Geoff Ryman - Lust Or No Harm Done

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From Publishers Weekly
"Reality's got a hole in it." That's what runs through Michael Blasco's head when he discovers that he has the uncanny ability to bring his fantasies to life in this wacky, inspired third novel by Ryman (Was). The 38-year-old gay protagonist is a government scientist experimenting on baby chicks and has a flat in London 's West End with Phil, his passionless boyfriend. While seething on a subway platform, he imagines the beefy trainer at his gym stripping naked right in front of him-and poof-it happens! Terrified at first, Michael quickly regains his composure and wills into action a series of characters like Tarzan and cartoon diva Taffy Duck; narcissistically, he also conjures a copy of himself. His reunion with a long-lost high school sweetheart nicknamed Bottles proves to be touching and funny, but his meeting with Mark, a victim of AIDS, turns sad when Mark rebuffs his plea to revive him. In an effort to inject passion into his stagnant relationship, Michael "calls up" a younger version of Phil paired with a younger version of himself. When this scheme backfires, he returns to the anonymous "speedy, functional sex" that has long sustained him. A night out with feisty Billie Holiday, passionate sex with Picasso and dalliances with Lawrence of Arabia on Viagra reinvigorate him and make for some funny, titillating reading, but as Michael's notebook of his wild adventures begins to overflow, the story's whimsical tone changes, revealing more of his true character as well as some particularly troublesome personal problems. Among them is a disturbing boyhood fixation on his father, which mutates into a wincingly unnerving incestuous sequence. Ryman's "careful-what-you-wish-for" message is artfully packaged in this quirky, offbeat, entertaining novel.
"Inventive… a risky, highly imaginative addition to a unique and valuable boody of work." – Kirkus
"Ryman's 'careful-what-you-wish-for' message is artfully packaged in this quirkyy, off-beat, entertaining novel." – Publishers Weekly
***
David, a young scientist investigating what happens to the brain during the process of learning, suddenly finds himself the subject of a bizarre experiment. On the way home from the lab one night he spies Tony, a fitness instructor from his gym, on the same platform waiting for the tube. David's had an obsession with Tony for weeks, but Tony's barely noticed him at all. Until now. When David imagines the man naked, an extraordinary thing happens: Tony strips there and then on the platform and offers himself in front of all onlookers. Horrified, David flees. But back at his flat, Tony reappears, as if by magic. And disappears, when David wishes him away. And reappears when he calls him back. David can conjure up anyone, from any time, and he does: Billie Holliday, Johnny Weismuller, Daffy Duck, Picasso, Sophia Loren, even his younger self. Mad with lust and losing all scientific objectivity, he runs the gamut of his fantasies until, sated and morally bankrupt, he's forced to confront himself. It is not a pretty sight.

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Let it go, he told them, for it had been something of a missed opportunity for them as well. The orange robes spun free.

They were beautiful: small and slim with perfect complexions, or large and beefy with spots on their cheeks. Michael bathed in them. He ran his hands over the smooth skin as they rippled past him, over him, under him. They felt like warm waves, until his fingers found sudden clusterings of hair. Some of them knocked away his hands; others were more biddable, caught up in the excitement of the dance. With a kind of baffled wonderment, they let Michael proceed. Others even knelt around him.

After they were gone, whirling away in rippling spirals of air, Michael listened to the silence. They would now be thirty years old, seasoned. Michael thought of the small Chinese.

Michael called him up, as he would be now.

The man looked almost the same; he was still slim, with an hourglass waist. His face was not more lined, but it did look plumper and wise. He wore black trousers and a translucent blue shirt and now spoke rudimentary English.

'You're not a monk any more,' said Michael, disappointed.

'No. Only monk for two years. We do Army, also we are monks.' He smiled and nodded, and the implication was delivered lightly: better monks than military. He ran a nursery in Chiang Mai. He showed Michael his card. 'Orchids, fruit. Big palm trees for the city. Work for all the husband of my friends' servants. I am very popular man. The ladies can have their husbands join them from the north. And they work in shade.'

He showed Michael photographs of his house. It was an old-fashioned teak house with a huge garden. 'You know Thai fruit? My garden have rambutan, and jack fruit.'

Michael suddenly remembered. 'Oh yes, rambutan. They're like clusters of lychees.'

'You like music. Music, boom,' he said. He made Michael understand the teak house acted like wooden speakers on the sound.

