Peter Mayle - A Good Year

Здесь есть возможность читать онлайн «Peter Mayle - A Good Year» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

A Good Year: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «A Good Year»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

From Publishers Weekly
Mayle's breezy, uncomplicated fifth novel (Chasing Cezanne, etc.) and ninth book follows 30-something Max Skinner from a sabotaged financial career in London to his adoption of the Provençal lifestyle on an inherited vineyard in France. Max spent holidays at his Uncle Henry's vineyard as a child, so when he inherits the place, the prospect of returning is tempting; a generous "bridging loan" from ex-brother-in-law Charlie seals the deal. The estate, Le Griffon, is in a dire state of disrepair and the wine cellar is filled with bottles of a dreadful-tasting swill, but it's nothing that vineyard caretaker Claude Roussel and prim housekeeper Madame Passepartout can't resolve. Max settles into his new life easily thanks to the attentions of local notary Nathalie Auzet and busty cafe owner Fanny. The arrival of young Californian "wine brat" Christie Roberts, Uncle Henry's long-lost daughter, complicates matters for Max, but her surprise offer and Charlie's arrival lessen the impact of a vicious vineyard scandal involving a delicious, high-priced, discreetly produced wine called Le Coin Perdu. Mayle's simple story provides lighthearted if unadventurous reading and a fond endorsement of the pleasures of viniculture.
From The Washington Post
Even a hyperactive terrier will sometimes melt to the floor, paws in the air and tongue alop, when he's approached by someone he trusts. But will he get a soul-satisfying belly rub this time or just a quick pat and tickle? The expectant pooch never knows.
So it is for fans of Peter Mayle, who became the adoptive bard of Provence with his phenomenally successful A Year in Provence. Will admirers open the ex-advertising man's ninth book and find the Mayle whose eye for detail and ear for language make for satisfying wallows in the south of France (the original Year, Hotel Pastis, Anything Considered) or the Mayle who sometimes slices the saucisson a bit thin in an effort to perpetuate his franchise (Toujours Provence, Encore Provence)?
The short answer is that A Good Year, Mayle's latest fictional confection, winds up slightly in the latter category. Once again we have the beleaguered Brit at an unhappy crossroad. In Hotel Pastis it was Simon Shaw being stripped bare by his newly minted ex-wife; in Anything Considered it was Bennett, the Brit on his uppers trying to score by flushing toilets in closed-up manor houses to keep an invented strain of dung beetles from invading the plumbing lines (that actually was funny). And once again the sunny south comes to the rescue, with the potential for making a living without losing one's soul, with a rasher of busty, leggy women and, of course, with good food and drink.
But, as the creators of television's "Law and Order" understand, why tamper with a winning formula? And thus are we launched into the marginal life of Max Skinner, a London investment banker suddenly deal-less and jobless on the streets of the City, where the day's weather forecast is for "scattered showers, followed by outbreaks of heavier rain, with a chance of hail."
And all this is followed, in Peter Mayle's classic caper formula, by timely good luck (inheritance, on the very day he loses his job, of a beloved uncle's big old house and vineyard in the hilly Luberon region of Provence), more good luck (dishy village maidens and a languid new lifestyle to explore), a halfway-engaging intrigue (an unknown American rival for the estate and the mysterious interest in vines that seem to produce nothing but pipi de chat – you know, cat pee) and then more good luck (they all drink happily every after). Coming soon to a movie theater near you, thanks to filmmaker Ridley Scott, whose "nose for a good story" got Mayle started on the rather thin plot and who already has "A Good Year" in production.
Are we just being cranky? Maybe. There really is a comfort factor that assures long, profitable lives to characters – fictional detectives, for instance – whose next formula book readers learn to anticipate. But when the formula is presented practically bare-bones, with only cursory attempts at embellishment, heretofore faithful readers may walk away feeling they've been snookered.
Mayle's deftness with detail – grace notes rather than entire imagery-laden passages – has been thoroughly catalogued. But there's detail that moves you right along: "He turned off the N7 toward Rognes and followed the narrow road that twisted through groves of pine and oak, warm air coming through the open window, the sound of Patrick Bruel whispering 'Parlez-moi d'amour' trickling like honey from the radio." (Okay, moves you along with a little huffing and puffing.) And then there's detail that stops you cold: " 'Air France to Marseille?' The girl at the desk didn't even bother to consult her computer. 'Out of luck there, sir. Air France doesn't fly direct to Marseille from London anymore. I could try British Airways.' "
Yes, by all means, please do.
The caper in A Good Year revolves around a mysterious small-batch cult wine that never makes it to the wine store and trades as an investment. But given that the bulk of Mayle's faithful are presumed Francophiles and therefore at least marginally interested in viticulture, the false note on page 90 is perplexing. As Max inspects his vineyard for the first time he finds a piece of his land that "sloped away gently down to the east… the surface appeared to consist entirely of jagged limestone pebbles, blinding white in the sun, warm to the touch, an immense natural radiator. It seemed unlikely that even the most undemanding of weeds could find sufficient nourishment to grow here. And yet the vines appeared to be healthy."
Perhaps Max has never read descriptions of the poor, gravelly soil in many of the finest districts of Bordeaux, source of some of the priciest wines in the world. But those who have done so are doomed to spend the next 197 pages wondering why Mayle would give the game away so early. Kindly interpretation: We're meant to read on, smiling slightly, feeling superior to poor Max. Or, darker thought: Mayle thinks we're clueless enough to fall for this.
Even as venerable a novelist as Graham Greene recognized that lighter fare – Our Man in Havana, Stamboul Train – had a role to play in his life as a writer and ours as readers. He nonetheless flinched slightly, labeling these works "entertainments." As entertaining as Peter Mayle can be, he might aim a bit higher – if not for his own entertainment, then for ours.
Wafer-thin saucisson, oui. Pipi de chat on the rocks? Non!
***
In A Good Year, Max Skinner's London career has just taken a nosedive when he suddenly inherits his uncle's vineyard in Provence. Leaving one life behind to start another, Max soon discovers that the wine made on his uncle's land is swill, but he's captivated by the village, landscape, weather, and the beautiful notaire. He can't understand why the caretaker is so eager to buy the land when the wine is so bad, and then a woman claiming to be his uncle's long-lost daughter arrives from California with her claim on the property. Max's new life threatens to fall out from under him before it can even take off. Peter Mayle (author of A Year in Provence) has written a light-hearted novel that has received positive reviews. BookPage says, "Brimming with colorful, eccentric characters, A Good Year offers both a behind-the-scenes peek at the high-stakes wine business and a voyeuristic portrait of Provencal village life. Richly evocative of the pleasures of both place and palate, Mayle's latest is sure to entertain and delight his many devotees."

