! Through the crystal entrance door, as chance would have it, one can see inside, where by pure coincidence one can see the very same Sophie one was thinking of, standing there with her mother, turning in front of a mirror to look at herself wearing her first ever haute couture dress, a school-leaving present. Mama and Papa, there's a rich schoolfriend of mine in this store, says Rainer in spite of himself. The words are out and can no longer be taken back. They have barely slipped out but they are being regretted. Because his parents are already set to tear down the glass barrier between Sophie and themselves. By storming the gates.

The outside world threatens to crash in coarsely upon the crystal happenings in that inside world. The invalid (like a greyhound after a hare) dashes forward on his crutches, with Mother following headlong. They intend to say hello to the schoolfriend and her mother and say that they are glad to see their respective children friends and helping each other with their work and keeping up close contact in their spare time. Rainer clings onto the swaying hips of his disabled father to prevent him from lurching into the entrance, and trips his mother so that she will stay outside, where she belongs.

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