J. Coetzee - Elizabeth Costello

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Amazon.com Review
For South African writer J.M. Coetzee, winner of two Booker Prizes and the 2003 Nobel Prize for Literature, the world of receiving literary awards and giving speeches must be such a commonplace that he has put the circuit at the center of his book, Elizabeth Costello. As the work opens, in fact, the eponymous Elizabeth, a fictional novelist, is in Williamstown, Pennsylvania, to receive the Stowe Award. For her speech at the Williamstown's Altona College she chooses the tired topic, "What Is Realism?" and quickly loses her audience in her unfocused discussion of Kafka. From there, readers follow her to a cruise ship where she is virtually imprisoned as a celebrity lecturer to the ship's guests. Next, she is off to Appleton College where she delivers the annual Gates Lecture. Later, she will even attend a graduation speech.
Coetzee has made this project difficult for himself. Occasional writing-writing that includes graduation speeches, acceptance speeches, or even academic lectures-is a less than auspicious form around which to build a long work of fiction. A powerful central character engaged in a challenging stage of life might sustain such a work. Yet, at the start, Coetzee declares that Elizabeth is "old and tired," and her best book, The House on Eccles Street is long in her past. Elizabeth Costello lacks a progressive plot and offers little development over the course of each new performance at the lectern. Readers are given Elizabeth fully formed with only brief glimpses of her past sexual dalliances and literary efforts.
In the end, Elizabeth Costello seems undecided about its own direction. When Elizabeth is brought to a final reckoning at the gates of the afterlife, she begins to suspect that she is actually in hell, "or at least purgatory: a purgatory of clichés." Perhaps Coetzee's Elizabeth Costello, which can be read as an extended critique of clichéd writing, is a portrait of this purgatory. While some readers may find Coetzee's philosophical prose sustenance enough on the journey, some will turn back at the gate. -Patrick O'Kelley
From Publishers Weekly
Even more uncompromising than usual, this latest novel by Coetzee (his first since 1999's Booker Prize-winning Disgrace) blurs the bounds of fiction and nonfiction while furthering the author's exploration of urgent moral and aesthetic questions. Elizabeth Costello, a fictional aging Australian novelist who gained fame for a Ulysses-inspired novel in the 1960s, reveals the workings of her still-formidable mind in a series of formal addresses she either attends or delivers herself (an award acceptance speech, a lecture on a cruise ship, a graduation speech). This ingenious structure allows Coetzee to circle around his protagonist, revealing her preoccupations and contradictions her relationships with her son, John, an academic, and her sister, Blanche, a missionary in Africa; her deep, almost fanatical concern with animal rights; her conflicted views on reason and realism; her grapplings with the human problems of sex and spirituality. The specters of the Holocaust and colonialism, of Greek mythology and Christian morality, and of Franz Kafka and the absurd haunt the novel, as Coetzee deftly weaves the intense contemplation of abstractions with the everyday life of an all-too-human body and mind. The struggle for self-expression comes to a wrenching climax when Elizabeth faces a final reckoning and finds herself at a loss for words. This is a novel of weighty ideas, concerned with what it means to be human and with the difficult and seductive task of making meaning. It is a resounding achievement by Coetzee and one that will linger with the reader long after its reverberating conclusion.

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'As for animals being too dumb and stupid to speak for themselves, consider the following sequence of events. When Albert Camus was a young boy in Algeria, his grandmother told him to bring her one of the hens from the cage in their backyard. He obeyed, then watched her cut off its head with a kitchen knife, catching its blood in a bowl so that the floor would not be dirtied.

'The death cry of that hen imprinted itself on the boy's memory so hauntingly that in 1958 he wrote an impassioned attack on the guillotine. As a result, in part, of that polemic, capital punishment was abolished in France. Who is to say, then, that the hen did not speak?'

O'Hearne. 'I make the following statement with due deliberation, mindful of the historical associations it may evoke. I do not believe that life is as important to animals as it is to us. There is certainly in animals an instinctive struggle against death, which they share with us. But they do not understand death as we do, or rather, as we fail to do. There is, in the human mind, a collapse of the imagination before death, and that collapse of the imagination – graphically evoked in yesterday's lecture – is the basis of our fear of death. That fear does not and cannot exist in animals, since the effort to comprehend extinction, and the failure to do so, the failure to master it, have simply not taken place.

'For that reason, I want to suggest, dying is, for an animal, just something that happens, something against which there may be a revolt of the organism but not a revolt of the soul. And the lower down the scale of evolution one goes, the truer this is. To an insect, death is the breakdown of systems that keep the physical organism functioning, and nothing more.