A Good Year — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «A Good Year», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Max wedged himself in a corner of the lurching carriage and took the letter from his pocket. He read it once, then a second time, his rusty French gradually coming back to him as he went over the formal phrases. Lost in thought, he almost missed his stop, and he was still preoccupied when he pushed open the thick smoked-glass doors of the restaurant.

The hubbub of a fashionable haunt in full cry washed over him like a wave. The long, low-ceilinged room, with its hard surfaces and echoing acoustics, was a giant amplifier, following the popular theory that a high decibel level is essential for the enjoyment of food. It was a place where, if you were romantically inclined, you would have to bellow sweet nothings in your companion’s ear. But that was clearly part of the restaurant’s appeal, because every table seemed to be taken.

A sinuous young woman, tightly wrapped in what looked like black clingfilm, swayed up to Max, eyebrows raised, eyelashes a-flutter. “Do you have a reservation with us tonight?”

“I’m supposed to be meeting Mr. Willis.”

“Oh, Charlie. Of course. If you’d like to follow me?”

“To the ends of the earth,” said Max. The young woman giggled, and led the way with the undulant strut that none but the runway model or the restaurant hostess can achieve without dislocating a hip.

Charlie was at a corner table, an ice bucket at his elbow. He grinned as he saw Max. “I see you’ve met the lovely Monica. Isn’t she something? Only girl I know who plays tennis in high heels.”

Monica smiled at them before swaying back to the reception desk, and Max looked at the beaming, rosy face of his friend. Dear old Charlie. Nobody could call him handsome-he was a little overweight, carelessly dressed, his hair perpetually awry-but he possessed abundant charm, liquid brown eyes, and an evident enthusiasm for the company of women that they seemed to find irresistible. He had so far avoided marriage, but with some difficulty. Max had been less fortunate.

He had made the mistake, a few years before, of marrying Charlie’s sister Annabel. The marriage had been turbulent from the start, and had ended badly. Much to Charlie’s disapproval, Annabel had run off to Los Angeles with a film director, and now lived in a four-million-dollar wooden shack on the beach at Malibu. The last time Charlie had seen her, she had embraced the promise of eternal youth offered by Botox and power yoga. Beyond redemption, Charlie had said to Max. I could never stand her anyway; you’re better off without her. And so their friendship had survived the marriage, if anything stronger than before.

“Now then,” said Charlie, pouring champagne, “listen to this. They’ve doubled my salary, given me a Mercedes and full partnership shares, and told me the world’s my oyster. So tonight’s on me.” He raised his glass. “To London property prices-let’s hope they continue to go through the roof.”

