Christopher Buckley - Wet Work

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Wet Work: краткое содержание, описание и аннотация

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Thanks to Hollywood and writers like Christopher Buckley, America has given the world a brand-new literary form: the revenge comedy. In the movies, maverick cops roam the world, taking names, kicking butts, and making wisecracks. For all the gore, pictures like Die Hard are essentially Road Runner cartoons with superior special effects. Audiences do more chuckling than gasping. Now comes former George Bush speechwriter Christopher Buckley with a novelized version.
Even though Wet Work isn't a movie yet, we're still talking extremely high concept: Lethal Weapon 2 meets The Emerald Forest, complete with nubile Amazonian love slaves flitting naked through the rain forest. But the real innovation in Buckley's work is sociological. Instead of an impertinent working stiff like your typical Mel Gibson-Bruce Willis-Michael Douglas character, Wet Work gives us a maverick plutocrat: a self-made billionaire defense contractor and friend of the President named Charley Becker.
In addition to his finely engraved Purdy shotgun, Becker owns a custom- built yacht in the destroyer class equipped with an assault helicopter, manned by a trio of retired CIA killers named McNamara, Rostow, and Bundy, and decorated with original paintings by Manet. In the words of one of the archetypal fumbling bureaucrats who plays the inevitable foil, Charley Becker is ''the Rich Man's Bernhard Goetz.''
It may bear mentioning that Buckley – whose previous novel, The White House Mess, was praised by many for its satire – is the son of the prolific conservative columnist and novelist William F. Also that the yacht, according to the acknowledgments page, is based on one owned by the late Malcolm Forbes and upon which the author once journeyed up the Amazon.
As one would expect of such a concoction, Wet Work's plot moves smartly and preposterously along. First comes the obligatory death of an innocent, in this case Becker's beloved granddaughter, Natasha. Before her performance in an Off Broadway play about junkies, she succumbs to cardiac arrest after snorting cocaine furnished in the interest of realism by the director, who is also her lover. Finding the NYPD uninterested in solving the crime, Becker hires professional help and begins ''working [his] way up the food chain,'' from the cowardly director to his supplier, to the Miami importer to the dissolute Peruvian gangster – a left-winger, naturally – who set up the jungle lab that manufactured the stuff.
At each step, in accordance with the iron laws of revenge comedy, the villains grow more villainous, the body count gets higher, the explosions get exponentially bigger, and Buckley's jokey, hyperbolic style becomes progressively more out of kilter. Caught in the open in a firefight, our hero feels ''as exposed as a referee at a tennis match, and surrounded by McEnroes with machine pistols.'' For all of Buckley's manic wit, it's these sorts of equations that don't quite work.
Gene Lyons

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He reached inside the chopper for the radio handset. "Where is everyone?"

"Grasshopper Three, in position."

"Grasshopper Four, in position."

"One and Two, where are you?" Charley said. "State your positions, please."

Felix's voice came on. "Mac says we're a hundred yards from our position. I think we're lost. I can't see anything. Over."

Charley said, "Roger that. Stand by. We are preparing to launch." He gave Hot Stick the signal.

Hot Stick had the leaf blower going, funneling air into the turbines of the Thunderbolt to get them spinning. He held up the spark coil in his other hand and said, "Ready." Charley nodded. He touched the spark coil to the engine. A burst of flame appeared from the afterburner. Charley nodded again; Hot Stick hit the lever release on the catapult and the A-10 shot off Esmeralda 's cantilevered flight deck.

Hot Stick maneuvered the joysticks on one of the five Futaba transmitters, bringing Slow Boy into a holding pattern above Esmeralda . The Futabas were all wired into a Toshiba laptop computer. He switched Slow Boy's controls over to the computer and got ready to launch the two F/A-18s, already positioned in the bow cats. Charley nodded; Hot Stick released the two levers and the Blue Hornets sailed off, climbing effortlessly as if their small size exempted them from gravity's demands, joining Slow Boy.

Charley and Hot Stick lifted Fat Albert out of its cradle and onto the catapult, gingerly, considering. Hot Stick fired its engine and sent it off. They watched the fireball climb and join the three orange specks circling two hundred feet above.

Charley was about to say some words he'd memorized from the St. Crispin's Day speech in Henry V when Hot Stick said, "Awesome, huh?" He climbed into the Hughes with his control apparatus and strapped himself in.

Charley crossed himself. Then he went forward to Esmeralda 's flagstaff. He hauled it up the halyard: a red-and-white pennant followed by an "S" pennant, then a "Q" pennant and a "I" pennant. They hung there undramatically in the breezeless pre-dawn air. He climbed into the Hughes and closed the door and started the helicopter's engines.

"What's with the flags?" Hot Stick shouted over the roar.

"'I Am Attacking,'" said Charley.

