Anne Tyler - The Tin Can Tree

Then after supper James would come. 'Joan ready?' he'd say. 'She's gone,' They'd tell him. Then what would he do? She couldn't imagine that, no matter how hard she tried. Maybe he would say, 'Well, I'm sorry to hear that,' and remain where he was, his face dark and stubborn. Or maybe he would say, 'I'll go bring her back.' But that was something she didn't expect would ever happen now. A week ago, she might have expected it. She'd thought anything could happen, anyone would change. But now all she felt sure of was that ten years from now, and twenty, James would still be enduring, on and on, in that stuffy little parlour with Ansel in it; and she couldn't endure a minute longer.

She turned away from the window and went back to her suitcase. Everything was in it now. The bureau was left as blank as the bureau in a hotel room; its drawers were empty and smelled of wood again. On the back of the door hung her towel and washcloth, the only things left of her. She plucked them off the rack and carried them out to the laundry hamper in the hall, and then she was finished. No one would ever know she had lived here. When she had locked the second suitcase, and stepped into the high heels that she had taken off so as not to make a noise, she stood in the doorway a minute making sure of the blankness in the room. Then she picked up the two suitcases and the pocket book and went downstairs.

Carrying it all was harder than she remembered. She kept having to switch the pocket book strap from one arm to the other, and although the suitcases weren't heavy they were big and bulky and banged against her legs when she walked. Before she was even off the front porch she was breathing hard. Then in the yard, the spikes of her high heels kept sinking into the earth and making things more difficult. If she'd had any sense, she thought, she would have called Mr Carleton and his taxi service. Except then everybody and his brother would have known she was leaving. She waited until she had crossed the road and was into the field and then she took her first breather, chafing the red palms of her hands and looking anxiously back at the house. No one had seen her yet.

All the evening walks through this field with James or the children had taught her the shortest way to town – the straight line through burrs and bushes, leading apparently to nowhere but more field, emerging suddenly upon Emmett Smith's backyard and from there to Main Street. She walked carefully, to avoid getting runs in her stockings, and kept her eyes strained ahead for the first sight of the Smith house. Around her ears the breeze made a hot, lulling sound, drying the dampness on her forehead to a cold thin sheet. Then another sound rose, like wailing, and she turned and saw Simon running to catch up, his brown hands fluttering to part the weeds in front of his chest and his face desperate. ' Jo -oan!' he was calling. He made two syllables out of it. Joan set down the suitcases and waited, with her hands crossed over her pocketbook. 'Joan, wait' he said, and floundered on. 'Oh, Simon,' she said, but she kept waiting.

When he came up even with her he was out of breath, and covered with burrs. For a while he just stood there panting, but then his breath came more slowly and he straightened up. 'Can I come?' he asked.

'Oh, Simon-' '

'I came in to see what you was doing. I couldn't find you; I thought -' He stopped, and switched his eyes from her face to the field behind her. 'I wouldn't be a bit of trouble,' he said softly. She leaned forward, trying to catch his words and he said it louder: 'I wouldn't be a bit of- '

'Well, I know that.'

'Old James came over with that picture he took yesterday,' he said. 'You were gone off on my bicycle. He brought it in a special brown envelope like he does to customers. I said, "Mama, here is that picture you was asking for." She says, "What?" I pulled it out to show her. She said, "Oh," and then went back to her sewing and didn't look any more. I put it back on James's doorstep.'

‘Well, now, don't you worry-' said Joan, but she had to stop there, because she wasn't sure what he was talking about. She stood frowning at him, with the wind whipping the hair around her face and her hands clenched white on the pocketbook.

'I won't be a bit of trouble,' he said again.

She said, 'No,' and stooped nearer to him. 'I can't take you,' she said. 'I have to go off, Simon. And you have to stay with your family. When they are back to normal, though, you can come and visit.'

Simon just stood there, very straight. She didn't know what to do, because he had his head drawn back in that way he had and if she'd hugged him he would have hated her. So she waited a minute, and then she said, 'Well, goodbye.' He didn't answer. 'Goodbye,' she said again. She kept on facing him, though, because she couldn't turn first and just leave him there. Then when she was beginning to think they would stand that way forever he swung around and left, and she watched him go. He stumbled through the field in a zig-zagging line, not parting the grass ahead of him but pressing on with his hands at his sides. 'Simon?' she called once. But Simon never answered.

When she turned away herself, and bent to pick up her bags again, she was thinking that out of all the bad things she had ever done this might be the one sin. It made her feel suddenly heavy and old; the weight of her sadness dragged behind her through the fields like another suitcase, and she couldn't look up or let herself think about anything but walking, putting one foot ahead of the other.

The Smith house loomed up suddenly, just beyond a little rise in the ground. Inside a wire fence the hens scratched irritably at the dirt, and from the house came the sound of someone's singing. Joan set her suitcases down and looked back, thinking to see some sign of what she had left, but there was only the gentle slope of wild grass stretching as far as she could see. Behind that was James, dark and slow and calm, rocking easily in his chair and never knowing. And that long front porch where she and Simon used to shell peas on summer evenings, while Janie Rose sang ‘The Murder of James A. Garfield' through the open window. She picked up her suitcases and walked on, with that sudden light, lost feeling that came from walking in a straight line away from people she loved.

The clock in the drugstore where the buses stopped said there were ten minutes to go. Tommy Jones behind the soda fountain checked her bags and handed her the tags, and she said, 'Thank you,' and smiled at him dazedly without thinking about him.

'Coke while you wait?' he asked.

'No, thank you.'

'On the house.'

'Oh. No.'

Her voice sounded thin and sad. She felt like a stick, very straight and alone, standing upright with nothing to lean against. Surely people should have noticed it, but they didn't; Tommy smiled at her as if this were any normal day, and the two other people in the store went on leafing through their magazines. Dan Thompson's wife came in, wearing one of Dan's baggy printing aprons the way she usually did and carrying a fresh stack of this week's newspapers. The insides of her forearms were smeared with ink from them. When she saw Joan she smiled and came over toward her. 'Hi,' she said. 'You want a paper?'

'I guess so,' said Joan. She fished in her purse for the money and handed it over, and Carol gave her a paper off the top of the stack.

'Nothing but the most startling news,' she said. 'We took it all from the Rockland paper this week. Usually we get it from Clancyville.'

'Well, that's all right,' Joan said. 'I haven't read the Rockland paper either.'

'Good. You know what I think sometimes?' She heaved the papers onto a soda fountain stool and began rubbing the muscles of her arm. 'Sometimes I think, what if every paper gets its news from the other papers? What if this is twenty-year-old news we're reading, just circulating around and around among newspapers?'