Sarah Waters - The Night Watch

Здесь есть возможность читать онлайн «Sarah Waters - The Night Watch» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Night Watch: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Night Watch»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.
The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.
This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.
The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.
Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’
The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.
Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.
As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

The Night Watch — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Night Watch», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The mystery and glamour had been there, right from the start. 'You must meet Julia,' Kay had used to say, after Helen had moved into her flat. 'I do so want you two to meet up.' But there had always been something in the way of it: Julia was busy, Julia was writing; Julia kept odd hours and could never be pinned down… They'd met, at last, about a year before, by accident: bumped into each other at the theatre, after a performance of-of all things- Blithe Spirit . Julia had been handsome, charming, frightening, remote: Helen had taken one look at her; noted the awkward, slightly flustered manner with which Kay introduced her; and guessed everything.

Later that night she'd asked Kay: 'What was there, between you and Julia?'-and Kay had instantly grown awkward again.

'Nothing,' she'd said.

'Nothing?'

'A sort of-misaffection, that was all. Ages ago.'

'You were in love with her,' Helen had said, bluntly.

And Kay had laughed-'Look here, let's talk of something else!'-but also, what was rare for her, had blushed.

That blush was all the link there was, between Helen and Julia-a funny sort of link, when you thought about it…

Julia smiled and tilted her head. They were only fifty yards or so from the entrance to Marylebone Station, and through a lull in the traffic there had come a sudden burst of noise from one of the platforms: a blown whistle, followed by the letting out of steam. She opened her eyes. 'I like that sound.'

'So do I,' said Helen. 'It's a holiday sound, isn't it? A buckets-and-spades sort of sound. It makes me long to get away-get out of London, just for a bit.' She swilled the tea in the bottom of her cup. 'No chance of that, I suppose.'

'No?' said Julia, looking at her. 'Can't you fix something up?'

'Where's there to go to? And then, the trains… And, anyway, I'd never persuade Kay. She's working extra shifts, now, at Dolphin Square. She'd never take time off, while things are so bad.'

Julia drew on her cigarette, then threw it down and covered it over with her shoe. 'Kay's such a heroine, though, isn't she?' she said, blowing out smoke. 'Kay's such a brick.'

She meant it jokingly, Helen supposed; but her tone was not quite light, and she looked at Helen, as she said it, from the corner of her eye, almost slyly-as if testing her, weighing up her response.

Helen remembered, then, something she'd once heard Mickey say about Julia: that she longed to be admired; that she couldn't bear to have anyone liked over herself; and that she was hard. And she thought, with a flicker of dislike, It's true, you are hard . She felt suddenly, in that one moment, exposed, unsafe.

But the queer thing was, the sensation of unsafeness, even of dislike, was almost exciting. She glanced again at Julia's smooth, handsome, upper-class face and thought of jewels, of pearls. Wasn't hardness a condition of glamour, after all?

And then Julia changed her pose, and the moment passed. She caught hold of her wristwatch again; Helen saw how late it was and said, 'Damn.' She quickly finished her cigarette, dropped the stub into her almost empty cup, and heard it hiss. 'I must get back to work.'

Julia nodded, drinking off her tea. She said, 'I'll go with you.'

They went quickly back to the canteen, to leave their cups on the counter; then walked the couple of hundred yards to Helen's office.

'Will your Miss Prism give you hell, for staying out so long?' asked Julia, as they went.

'Miss Chisholm,' said Helen, smiling. 'She might.'

'You'd better put the blame on me, then. Say I'm an emergency case. That I've- What? Lost my house, and everything in it?'

'Everything?' Helen thought it over. 'That's about six separate departments, I'm afraid. I could only help you with a grant for light repairs. You'd have to see someone over at the War Damage Commisson about rebuilding work; they're just as likely, however, to send you back to us. Miss Links, on the third floor, might be able to give you some assistance with the cleaning of any salvageable items-curtains, carpets, things like that. But be sure to bring your cleaners' bills with you; and the chit we gave you, when you first filed your report of the incident.-What's that? You've lost the chit? Oh, dear. You must get another, and start all over again… It's like snakes and ladders, you see. And this is always assuming, of course, that we've found time to see you in the first place.'

Julia grimaced. 'You enjoy your job.'

'It's frustrating, that's all. You hope to make some sort of difference. But now the people we rehoused three years ago are coming back; they've been bombed out all over again. We've less money than ever. And still the war is costing us-how much do they say? Eleven million a day?'

'Don't ask me,' said Julia. 'I've given up reading the papers. Since the world's so obviously bent on killing itself, I decided months ago to sit back and let it.'

'I wish I could,' said Helen. 'But I find I feel even worse, not knowing, than I do when I know it all…'

But now they had reached the Town Hall; and paused, at the bottom of the steps, to say goodbye. The steps were flanked by two anxious-looking stone lions, furred grey with a coating of ash. Julia reached to pat one, and laughed.

'I'm awfully tempted to hop up on the back of it. What do you think Miss Chisholm would say about that?'

'I think you'd give her a heart attack,' said Helen… 'Goodbye, Julia.' She held out her hand. 'Don't climb through any more fanlights, will you?'

'I'll do my best. Goodbye, Helen. It's been nice.-That's an awful word, isn't it?'

'It's a grand word. It's been nice to see you, too.'

'Has it? I hope I'll bump into you again, then. Or, you must have Kay bring you over, some time, to Mecklenburgh Square. We could have dinner.'

'Yes,' said Helen. For after all, why shouldn't they? It seemed easy now. 'Yes, I will.' They moved apart. 'And, thanks for the tea!'

'We've rather a lot of people waiting, Miss Giniver,' said Miss Chisholm, when she went in.

'Have we?' asked Helen. She went through the office, and down the staff corridor to the lavatory, to take off her coat and hat, to stand at the mirror and re-powder her face. She saw again, as she did it, Julia's smooth, striking features: the slender throat, dark eyes, neat brows; the full, irregular, distracting mouth.

The door opened, and Miss Links came in.

'Oh, Miss Giniver, I'm glad I caught you. Rather sad news, I'm afraid. Mr Piper, at the Mayor's Fund: his wife's been killed.'

'Oh, no,' said Helen, lowering her hand.

'Yes, a timed one. Got her early this morning. Awfully bad luck. We're sending a card. We won't ask everyone to sign it-gets rather monotonous after a while-but I thought you'd like to know.'

'Yes, thanks.'

Helen closed her compact and put it away, and went sadly back to her desk-and hardly thought of Julia again, after that; hardly thought of her at all.

'Well,' said the prisoner in front of Duncan in the dinner-queue, an awful old pansy called Auntie Vi, 'and what have we today? Lobster Thermidore, perhaps? Paté? Veal?'

'It's mutton, Auntie,' said the boy dishing up the food.

Auntie Vi tutted. 'Doesn't even have the imagination to dress itself as lamb, I suppose. Heigh ho. Give me a plateful, darling. I hear the lunches at Brooks are hardly much better these days.'

She said this last to Duncan, rolling her eyes and touching her hair. Her hair was blonded at the front with a bit of peroxide, and beautifully waved-for she slept every night with strings around her head, to put the kinks in. Her cheeks were rouged, and her lips as red as a girl's: you couldn't pick up a scarlet-bound book in the library without finding pale little patches on it, where men like her had sucked at the boards for lipstick.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Night Watch»

Представляем Вашему вниманию похожие книги на «The Night Watch» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Night Watch»

Обсуждение, отзывы о книге «The Night Watch» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.