Kiran Desai - The Inheritance of Loss

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This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.
***
Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

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"I like the pictures very much," Biju assured him.

There was also Saeed with the family at the Bread amp; Puppet theater festival posing with the evil insurance-man puppet; Saeed touring the Grafton cheese factory; Saeed by the compost heap with his arm around Grandma, braless in her summer muumuu, salt-and-pepper armpit hair shooting off in several directions.

Oh, the United States, it’s a wonderful country. A wonderful country. And its people are the most delightful in the world. The more he told them about his family in Zanzibar, his faked-up papers, of how he had one passport for Saeed Saeed and one for Zulfikar – the happier they got. Stayed up late into the zany Vermont night, stars coming down coming down, cheering him on. Any subversion against the U.S. government – they would be happy to help.

Grandma wrote a letter to the INS to assure them Zulfikar of Zanzibar was a welcome – no, more than that – a cherished new member of the ancient clan of the Mayflower Williams.

***

He slapped Biju on the back. "See you around," he said and he left to practice kissing for the interview. "Have to look right or they will sus-pect.

Biju continued on his way, tried to smile at female American citizens: "Hi. Hi." But they barely looked at him.

***

The cook went back to the post office. "You are getting the letters wet. Taking no care."

" Babaji, just look outside – how are we to keep them dry? It is humanly impossible, they are getting wet as we transfer them from van to office."

Next day: "Post came?"

"No, no, roads closed. Nothing today. Maybe the road will open in the afternoon. Come back later."

Lola was hysterically trying to make a phone call from the STD booth because it was Pixie’s birthday: "What do you mean it doesn’t work, for a week it hasn’t worked!"

"For a month it hasn’t worked," a young man who had also been in line corrected her, but he seemed content. "The microwave is down," he explained.

"What?"

"The microwave." He turned for affirmation to the others in the office. "Yes," they said, nodding; they were all men and women of the future. He turned back. "Yes, the satellite in the sky," he indicated, pointing up, "it’s fallen down." And he pointed at the plebeian floor, gray concrete all stamped about with local mud.

No way to telephone, no way for letters to get through. She and the cook, running into each other, commiserated a moment and then he went on sadly to the butcher and she went to get some Baygon spray and swatters, for the insects. Each day of this fecund season scores of tiny souls lost their brief lives to Lola’s poisons. Mosquitoes, ants, termites, millipedes, centipedes, spiders, woodworms, beetles. Yet, what did it matter? Each day a thousand new ones were born… Entire nations appeared boldly overnight.

Twenty

Gyan and Sai. At subsequent pauses in the rain they measured ears, shoulders, and the span of their rib cages.

Collar bones, eyelashes, and chins.

Knees, heels, arch of the feet.

Flexibility of fingers and toes.

Cheekbones, necks, muscles of the upper arm, the small complexities of the hinge bones.

The green and purple of their veins.

The world’s most astonishing tongue display: Sai, tutored by her friend Arlene in the convent, could touch her nose with her tongue and showed Gyan.

He could wiggle his eyebrows, slide his head off his neck from left to right to left like a Bharat Natyam dancer, and he could stand on his head.

Now and then, she recalled certain delicate observations she had made during her own explorations before the mirror that had been overlooked by Gyan, on account of the newness of landscape between them. It was, she knew herself, a matter of education to learn how to look at a woman, and worried that Gyan wasn’t entirely aware of how lucky he was.

Ear lobes downy as tobacco leaves, the tender substance of her hair, the transparent skin of the inner wrist…

She brought up the omissions at his next visit, proffered her hair with the zeal of a shawl merchant: "See – feel. Like silk?"

"Like silk," he confirmed.

Her ears she displayed like items taken from under the counter and put before a discerning customer in one of the town’s curio shops, but when he tried to test the depth of her eyes with his, her glance proved too slippery to hold; he picked it up and dropped it, retrieved it, dropped it again until it slid away and hid.

So they played the game of courtship, reaching, retreating, teasing, fleeing – how delicious the pretense of objective study, miraculous how it could eat up the hours. But as they eliminated the easily revealable and exhausted propriety, the unexamined portions of their anatomies exerted a more severely distilled potential, and once again the situation was driven to the same desperate pitch of the days when they sat forcing geometry.

Up the bones of the spine.

Stomach and belly button -

***

" Kiss me! " he pleaded.

"No," she said, delighted and terrified.

She would hold herself ransom.

Oh, but she had never been able to stand suspense.

A fine drizzle spelled an ellipsis on the tin roof…

Moments clocked by precisely, and finally she couldn’t bear it – she closed her eyes and felt the terrified measure of his lips on hers, trying to match one shape with the other.

***

Just a week or two later, they were shameless as beggars, pleading for more. "Nose?" He kissed it. "Eyes?" Eyes. "Ears?" Ears. "Cheek?" Cheek.

"Fingers." One, two, three, four, five. "The other hand, please." Ten kisses. "Toes?"

They linked word, object, and affection in a recovery of childhood, a confirmation of wholeness, as at the beginning -

Arms legs heart -

All their parts, they reassured each other, were where they should be.

***

Gyan was twenty and Sai sixteen, and at the beginning they had not paid very much attention to the events on the hillside, the new posters in the market referring to old discontents, the slogans scratched and painted on the side of government offices and shops. "We are stateless," they read. "It is better to die than live as slaves," "We are constitutionally tortured. Return our land from Bengal." Down the other way, the slogans persisted and multiplied along the landslide reinforcements, jostled for place between the "Better late than never" slogans, the "If married don’t flirt with speed," "Drinking whisky is risky," that flashed by as you drove toward the Teesta.

The call was repeated along the road to the army cantonment area; began to pop up in less obvious places; the big rocks along thin paths that veined the mountains, the trunks of trees amid huts made of bamboo and mud, corn drying in bunches under the veranda roofs, prayer flags flying overhead, pigs snorting in pens behind. Climbing perpendicular to the sky, arriving breathless at the top of Ringkingpong hill, you’d see "LIBERATION!" scrawled across the waterworks. Still, for a while nobody knew which way it would go, and it was dismissed as nothing more serious than the usual handful of students and agitators. But then one day fifty boys, members of the youth wing of the GNLF, gathered to swear an oath at Mahakaldara to fight to the death for the formation of a homeland, Gorkhaland. Then they marched down the streets of Darjeeling, took a turn around the market and the mall. "Gorkhaland for Gorkhas. We are the liberation army." They were watched by the pony men and their ponies, by the proprietors of souvenir shops, by the waiters of Glenary’s, the Planter’s Club, the Gymkhana, and the Windamere as they waved their unsheathed kukris, sliced the fierce blades through the tender mist under the watery sun. Quite suddenly, everyone was using the word insurgency.

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