Kiran Desai - The Inheritance of Loss

"Good-bye," said Sai, to the perversities of the convent, the sweet sweety pastel angels and the bloodied Christ, presented together in disturbing contrast. Good-bye to the uniforms so heavy for a little girl, manly shouldered blazer and tie, black cow-hoof shoes. Good-bye to her friend, Arlene Macedo, the only other student with an unconventional background. Arlene’s father, Arlene claimed, was a Portuguese sailor who came and left. Not for the sea, whispered the other girls, but for a Chinese hairdresser in Claridge’s Hotel in Delhi. Good-bye to four years of learning the weight of humiliation and fear, the art of subterfuge, of being uncovered by black-habited detectives and trembling before the rule of law that treated ordinary everyday slips and confusions with the seriousness of first-degree crime. Good-bye to:

a. standing in the rubbish bin with dunce cap on

b. getting heatstroke in the sun while on one leg and with hands up in the air

c. announcing your sins at the morning assembly

d. getting paddled red black blue and turmeric

"Shameless girl," Sister Caroline had told Sai, homeworkless, one day, and delivered her bottom bright as a baboon’s, so that she without shame quickly acquired some.

The system might be obsessed with purity, but it excelled in defining the flavor of sin. There was a titillation to unearthing the forces of guilt and desire, needling and prodding the results. This Sai had learned. This underneath, and on top a flat creed: cake was better than laddoos, fork spoon knife better than hands, sipping the blood of Christ and consuming a wafer of his body was more civilized than garlanding a phallic symbol with marigolds. English was better than Hindi.

Any sense that Sai was taught had fallen between the contradictions, and the contradictions themselves had been absorbed. "Lochinvar" and Tagore, economics and moral science, highland fling in tartan and Punjabi harvest dance in dhotis, national anthem in Bengali and an impenetrable Latin motto emblazoned on banderoles across their blazer pockets and also on an arch over the entrance: Pisci tisci episculum basculum. Something of the sort.

She passed beneath this motto for the last time, accompanied by a visiting nun who was studying convent finance systems, on her way now to Dar-jeeling. Out of the window, from Dehra Dun to Delhi, Delhi to Siliguri, they viewed a panorama of village life and India looked as old as ever. Women walked by with firewood on their heads, too poor for blouses under their saris. "Shame shame, I know your name," said the nun, feeling jolly. Then she felt less jolly. It was early in the morning and the railway tracks were lined with rows of bare bottoms. Close up, they could see dozens of people defecating onto the tracks, rinsing their bottoms with water from a can. "Dirty people," she said, "poverty is no excuse, no it isn’t, no don’t try and tell me that. Why must they do such things here?"

"Because of the drop," said an earnest bespectacled scholar seated next to her, "the ground drops to the railway track, so it is a good place."

The nun didn’t answer. And to the people who defecated, those on the train were so beside the point – not even the same species – that they didn’t care if passersby saw their straining rears any more than if a sparrow were witness to them.

On and on.

Sai quiet… feeling her fate awaiting her. She could sense Cho Oyu. "Don’t worry, dear," said the nun.

Sai did not reply and the nun began to feel annoyed.

They transferred to a taxi and traversed through a wetter climate, a rusty green landscape, creaking and bobbing in the wind. They drove past tea stalls on stilts, chickens being sold in round cane baskets, and Durga Puja goddesses being constructed in shacks. They passed paddy fields and warehouses that looked decrepit but bore the names of famous tea companies: Rungli Rungliot, Ghoom, Goenkas.

"Don’t you sit about feeling sorry for yourself. You don’t think God sulked, do you? With all he had to do?"

Suddenly to the right, the Teesta River came leaping at them between white banks of sand. Space and sun crashed through the window. Reflections magnified and echoed the light, the river, each adding angles and colors to the other, and Sai became aware of the enormous space she was entering.

By the riverbank, wild water racing by, the late evening sun in polka dots through the trees, they parted company. To the east was Kalimpong, barely managing to stay on the saddle between the Deolo and the Ring-kingpong hills. To the west was Darjeeling, skidding down the Singalila Mountains. The nun tried to offer a final counsel, but her voice was drowned out by the river roar so she pinched Sai’s cheek in farewell. Off she went in a Sisters of Cluny jeep, six thousand feet up into tea growing country and to a town that was black and slimy, mushrooming with clusters of convents in the dripping fog.

Night fell quickly after the sun went down. With the car tilted back so its nose pointed to the sky, they corkscrewed on – the slightest wrong move and they would tumble. Death whispered into Sai’s ear, life leaped in her pulse, her heart plummeted, up they twirled. There was not a streetlight anywhere in Kalimpong, and the lamps in houses were so dim you saw them only as you passed; they came up suddenly and disappeared immediately behind. The people who walked by in the black had neither torches nor lanterns, and the headlights caught them stepping off the road as the car passed. The driver turned from the tar road onto a dirt one, and finally the car stopped in the middle of the wilderness at a gate suspended between stone pillars. The sound of the engine faded; the headlights went dead. There was only the forest making ssss tseu ts ts seuuu sounds.

Oh, Grandfather more lizard than human.

Dog more human than dog.

Sai’s face upside down in her soup spoon.

To welcome her, the cook had modeled the mashed potatoes into a motorcar, recollecting a long-forgotten skill from another age, when, using the same pleasant medium, he had fashioned celebratory castles decorated with paper flags, fish with bangle nose rings, porcupines with celery spines, chickens with real eggs placed behind for comic effect.

This motorcar had tomato slice wheels and decorations rolled out of ancient bits of tinfoil that the cook treated as a precious metal, washing, drying, using, and reusing them until they crumbled into tinselly scraps that he still couldn’t bear to throw away.

The car sat in the middle of the table, along with paddle-shaped mutton cutlets, water-logged green beans, and a head of cauliflower under cheese sauce that looked like a shrouded brain. All the dishes were spinning steam furiously, and warm, food-scented clouds condensed on Sai’s face. When the steam cleared a little, she had another look at her grandfather at the far end of the table and the dog on another chair by his side. Mutt was smiling – head inclined, thump thump went her tail against the seat – but the judge seemed not to have noticed Sai’s arrival. He was a shriveled figure in a white shirt and black trousers with a buckle to the side. The clothes were frayed but clean, ironed by the cook, who still ironed everything – pajamas, towels, socks, underwear, and handkerchiefs. His face seemed distanced by what looked like white powder over dark skin – or was it just the vapor? And from him came a faint antibiotic whiff of cologne, a little too far from perfume, a little too close to a preserving liquid. There was more than a hint of reptile in the slope of his face, the wide hairless forehead, the introverted nose, the introverted chin, his lack of movement, his lack of lips, his fixed gaze. Like other elderly people, he seemed not to have traveled forward in time but far back. Harking to the prehistoric, in attendance upon infinity, he resembled a creature of the Galapagos staring over the ocean.