It is tricky taking off from the small deck of a boat in a helicopter, and Charley was a tad rusty at it. You need to create what's called "ground-effect cover"-the cushion of air that holds the craft up. The moment a helicopter moves off over the water, it's like a trapdoor dropping underneath; you have to put your nose down to gain compensating forward speed.

Charley powered up to a hundred percent, moved off over the water and then pushed down on the cyclic stick between his legs, which put the chopper's nose down. He overdid it. Suddenly all he could see was river, coming up at him too fast. He pulled back on the collective, increasing the pitch of the rotor blades, and forcing more air over them, giving the craft lift. The skids dipped into the water. They were water-skiing. Finally the skids came out of the water. He gained speed quickly and climbed to a hundred feet.

"This is Dragonfly," he said into the radio. "I am airborne."

Hot Stick had lost all his color. Charley said to him, "That's the hardest part, taking off."

***

They were in the boathouse, everyone dozing. Eladio had still not returned.

Popo's voice came over the radio, loud and excited, "Niño, Niño! I have something on the radar. One definite target and something else, I can't tell, it's not clear."

"What's the position, the range?"

"Three kilometers. It's over the river, north of us."

"Where's Beni?"

"Asleep."

"Wake him up. Tell him to get the Stinger ready."

" Si , Niño. Should I give them a warning?"

"No. It can't be military. Espinosa always gives us notice ahead of time. Tell Beni to fire. Shoot the first thing he sees."

" Si , Niño."

***

Felix sweated. He was smeared with camo grease and weighted down by Dolby's Jungle Stereo System and his end of the 60mm mortar and expecting any second to hear the telltale click of a bouncing Betty mine before it made a stranger of everything from his waist down. Twice things had moved underneath his feet. They'd been walking since before midnight. He was profoundly grateful for the presence of Mac, on the other side of the mortar. Somewhere on the far edge of the compound, Rostow and Bundy were moving, alone, to their own positions, Bundy with his sniper rifle.

"There," said Mac, pointing at an area as black, to Felix, as the rest of it. But sure enough, as he focused, he saw the pinprick of electric light through the chiaroscuro of underbrush. "Let's not get too close," said Mac. "I don't want to get my dick blown off. Get that CD player ready. I'll get this set."

Felix said, "Listen-"

"That's them. Hey, sounds all right."

Charley's voice came on. "Dragonfly to Grasshoppers. Slow Boy is heading your way. Let's give him a big Texas welcome."

Mac offered Felix a mortar round. "You want to kiss it?"

"Why would I want to kiss it?"

"For luck."

"No."

Mac kissed it and held it ready. They heard the Thunderbolt whining by above them. Felix switched on the CD player; Dolby's subwoofers started to rumble out a low-frequency sound track of jets taking off the deck of a carrier.

Charley's voice said, "Fire one." Mac dropped the mortar into the tube. It arced over the trees and into the compound. They heard the explosion a few seconds later.

"Good shot," said Charley, watching. It had missed the chemical shed-the objective-by several hundred yards, but it hit another building Charley thought was a barracks but couldn't tell, the light was too dim. "Put the next about three hundred yards east."

"Roger."

Hot Stick had taken Slow Boy off computer and was making slow, come-get-me passes over the compound. Felix and Rostow's subwoofers were booming out their sound tracks (of planes taking off carrier decks) on either side of the compound. Mac's second mortar landed in the middle of the large grass field in front of the white house that Sanchez had told them was his residence. Charley was puzzled by the absence of people below. Where the hell was everyone?

"A little more to the east, about fifty yards."

"Dragonfly," said Rostow. "I got someone with what looks like a hand-held-yeah, it is, it is. It's the Stinger."

"Bring Slow Boy down there, low, real low," Charley said.

"Watch this," said Hot Stick, twiddling his joysticks. The Thunderbolt went into a slow, tight circle over the field; it seemed to hover.

"Good," said Charley.

"He's getting ready to fire," said Rostow.

"Bundy," said Charley, "can you see him?"

"Negative," said Bundy, peering through the scope of his Winchester.300 magnum. "I'm watching the house."

"All right, stay on the house, stay with the house." He had to be in the house, where the hell else would he be? He'd come running out of the house right into Bundy's crosshairs and-then they could all go home.

"He's fired, he's fired!" Rostow shouted.

They saw it launch, saw the orange trail roaring up at Slow Boy.

"What are you doing?" Charley shouted at Hot Stick when he saw Slow Boy break out of its tight circle and head off over the jungle.

"Giving him a run for his money," said Hot Stick.

"It's my money. Just let it… What are you doing? "

Slow Boy took off, Stinger in tow. It was an interesting sight, a grown missile chasing a little bitty airplane.

"Look here, Hot Stick, just let the damn missile connect with the plane."

"This is great!" Hot Stick said. "This is fantastic!"

"Never mind ."

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