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Christopher Buckley: Wet Work

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Wet Work: краткое содержание, описание и аннотация

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Thanks to Hollywood and writers like Christopher Buckley, America has given the world a brand-new literary form: the revenge comedy. In the movies, maverick cops roam the world, taking names, kicking butts, and making wisecracks. For all the gore, pictures like Die Hard are essentially Road Runner cartoons with superior special effects. Audiences do more chuckling than gasping. Now comes former George Bush speechwriter Christopher Buckley with a novelized version. Even though Wet Work isn't a movie yet, we're still talking extremely high concept: Lethal Weapon 2 meets The Emerald Forest, complete with nubile Amazonian love slaves flitting naked through the rain forest. But the real innovation in Buckley's work is sociological. Instead of an impertinent working stiff like your typical Mel Gibson-Bruce Willis-Michael Douglas character, Wet Work gives us a maverick plutocrat: a self-made billionaire defense contractor and friend of the President named Charley Becker. In addition to his finely engraved Purdy shotgun, Becker owns a custom- built yacht in the destroyer class equipped with an assault helicopter, manned by a trio of retired CIA killers named McNamara, Rostow, and Bundy, and decorated with original paintings by Manet. In the words of one of the archetypal fumbling bureaucrats who plays the inevitable foil, Charley Becker is ''the Rich Man's Bernhard Goetz.'' It may bear mentioning that Buckley – whose previous novel, The White House Mess, was praised by many for its satire – is the son of the prolific conservative columnist and novelist William F. Also that the yacht, according to the acknowledgments page, is based on one owned by the late Malcolm Forbes and upon which the author once journeyed up the Amazon. As one would expect of such a concoction, Wet Work's plot moves smartly and preposterously along. First comes the obligatory death of an innocent, in this case Becker's beloved granddaughter, Natasha. Before her performance in an Off Broadway play about junkies, she succumbs to cardiac arrest after snorting cocaine furnished in the interest of realism by the director, who is also her lover. Finding the NYPD uninterested in solving the crime, Becker hires professional help and begins ''working [his] way up the food chain,'' from the cowardly director to his supplier, to the Miami importer to the dissolute Peruvian gangster – a left-winger, naturally – who set up the jungle lab that manufactured the stuff. At each step, in accordance with the iron laws of revenge comedy, the villains grow more villainous, the body count gets higher, the explosions get exponentially bigger, and Buckley's jokey, hyperbolic style becomes progressively more out of kilter. Caught in the open in a firefight, our hero feels ''as exposed as a referee at a tennis match, and surrounded by McEnroes with machine pistols.'' For all of Buckley's manic wit, it's these sorts of equations that don't quite work. Gene Lyons

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"I see you took it to Chicago and back four times last week."

"We're burning on the PEMCO deal."

"Uh-huh. Well, only thing I smell burning is paper money, mine. Let me acquaint you with some figures. Costs $4,700 and change to keep that bird aloft per hour. Round trip Dulles-Chicago, that's two hours, that's $9,400, not counting downtime. Times four, that's $37,600. Figuring in downtime, comes to $50,000. Divided by four, that's $12,500 per trip."

"Right. As I say, we're real close-"

But Charley was already punching buttons and a voice fresh as bathroom deodorizer was coming in over the speaker box: "Thank you for calling American Airlines, Susan speaking, how may I help you?"

"Good morning, Susan. Got a fellow here needs to get to Chicago."

"Would that be first class or coach?"

"Well, now. He does like his luxury. But let's say coach. I'm sure he's got frequent-flier miles he can upgrade with."

"Round trip would be… let's see if I can get this computer to tell me… $670. Actually, it goes as low as $2.18."

"Two-eighteen, you say? Now, Susan, he's a bit touchy what altitude he flies. One thing he hates is going shoulder-to-shoulder with a lot of other aircraft. I was wondering if you could fix it so his plane will be above all those others."

"Uh-"

"Oh, and he's particular about what vector he's assigned by Air Traffic Control."

"Actually, we don't handle that here. You'd probably want to speak with… if you'll hold I could ask my supervisor."

"No, that's all right. Thank you kindly."

"Thank you for calling American."

Robertson left. Miss Farrell's voice came on, sounding surprised. "Natasha's just walked in."

"Well, send her in-"

The door blew open. "You son of a bitch ."

"Sugar-" She came straight at him, cheeks ruddy from the October wind, breathing like she'd walked up all ten floors. Snorting, Charley would have said, if it weren't such an unfeminine term, though there was something of the charging bull to her aspect. Her long legs disappeared-finally-into a short black leather miniskirt. The jacket, he imagined, was of indeterminate Middle Eastern origins, with raggedy sheepskin cuffs and irregular bits of mirror stitched in along the sleeves. She looked like a cross between a Vogue model and an Afghan mujahed. She looked gorgeous. She planted her hands knuckle-down on Charley's desk-bad sign-and glowered at him with the full-moon eyes. It was her spring-loaded position; she was cocked and ready to fire. Charley felt his back flattening against the chair.