'To animals, death is continuous with life. It is only among certain very imaginative human beings that one encounters a horror of dying so acute that they then project it on to other beings, including animals. Animals live, and then they die: that is all. Thus to equate a butcher who slaughters a chicken with an executioner who kills a human being is a grave mistake. The events are not comparable. They are not of the same scale, they are not on the same scale.

'That leaves us with the question of cruelty. It is licit to kill animals, I would say, because their lives are not as important to them as our lives are to us; the old-fashioned way of saying this is that animals do not have immortal souls. Gratuitous cruelty, on the other hand, I would regard as illicit. Therefore it is quite appropriate that we should agitate for the humane treatment of animals, even and particularly in slaughterhouses. This has for a long time been a goal of animal-welfare organizations, and I salute them for it.

'My very last point concerns what I see as the troublingly abstract nature of the concern for animals in the animal-rights movement.

I want to apologize in advance to our lecturer for the seeming harshness of what I am about to say, but I believe it needs to be said.

'Of the many varieties of animal lover I see around me, let me isolate two. On the one hand, hunters, people who value animals at a very elementary, unreflective level; who spend hours watching them and tracking them; and who, after they have killed them, get pleasure from the taste of their flesh. On the other hand, people who have little contact with animals, or at least with those species they are concerned to protect, like poultry and livestock, yet want all animals to lead – in an economic vacuum – a Utopian life in which everyone is miraculously fed and no one preys on anyone else.

'Of the two, which, I ask, loves animals more?

'It is because agitation for animal rights, including the right to life, is so abstract that I find it unconvincing and, finally, idle. Its proponents talk a great deal about our community with animals, but how do they actually live that community? Thomas Aquinas says that friendship between human beings and animals is impossible, and I tend to agree. You can be friends neither with a Martian nor with a bat, for the simple reason that you have too little in common with them.We may certainly wish for there to be community with animals, but that is not the same thing as living in community with them. It is just a piece of prelapsarian wistfulness.'

His mother's turn again, her last turn.

'Anyone who says that life matters less to animals than it does to us has not held in his hands an animal fighting for its life. The whole of the being of the animal is thrown into that fight, without reserve. When you say that the fight lacks a dimension of intellectual or imaginative horror, I agree. It is not the mode of being of animals to have an intellectual horror: their whole being is in the living flesh.

'If I do not convince you, that is because my words, here, lack the power to bring home to you the wholeness, the unabstracted, unintellectual nature, of that animal being. That is why I urge you to read the poets who return the living, electric being to language; and if the poets do not move you, I urge you to walk, flank to flank, beside the beast that is prodded down the chute to his executioner.

'You say that death does not matter to an animal because the animal does not understand death. I am reminded of one of the academic philosophers I read in preparing for yesterday's lecture. It was a depressing experience. It awoke in me a quite Swiftian response. If this is the best that human philosophy can offer, I said to myself, I would rather go and live among horses.

'Can we, asked this philosopher, strictly speaking, say that the veal calf misses its mother? Does the veal calf have enough of a grasp of the significance of the mother relation, does the veal calf have enough of a grasp of the meaning of maternal absence, does the veal calf, finally, know enough about missing to know that the feeling it has is the feeling of missing?

'A calf who has not mastered the concepts of presence and absence, of self and other – so goes the argument – cannot, strictly speaking, be said to miss anything. In order to, strictly speaking, miss anything, it would first have to take a course in philosophy. What sort of philosophy is this? Throw it out, I say. What good do its piddling distinctions do?

'To me, a philosopher who says that the distinction between human and non-human depends on whether you have a white or a black skin, and a philosopher who says that the distinction between human and non-human depends on whether or not you know the difference between a subject and a predicate, are more alike than they are unlike.

'Usually I am wary of exclusionary gestures. I know of one prominent philosopher who states that he is simply not prepared to philosophize about animals with people who eat meat. I am not sure I would go as far as that – frankly, I have not the courage -but I must say I would not fall over myself to meet the gentleman whose book I just have been citing. Specifically, I would not fall over myself to break bread with him.

'Would I be prepared to discuss ideas with him? That really is the crucial question. Discussion is possible only when there is common ground. When opponents are at loggerheads, we say: "Let them reason together, and by reasoning clarify what their differences are, and thus inch closer. They may seem to share nothing else, but at least they share reason."

'On the present occasion, however, I am not sure I want to concede that I share reason with my opponent. Not when reason is what underpins the whole long philosophical tradition to which he belongs, stretching back to Descartes and beyond Descartes through Aquinas and Augustine to the Stoics and Aristotle. If the last common ground that I have with him is reason, and if reason is what sets me apart from the veal calf, then thank you but no thank you, I'll talk to someone else.'

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