Geoff Ryman - Lust Or No Harm Done

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From Publishers Weekly
"Reality's got a hole in it." That's what runs through Michael Blasco's head when he discovers that he has the uncanny ability to bring his fantasies to life in this wacky, inspired third novel by Ryman (Was). The 38-year-old gay protagonist is a government scientist experimenting on baby chicks and has a flat in London 's West End with Phil, his passionless boyfriend. While seething on a subway platform, he imagines the beefy trainer at his gym stripping naked right in front of him-and poof-it happens! Terrified at first, Michael quickly regains his composure and wills into action a series of characters like Tarzan and cartoon diva Taffy Duck; narcissistically, he also conjures a copy of himself. His reunion with a long-lost high school sweetheart nicknamed Bottles proves to be touching and funny, but his meeting with Mark, a victim of AIDS, turns sad when Mark rebuffs his plea to revive him. In an effort to inject passion into his stagnant relationship, Michael "calls up" a younger version of Phil paired with a younger version of himself. When this scheme backfires, he returns to the anonymous "speedy, functional sex" that has long sustained him. A night out with feisty Billie Holiday, passionate sex with Picasso and dalliances with Lawrence of Arabia on Viagra reinvigorate him and make for some funny, titillating reading, but as Michael's notebook of his wild adventures begins to overflow, the story's whimsical tone changes, revealing more of his true character as well as some particularly troublesome personal problems. Among them is a disturbing boyhood fixation on his father, which mutates into a wincingly unnerving incestuous sequence. Ryman's "careful-what-you-wish-for" message is artfully packaged in this quirky, offbeat, entertaining novel.
"Inventive… a risky, highly imaginative addition to a unique and valuable boody of work." – Kirkus
"Ryman's 'careful-what-you-wish-for' message is artfully packaged in this quirkyy, off-beat, entertaining novel." – Publishers Weekly
***
David, a young scientist investigating what happens to the brain during the process of learning, suddenly finds himself the subject of a bizarre experiment. On the way home from the lab one night he spies Tony, a fitness instructor from his gym, on the same platform waiting for the tube. David's had an obsession with Tony for weeks, but Tony's barely noticed him at all. Until now. When David imagines the man naked, an extraordinary thing happens: Tony strips there and then on the platform and offers himself in front of all onlookers. Horrified, David flees. But back at his flat, Tony reappears, as if by magic. And disappears, when David wishes him away. And reappears when he calls him back. David can conjure up anyone, from any time, and he does: Billie Holliday, Johnny Weismuller, Daffy Duck, Picasso, Sophia Loren, even his younger self. Mad with lust and losing all scientific objectivity, he runs the gamut of his fantasies until, sated and morally bankrupt, he's forced to confront himself. It is not a pretty sight.

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Michael stared, bored beyond description, bored into some netherworld where nothing you said made any difference.

'Hold on.' The Guard leaned forward. 'I've got some really special stuff, if this kind of thing is too tame. Red, yellow, brown.' He leaned back, and waited.

'What do your mates next door think of this?' Michael asked. Goodge Street station was three doors down.

'That lot? I just tell ' em what I'm making these days. It beats working for London Underground, I can tell you.'

'You're not gay,' said Michael.

'Doesn't mean to say I don't like pleasing men.' The Guard gave a wobble of his eyebrows, and something queasy washed off him. It was attraction, but attraction as if it were music played backwards. It was revulsion so strong that it mimicked attraction.

'Listen, you're not in this line of work, I'll tell you how I do it?' His blanched skin and blue blank eyes shone. He wanted the Professor to understand that he was not some stupid oik. 'You can buy this stuff with copyright off the Internet. You just pay a one-off fee. It's expensive, but it comes with all rights, and you download it at three am when the lines are clear. And, it's lovely quality, MPEG 2 compression. You can transfer it to DVD or video. The punters could do the same, but it would take them forty-five minutes to download, and they're bound to lose the line halfway through. I got in a leased line, that costs, I can tell you, but I got a thriving mail-order business. In fact, I had that before I opened the shop. I want to become the main source for gay porn in the entire UK.'

Michael started to look through the files.

'I tell you some of this stuff is really strong. I mean, under-the-counter even in America. You've seen nothing like it, mate.' The Underground Guard leaned forward. 'Come on, tell me what you're into.' Michael could feel his breath on his cheek: he could smell it. Mint on mint; there was a Polo circling his mouth even now. It clicked every time he spoke. 'I've got it for you, or I can get it. Come on, you can tell me.'

Latin Manhattan. Ghost with the Most. A Lad In with His Wonderful Lamp.

Michael remembered Phil in his porn phase. 'They cost fifty thousand dollars to make and return two hundred and fifty. Do it six times and you're a dollar millionaire.'

The Guard was pleased. 'You know how it works then. I mean, I'm looking for an Angel.'