"You look a little pale, honey. You getting enough exercise?"

"Don't patronize me."

"A fine hello." He was trying to buy time while his brain raced to decipher the cause of the storm.

"You're a damn liar, Charley."

More input. Klaxons rang inside his skull, red lights flashed, neurons strapped on flak jackets and ran down corridors shouting and shutting watertight bulkheads against the norepinephrine that was already up to their knees. Aoogah aoogah, dive dive. Something seriously wrong here. More input, damnit! "Uh," he managed lamely, "how do you mean, lie?" She was giving him the microwave stare now, rearranging his molecules, cooking him from the inside out. Don't say a thing, it'll be taken down and used against you. She had a round face, she looked like the ladies painted by whatsisname, the one he could never pronounce. Anger… Inger… Ingres. Those nineteenth-century French ladies with skin soft as butter and their chins resting on a crooked finger, the picture of domesticity-you could almost smell the coq au vin in the oven-except that the eyes always seemed to be undressing the painter. What angst Ingres must have gone through in those quiet parlors-

"You have the nerve to put me under surveillance."

"I don't know what you're talking about."

"Like you didn't know what I was talking about when someone bought the building I rent in. My own rent-controlled apartment and suddenly there are cameras all over the place and round-the-clock Arnold Schwarzenegger doormen."

"Aw, we been through all that, sug."

But clearly they were going to go through it all again. "Doormen," she muttered, "in a five-story walk-up."

"I told you, the real estate division buys a lot of buildings. It's, a small world."

"Bullshit."

"You know I don't like it when you speak like that. They don't inform me about every little… rathole they're going to buy."

"Rathole. That's my home."

"Nonsense."

"What about that show I was auditioning for that suddenly you become a major backer of?"

"Coincidence."

"You're just like Nixon. You look straight into the camera and lie."

"I don't see the shame in supporting the arts."

"I was humiliated. Then you start having Felix hire people to spy on me."

"That's a terrible thing to say. I am not spying on you."

"Your righteous indignation needs a tune-up, Charley."

"Now look here, girl, you want to go live in a neighborhood looks like Bey-root"-his accent tended to deepen in periods of stress-"I don't see the harm in providing a little peace of mind."

"Your peace of mind, you mean."

"Have you seen the rape statistics for that neighborhood? 'Cause I have." He pressed a button. "Jeannie, bring the rape statistics for Natasha's new"-he said it sarcastically-"neighborhood."

They glared at each other. He said, "If you won't take my money, I've got a perfectly good apartment there that I can't hardly use anyway 'cause of my tax situation. I told you a hundred times you're welcome to it."

"Sutton Place? Are you serious?"

"The hell's wrong with Sutton Place? Not enough violent crime for you? Okay, I'll have Felix truck in some muggers. How many you want?"

"God," she said. "You just don't get it, do you?" It wasn't a surrender exactly, but she went over and sat on the edge of a sofa and lit a cigarette, staring out across Roosevelt Island toward the Mall and the Capitol.

Charley watched her. It disturbed him that she smoked. He'd offered her a significant sum of money when she was thirteen if she wouldn't smoke until she was twenty-one, which she dismissed at the time as an "obvious bribe." Well, this wasn't hardly the time to get on her about smoking. He tried, "Where'd they screw up this time?"

"They were good. I'll give them that."

I?

"Not that good."

She laughed. "He used women this time. As if you didn't know."

"That so?" he said disingenuously.

"Uh-huh." She blew a thin stream of smoke toward the Lincoln Memorial. A 727 flew past with its wheels down for landing at National. "They're kind of butch. Where does Felix find these people anyway?"

"Oh I don't know. Around, I guess."

"Do you pay them the same as men?"

"I'm sure of it." She stared. "I'll check on it."

"They followed me down here on the shuttle." She looked at her watch. "What time do you have?"

"Past noon. Twelve-oh-six. How about some lunch?"

"They're a little slow. Either that or Tim was a little late."

"How's that?"

"Friend of mine is calling Building Security at noon to say there are two armed women outside the building waiting to kill you."

"Sweet Jesus, girl." Charley grabbed the phone. "Security, this is Charley Becker-"

"They're both sort of dark, so my friend is saying they're Libyan. I thought that would cut the reaction time, but"-she looked at her watch-"I'm not too impressed, frankly."

"-you took a call a few minutes ago, it's false alarm-"

"Aren't the Libyans pissed off at you for not selling them something? High explosives, chemical weapons-"

The door banged open. Three of Felix's people pushed through, pistols drawn, followed by Miss Farrell.

"You all right, sir?"

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