Sarah Waters - The Night Watch

Здесь есть возможность читать онлайн «Sarah Waters - The Night Watch» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Night Watch: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Night Watch»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.
The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.
This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.
The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.
Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’
The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.
Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.
As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

The Night Watch — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Night Watch», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

He smiled-then realised what he'd said, caught Duncan 's eye, and blushed; and at once started talking again, to cover the blunder up… He'd been at the charity, he said, until the previous Autumn; then he'd started to try his hand at journalism, with a view to writing for political magazines. A friend of his had got him the 'hack job' he was doing now; he was sticking with it in the hope that something more serious would come along. He'd been involved with a girl, for a month or two, but it hadn't worked out-he coloured again as he told Duncan that. She'd been one of the other people, he said, at the charity for refugees…

He spoke seriously, fluently-like a commentator on the radio. His well-bred accent was very marked, and once or twice Duncan found himself almost wincing, knowing that the accent must be carrying across the beach, reaching the ears of other drinkers. He began to look at Fraser and, as he had before, to see him as a stranger. He couldn't imagine the life that Fraser had had, in the logging-camp in Scotland and then in London, with a girl; he could only really picture him, still, as he'd used to see him every day, in the small chill cell at Wormwood Scrubs, with the coarse prison blanket over his shoulders, mopping up his cocoa with his breakfast bread, or standing at the window, his lean white face lit up by moonlight or by coloured flares in the sky…

He gazed down into his glass, then became aware that Fraser had fallen silent and was watching him.

'I know what you're thinking,' Fraser said, when he looked up. He'd lowered his voice, and seemed self-conscious. 'You're wondering how it was for me, working with those refugees, listening to the stories I had to hear-knowing other men had fought while I'd done nothing…' He threw a stone, so that it bounced across the beach. 'It made me sick, if you want to know. Sick with myself-not because I'd objected; but because objection hadn't been enough. Sick because I hadn't tried harder, hadn't tried to find other ways-and hadn't made other people try to find them with me-earlier in the war. Sick, for being healthy. Sick, simply, for being alive…' He blushed again, and looked away. He said, more quietly than ever, 'I thought of you, as it happens.'

'Me!'

'I remembered-well, things you'd said.'

Duncan gazed down into his glass again. 'I thought you'd forgotten all about me.'

Fraser moved forward. 'Don't be an ass! My time's been taken up, that's all. Hasn't yours been?'

Duncan didn't answer. Fraser waited, then turned away as if irritated. He drank more of his beer, then went back to fiddling with his pipe, sucking at the stem, making his cheeks like wineskins again.

He's wishing he'd never asked me here , thought Duncan, prising at a stone. He's wondering why he did . He's working out how soon he can get rid of me … He thought again of Mr Mundy, waiting at home, with the tea ready; looking at the clock; perhaps opening the front door to gaze anxiously down the street…

He became aware, once again, that Fraser was watching him. He looked round, and their gazes met. Fraser smiled and said, 'I'd forgotten how inscrutable you can be, Pearce. I'm used to fellows, I suppose, who do nothing but talk.'

'I'm sorry,' said Duncan. 'We can go, if you like.'

'For God's sake, I didn't mean that! I just- Well, won't you tell me anything about yourself? I've been going on like a lunatic, while you've hardly said a word. Don't you- Don't you trust me?'

'Trust you!' said Duncan. 'It isn't that. It's nothing like that. There's nothing to tell, that's all.'

'You've tried that once. It won't wash, Pearce! Come on.'

'There's nothing to say!'

'There must be something. I don't even know where you live! Where do you live? Up near that factory of yours?'

Duncan moved uncomfortably. 'Yes.'

'In a house? In rooms?'

'Well,' said Duncan. He moved again; but could see no way out of it… 'In a house,' he admitted, after a moment, 'up in White City.'

Fraser stared, just as Duncan had known he would. ' White City? You're joking! So close to the Scrubs? I wonder you can stand it! Fulham was near enough for me, I don't mind telling you. White City…' He shook his head, unable to believe it. 'But, why there? Your family-' He was thinking back. 'They used to live in-where was it? Streatham?'

'Oh,' said Duncan automatically, 'I don't live with them .'

'You don't? Why not? They've looked after you all right, haven't they? You've sisters, haven't you? One in particular- What was her name? Valerie? Viv!' He pulled at his hair. 'God, it's all coming back. She used to visit. She was good to you. She was better to you than my bloody sister was to me, anyway! Isn't she good to you, still?'

'It isn't her,' said Duncan. 'It's the others. We never got on, even before- Well, you know. When I got out it was worse than ever. My oldest sister's husband hates my guts. I heard him talking about me once, to one of his friends. He called me- He called me Little Lord Fauntleroy. He calls me Mary Pickford, too.-Don't laugh!' But he began to laugh, himself.

'I'm sorry,' said Fraser, still smiling. 'He sounds like a regular charmer.'

'He's the sort of person, that's all, who can't bear it when people are different to him. They're all like that. But Viv isn't. She understands-well, that things aren't perfect. That people aren't perfect. She-' He hesitated.

'She what?' asked Fraser.

They were recapturing some of their old closeness. Duncan lowered his voice. 'Well, she's seeing some man.' He glanced around. 'A married man. It's been going on for ages. I never knew, when I was inside.'

Fraser looked thoughtful. 'I see.'

'Don't look like that! She isn't a- Well, she isn't a tart, or whatever you're thinking.'

'I'm sure she isn't… Still, I'm sorry to hear it, somehow. I remember her; I remember liking the look of her. And these things, you know, hardly ever turn out well-especially for the woman.'

Duncan shrugged. 'It's their business, isn't it? What does “turning out well” mean? Do you mean, being married? If they were married they'd probably hate each other.'

'Perhaps… But, what's the man like? What kind of bloke is he? Have you met him?'

Duncan had forgotten this way Fraser had, of catching hold of a subject and niggling away at it, just for the pleasure of thinking it through. He said, more reluctantly, 'He's some sort of salesman, that's all I know. He gets her tins of meat. He gets her loads, all the time. She can't take them home, my dad would wonder. She gives them to me and Uncle Horace-'

He stopped, in confusion and embarassment at what he'd just said. Fraser didn't notice; he latched on to Duncan 's words instead.

'Your uncle,' he said. 'That's right, Mrs Alexander mentioned him, at the factory. She said what a wonderful nephew you are, or something like that.' He smiled. 'So your family isn't quite so bad as you paint it, after all… Well, I'd like to meet your uncle, Pearce. I'd like to meet Viv, too. I'd certainly like to see where you live. Will you let me come and visit you, some other time? For we- Well, there's nothing to stop us from being friends again, is there? Now that we've hooked up together like this?'

Duncan nodded; but didn't trust himself to speak. He finished the beer that was in his glass, then turned his head-imagining the look that he knew would appear on Fraser's face, if he was ever to go home with Duncan and see Mr Mundy there…

He went back to picking at the litter of things on the beach. Soon his eye was drawn by something in particular, and he prised it up. It turned out, as he'd thought, to be the stem and part of the bowl of an old clay pipe. He showed it to Fraser, then started picking the mud from it with a piece of wire. Partly to change the subject he said, as he did it, 'There might have been a man here, three hundred years ago, smoking tobacco just like you. Isn't that a funny thought?'

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Night Watch»

Представляем Вашему вниманию похожие книги на «The Night Watch» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Night Watch»

Обсуждение, отзывы о книге «The Night Watch» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x