Michael looked up. 'What?'

'Angel. You know. Theatrical investor. To put up the money. I'm trying to make a video of my own. Because I mean you're absolutely right, the money gets made in production. It's not like that for any other part of the film industry. For regular films it's distribution, but with this stuff it's all under-the-counter, which is too expensive and slow, or on the Net, which frankly is too cheap. You're giving the stuff away on the Net, which is why it's available on one-off. I'd love to turn it around and sell distribution back to the States. Hey. The British are coming, eh?'

'That could be the title,' said Michael.

The Underground Guard was getting excited. He chuckled. 'You're dead right.'

'My project just closed down,' said Michael. 'I have no money to invest.'

'Ah well, one day my ship will come in,' said the Guard. 'In the meantime, think about what you're into and let me know. Like I say, if I don't have it, I know where to find it.'

'Don't…' Michael stopped at the door. 'Don't the police bother you?'

'Naw. They'd rather people got into this stuff than pick up some disease. But only because the drugs are so expensive on the National Health. Sooner or later, I'll end up in jail. Goes with the territory.'

His blunt pale face established beyond doubt; he'd do well in prison.

Michael thanked the Guard and left.

The logical part of Michael's brain got him home, regretfully, coldly.

Michael sat in his flat in the dark, listening to traffic and the shouts of kids from the clubs.

Michael tasted emptiness. There were times when he wanted Luis back. But that would prove Luis's point in a way. He would even take Philip back. He would take anything, Michael. It is getting hard to see any progress in all this.

He thought of the Guard's stubby pale body, its little potbelly, the undoubtedly uncircumcised cock, and the thought produced a weary sort of sexual response.

OK. Come on then.

The air wavered and parted its lips, and the Guard stepped into Michael's sitting room.

Why does God suffer the Devil?

'Nice place,' the Guard said, casing it.

Then he said, 'Shit.' Then he had to sit down. He'd understood faster than most what he was.

'You're not real,' Michael said, still bored, still exhausted. 'You're a copy. I make copies of people I think I want to have sex with. It's a miracle. If you can figure it out, tell me.'

'Do you mind if I smoke?' the Angel asked.

Michael waved, go ahead. It makes no difference. Once you go, my lungs will clean up again.

The movements of the Angel's pale, pudgy hand were jagged, as if pins were prodding him. With one hand, he flipped out a fag and then a match. His left hand tapped out a nervous rhythm on his thigh. The Guard had broken out in a sweat, and his eyes grew narrower and brighter as he looked about him. His eye fastened onto the wall covered with jumping Picassos. 'Did one of us paint those?' he asked, jabbing a finger at them. 'One of us copies.'

'You're quick,' said Michael.

'Have to be. Everyone in my family's a thief.' The Angel tapped the end of the cigarette on the matchbox before finally lighting up. He drew in gratefully, then blew out. 'You eaten anything?' he asked.

Michael had to think. 'No,' he said quietly. 'I meant to get a takeaway, but I forgot.'

'It's all right, I got plenty of dosh, I'll go get it for you.' The Angel bolted up from the sofa as if it were electrified.

'That wouldn't be honest,' said Michael.

'Why not, I bet I make more than you do.'

'Once you go back to whatever it is you come from, the money you gave the man will disappear. It would be like stealing. I'll give you my money.' Michael heaved his wallet out of his trousers.

'Disappear?' The Angel did a little shuffle in place.

'Mmm hmmm,' said Michael, and held out a tenner.

He took the money, then he said, 'I'll need the keys.'

Laboriously Michael passed those and then he said, 'You don't come back with them, I'll wipe you out of existence and they'll be back here in my pocket.'

'Not if I give them to the man. Then they'll stay there, won't they?'

A long pause.

'You don't really know what would happen with either the keys or the money.' The Angel rocked back and forth slightly on his heels.

That's right, Michael didn't. Another experiment he could make, if he had the heart for another experiment. If he hated killing chickens, why would he want to wipe out the Guard to discover if he got his keys back? And what would happen if his keys stayed lost?

'Knock and I'll open the door,' said Michael. 'Sorry, but you did say you were a thief.'

'I never. I said my family was. I tried all my life not to be, and I'm not, see?'

Michael nodded.

'Though… it does kind of leave you crook inside. Bent, in all kinds of directions.' The Angel smoothed down his hair, like drivers do after they've done something stupid like veer out of their lanes. Michael walked down the stairs with him, to let him out. The air felt like glue he had to fight his way through.

The Guard stopped to breathe out smoke. 'Funny, innit? I already know, nothing I say or do can make a difference to anything.'

'It's a shortcut to a lot of things, being an Angel,' said Michael.

The Guard said, 'Angel, huh. That's what you call us.'

'What would you call yourself?'

'Oh, a right little devil. What do you want to eat?'

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