Dave Eggers - You Shall Know Our Velocity

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You Shall Know Our Velocity: краткое содержание, описание и аннотация

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"Headlong, heartsick and footsore…Frisbee sentences that sail, spin, hover, circle and come back to the reader like gifts of gravity and grace…Nobody writes better than Dave Eggers about young men who aspire to be, at the same time, authentic and sincere." – The New York Times Book Review
"You Shall Know Our Velocity! is the work of a wildly talented writer… Like Kerouac's book, Eggers's could inspire a generation as much as it documents it." – LA Weekly
"There's an echolet of James Joyce there and something of Saul Bellow's Chinatown bounce, but we're carried into the narrative by a fluidity of line that is Eggers's own." – Entertainment Weekly
"Eggers is a wonderful writer, bold and inventive, with the technique of a magic realist." – Salon
"An entertaining and profoundly original tale." – San Francisco Chronicle
"Eggers's writing really takes off – his forte is the messy, funny tirade, stuffed with convincing pain and wry observations." – Newsday
"Often rousing…achieves a kind of anguished, profane poetry." – Newsweek
"The bottom line that matters is this: Eggers has written a terrific novel, an entertaining and imaginative tale." – The Boston Globe
"There are some wonderful set-pieces here, and memorable phrases tossed on the ground like unwanted pennies from the guy who runs the mint." – The Washington Post Book World
"Powerful… Eggers's strengths as a writer are real: his funny pitch-perfect dialog; the way his prose delicately captures the bumblebee blundering of Will's thoughts;… and the stream-water clarity of his descriptions… There is genius here… Who is doing more, single-handedly and single-mindedly, for American writing?" – Time
***
Because of Dave Eggers' experiences with the industry when he released his first book, he decided to publish this novel on his own. It is only available online or at Independent Bookshops. If you enjoy this book, please buy a copy… this is one of the few cases where the author really will recieve his fair share of the proceeds, and you will be helping a fledgling publishing house. This e-copy was proofed carefully, italics left intact. There is no synopsis on the book, so here are excerpts from a Salon.com review:
Will Chmlielewski, the hero and narrator of "You Shall Know Our Velocity," is seeking relief for his head, which, on the inside, has been badly affected by the death of a friend and, on the outside, has been beaten to a pulp by a band of toughs. Will moves through the novel with a badly bruised and scabbed face, which everyone keeps telling him – and he keeps telling everyone – will heal to its former condition. It's the same hope Will holds out for his mind. He can't sleep without alcohol or masturbation.
The plot of "You Shall Know Our Velocity" is best recounted swiftly, since it hinges on motion and speed. Will has a friend called Hand. After Jack's death in a car crash, they agree to make a six-day trip around the world – "six, six and a half" – flying from country to country and dispersing $80,000 to strangers, money that Will has suddenly come into and which plagues him with white, Western guilt.
On their way to nowhere in particular, Will and Hand cross paths and lock horns with a variety of exotics – peasants, prostitutes, elegant Frenchwomen in dark cafes – none of whom seem to want Will's money. He literally can't give it away. In the cities, it causes pandemonium and never less than a quick escape. In the country, among African subsistence farmers, it throws Will into confusion – about money, charity, justice, his motives and such. Sometimes he calls his mother, which is no help. In Senegal, a statuesque Parisian named Annette joins Will and Hand for a midnight swim and tells them that they live in "the fourth world," something Will can't understand.
If it sounds a bit sophomoric, it is. So is "On the Road." So was "Emile." A certain crabbed critic for a paper of record has complained about Eggers' "shaggy-dog plot" and "self-indulgent yapping," but I think she's showing her age. A writer is among us, however imperfect, and he'll only get better if we leave him alone.

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"Seven," I said.

– Hand: last chance.

"Six," he said.

Maybe it wasn't all that far. We felt safe.

"Five," I said.

– Hand if you jump I'll know I can leave.

"Four," he said.

It was an easy jump. It wasn't an easy jump. We were eighteen feet up and were jumping fourteen feet laterally. If we didn't hit or catch a branch to break our fall, we would break a leg or worse, for sure. Can't land on your head. I know, I know.

"Three," I said.

"Two," he said.

"One," I said. "Go."

"Now?"

"Go, Hand!"

He leapt toward me and I leapt toward him. We passed in the air. The air was black and all I saw were his eyes, his hands like huge white claws and then my own branch bisecting my vision, thrumming toward me. It hit my forearms and I fell until my hands caught it – I'd caught it! – and I stopped. My legs swung in front of me, and then back behind me, the weight straining my shoulders – but holy shit, I'd done it. I whooped. Hand whooped. I turned around and saw Hand's back to me, he too hanging by his arms, looking back at me, over his shoulder.

"Holy shit," he said.

"I know."

After a few seconds, we fell at the same time, the last twelve feet, collapsed on the loud dry forest floor.

"Oh man," Hand said.

"I know."

"I feel like I could catch anything."

"Yeah."

"I mean, any building. I could jump between any buildings. I always wanted to do that, too. How did we get to twenty-seven without ever trying that? Jumping between buildings? Everyone wants to do that."

It was not as cold on the floor, so low. My feet were bent below me, together and to the side, in a broken-looking way, but they were fine, and we were good.