“Congratulations, Charlie. It couldn’t happen to a nicer crook.” Max sipped his wine and studied the bubbles spiraling up from the base of his glass. Champagne, he thought, was always associated with good times-a drink for optimists.

Charlie looked at him, head cocked to one side. “You said it had been one of those days. What happened? No assets left to strip?”

Max described his lunch with Amis and the small humiliations of handing back his car keys and then finding two bruisers in uniform standing over his desk. “So that was the bad news: no bonus, no job, no car. But then this arrived.” He pushed the letter across the table.

Charlie took one look at it and shook his head. “Wasted on me, old son. My French isn’t up to it. You’ll have to translate.”

“Remember when we were at school and I used to be packed off to spend the summer holidays in France? My dad’s brother, Uncle Henry, had a place about an hour from Avignon -big old house surrounded by vines, not far from a little village. Uncle Henry and I used to play tennis and chess, and in the evenings he’d get me tipsy on watered-down wine and give me lectures about life. Very decent old stick, he was.” Max paused for another nip at the champagne. “Haven’t seen him for ages. Now I wish I’d seen more of him, because he died a couple of weeks ago.”

Charlie made sympathetic noises, and refilled Max’s glass.

“Anyway, he never got married, never had any children.” Max picked up the letter. “And according to the will, I’m his sole surviving relative. It looks as though he’s left me everything-house, twenty hectares of land, furniture, the lot.”

“Good God,” said Charlie. “Twenty hectares is more than forty acres, right? Sounds like an estate to me. A chateau.”

“I don’t remember it quite like that, but it’s certainly a big house.”

“With vines, you said?”

“Sure. Vines all over the place.”

“Right,” said Charlie. “This calls for something a little out of the ordinary.” He raised an arm and made energetic circling motions at a waiter, calling out for a wine list. Turning back to Max, he said, “You know I’ve always liked a drop of wine. Well, I’m taking it seriously now, starting a cellar. I’m even going to an evening wine-tasting course. This is all most exciting. Ah, there you are.” The sommelier had arrived, and Charlie started to brief him.

“We’re celebrating,” he said. “My friend here has just inherited a chateau and a vineyard in France, and so we’re looking for something appropriate in the way of homemade wine.” He wagged a finger at the sommelier. “Homemade in Bordeaux, mind you. A classic claret. None of your New World novelties.”

Charlie and the sommelier bent over the list, exchanging knowledgeable murmurs while Max looked around the room-glossy women and prosperous-looking men, London ’s privileged class, all of them talking at the top of their voices. Max felt a sudden desire to be somewhere quiet, and then thought of his empty apartment. Not that quiet. He looked down at the letter again, and wondered how much the property would fetch if he decided to sell; certainly more than enough to get him out of the hole he was in. He raised his glass in a private toast to Uncle Henry.

“Excellent,” said Charlie. “That’s the one.”

The sommelier pursed his lips and nodded in silent approval before going off in search of the wine.

“There,” said Charlie, pointing to his choice on the list. “The ’82 Léoville Barton. Top bottle. Can’t do better than that.”

Max looked at where the pointing finger had stopped. “Are you serious? Three hundred and eighty pounds?”

“That’s nothing these days. Not long ago, half a dozen punters-young bankers, I think they were-had dinner at some place in St. James’s and went mad. They blew forty-four thousand quid on six bottles of wine. The chef was so tickled he gave them a free dinner. You must have read about it.”

The sommelier returned, and Charlie paused to watch him perform the opening ceremony. The bottle was presented for inspection, in the way a proud parent displays a particularly well-favored baby. The lead capsule was cut, the long, aristocratic cork withdrawn and sniffed, the dark ruby liquid poured with practiced care into a decanter, with a little more than a mouthful going into a glass.

Now it was time for Charlie’s performance. “There are five steps,” he said, reaching for the glass, “that make all the difference between the art of drinking and the act of swallowing.” The sommelier looked on with the indulgent patience that comes from the thought of a substantial commission. “First,” said Charlie, “mental preparation.” He worshipped his glass for a few moments before raising it to the light. “Next, the pleasure of the eyes.” He tilted the glass so that the differences in color could be seen-deep red at the bottom, fading into a lighter maroon at the top, with a rim that was faintly tinged with brown. “Now for the nose.” He swirled the wine gently, opening it up to the air, before dipping his nose into the glass and inhaling. “Ah,” he said with a slow smile, his eyes closed. “Ah.”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «A Good Year»

Представляем Вашему вниманию похожие книги на «A Good Year» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «A Good Year»

Обсуждение, отзывы о книге «A Good Year» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x