Back in the car we warmed and picked sticks and leaves off our sweatshirts, out of our hair, while recounting the jump fifteen, twenty times, the best moments, the true feeling of flying while headed from one branch to the other, the incredible pull on our shoulders once we'd caught the branch, like a shark yanking our legs down from below -

"How much left? To Riga," I asked.

"About an hour."

"So the helium."

"Sure I never told you this?"

"Yes. Let's drive."

Hand pulled the car into drive and we left the forest.

"The Chilean helium thing, Raymond's story?"

"You didn't tell me," I said. "What story?"

"I thought I told you this. That last night after you fell asleep I went back to his room for the Scotch. We had a drink and he went into this long thing about his ancestors. We talked forever. I never told you any of this?"

"Shit."

"What?"

"Look."

Ahead of us, coming at us from the opposite direction, a police car fulminating. Soon it was stopped and the driver, arm out his window, was flagging us down. We stopped. The man in the passenger seat was out of the car and, in a skisuit, appeared at our window. He said something in Latvian. I lifted my hands and did a confused clown face. He barked through the window again and, guessing at his question, Hand passed me the rental car papers, which I handed through the window, with my license. He opened my door and beckoned me to follow. Hand opened his door and we were all standing. The officer, red-faced and with a blond crew-cut, motioned Hand to get back inside. He did. I followed the officer to his car, where a larger officer, also in a skisuit, sat inside.

"Too fast," the first one said.

I told him I was sorry. I was, he said, going 123 in a 90 kph zone. I almost smiled.

"Oh," I said. We'd been going 135 a few minutes earlier.

"Too fast!" he yelled. He'd become suddenly angrier.

We hadn't really figured out the relationship between kilometers and miles per hour. Now I guessed I'd been speeding.

The cop was really angry.

"You pay fine," he said.

"Okay."

He didn't say how much.

"How much?" I asked.

He took out a calculator, just like the Moroccan two days before, and pressed 4-0-0.

"You take Estonian money?" I asked.

He sighed extravagantly. He didn't take Estonian money. He said something to his partner. They seemed flummoxed, then pissed off. They argued.

"That's all I have," I said. I showed him my wallet, full of Estonian money, with some marks and pounds mixed in. He returned to the calculator and tapped it. He and his cohort spoke quickly to each other. (Ask for more! How much? Did you see that wad he had? Grab it!)

He showed me the calculator. 2-0-0. I gave him 200 kroon and he waved me away.

Back in the car, Hand was playing with the stereo.

"I have a question," he said.

"Yeah."

"Is there any country where we haven't been stopped?"

"No."

"Not one."

"Wait. Estonia."

"We've been pulled over four times in five days."

This was true.

There is a corner of the sea that is deep but not so deep that it's black. It's the blue of a blueberry, violet in its heart, though this blue allows light through its million unseeable pores. The hue is evenly painted but electric, a klieg light pushing through a gel of cyan. But invading this blue are clouds of inky purple, billowing clouds curling in small waves, and they grow from below, splitting the sea between light above and dark growing from below.

Turn it upside down and this was the sky above Riga.

What did we expect of Riga? Something more drab, with less panache. But good God, this Riga, when we plowed through its suburbs and into the core of the place, was glittery and so alive. Full of stores still lit at 7 P.M., and hotels, casinos, restaurants, people going home in big coats and tall furry hats, the huge cable buses, whatever you call those things on tracks and attached from above, full of commuters rehashing in their heads easy but punishing mistakes and wondering about God and his gifts long-withheld.

We stopped at a clothing store, resembling a Gap and staffed by the same sorts of young and indifferent women. It was closed. We knocked on the window, watching the girls fold and carry hangers from the dressing rooms. We knocked again.

"Sorry," I said, as one, a short-haired girl with the face of a British boy, cracked the door. "We really need pants. Can we just run in and get something? We'll be easy."

We assumed they spoke English and were right. She smiled and let us in, locking the door behind us. I went to the shelf of pants, found my size in some green khaki kind of pants and brought them to the counter. There was another girl there, petite with black hair. Their skin, all of them, was so pale, petal-pink.

Hand asked them to dinner. They said no. They told us to come back the next day and then they would eat with us.

"We leave tomorrow," I said.

"But you said you just got here," the small one said.

"We did," I said. "Ten minutes ago."

I really wanted them to say yes. I wanted to talk, for once on this trip, to young women who were not for sale.

"We're buying," I said.

"You should come tomorrow," the taller one said. "Why not come back tomorrow? We eat tomorrow. Tonight we are busy."

We said we'd be back, knowing we wouldn't, and left and checked into a hotel in an ancient building the color of wet sand and next to a block-long McDonald's. We dropped our things and for a few minutes watched British news. They were covering the Paris to Dakar race -

"Holy shit."

"I can't believe it."

– though it seemed like weeks ago when we'd last seen news of it, but of course it had been one day, and two days before that the cars had been hurtling toward us, in Dakar, in person.

But now the race was over; someone had won, someone had died. A well-known driver had died, and this was big news, while the incidental deaths of seven pedestrians along the way was not.

We showered and dressed and had the concierge direct us to the restaurants. It was colder than before. It was so unreasonably cold. People hurried from amber-lighted door to amber-lighted door across the narrow cobblestone streets walled by ornate and tidy European storefronts, framed in ancient brown brick, offering food, compact discs, souvenirs, lingerie.

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