It was good to have someone spend the night. The nurseryman who had been a monk curled up next to and around Michael like a cat. His body was still hairless and hard, but he had become far more butch as he aged. He overwhelmed Michael physically, and when he slept, he purred. In the morning, the monk's black eyes shone with affection.

'You come to Chiang Mai, you give me call,' he said, and placed a card on the bedside table.

'You won't know me,' said Michael.

'Say a friend recommend my nursery. To buy rambutan for England. I will get to know you. I have no boyfriend now. I will like you.'

Michael remembered to write down the name and address before he disappeared. After he left, the card had vanished. But the naturalized Thai name and the address were real and belonged to a real person.

It was not until later, travelling on the tube, that Michael realized how this differed from every other encounter with an Angel. The Thai had said: the real me will like you. Could Michael go to Chiang Mai to find someone he had never actually met? What could come of a love separated by seven thousand miles? Harm? That had been Michael's experience of love.

There were other restitutions to be made.

There was, for example, Al.

When Michael returned from California, Al was in Michael's year. Al was Asian, his name was actually Ali, but he had been adopted and had a Western last name: Wilcox. His eyes slanted down at the outside corners. They were dancing and dark, and seemed to reflect Michael's eyes back at him.

In the last year at school, Al's adopted parents divorced, and neither one of them wanted an Asian child. So he was left in an apartment by himself. His parents told him they didn't want to disrupt his studies. He knew well enough that he had been purchased at age four to help glue their relationship together and that he could no longer serve their purposes.

Understand this: he lived alone at seventeen. At seventeen, you are always looking for somewhere to do it: the backs of cars, alleys, behind the pillars at clubs, in darkened archways if the need is strong enough. Al had a huge bed in the middle of a studio apartment that he had all to himself. Understand this: he was beautiful and wanted to be a fashion designer and he had a white girlfriend with a harelip.

Al kept her photograph on a chest of drawers. She was called Tabitha. Michael liked Tabitha: he was young enough to confuse feeling sorry for someone with real sympathy. The part of his mind that always fooled himself said: see how nice Al is? He is wise enough to like Tabitha despite the lip. How I wish, Michael's befuddled brain whispered, that I could find someone as nice as Al.

They had history class together, and when Al wasn't looking, Michael's gaze would be fixed upon him. They had art class together, and everything Al drew was women in beautiful clothes: Audrey Hepburn in cocktail dresses; Asian ladies in big flouncy party frocks.

Al was lean and slim and, like Michael, was on the crosscountry team. Once, after a long late run, they were alone in the shower room, and Al had swung back the door of his locker. He was naked and erect and he looked at Michael in a strangely solemn way.

Michael smiled tolerantly. The front part of his brain said: my friend's body has run away with him. It's hormones, it means nothing. Michael fooled himself into thinking Al needed reassurance, that it made no difference to him. Michael chuckled and gave the head of the penis an admonitory tap, as if to say: I don't mind, but put it away, mate.

By now Michael lived in terror of his sexuality. Michael had conjured out of his big athletic body a big forgiving athletic heterosexual. The heterosexual lived and breathed and took Michael's place whenever he was needed.

Al, shame-faced, turned his back to him and dressed, hunched and quiet.

But Michael could not be acting all the time. He must have been sending signals. He must have looked into Al's eyes at lunchtime, and smiled a big kind loving smile, all unawares. Once in the boys' toilets next to the showers Al walked past Michael's cubicle. The cubicles had no doors and were open to view so teachers could check for smoking or drugs. Al stopped and smiled, and Michael, caught as he was on the toilet, his dick jammed down between his legs, couldn't help but grin back. In that grin, he could feel all of his yearning flash out of him like a sword. There was complicity in that grin; I like being naked around you. He felt his legs unclench and open.

Some time later, Al invited Michael back to his studio. It was tiny, with big windows with net curtains pulled back. Anyone on the street could see them. That meant nothing to Al. He lolled like a tongue on his double bed, having changed into something comfortable: a T-shirt and very tight satiny blue running shorts.

Michael was trying to be good. This nice innocent boy, he told himself: Michael, keep your eyes to yourself. Al tapped the bed for Michael to sit next to him. Michael perched on its edge at a distance from him. He didn't want to take advantage.

Al heaved slightly on the bed, arching his back. 'My parents are worried about my living alone. They are frightened that I might meet a homosexual.'

'Where do parents get their ideas from? I mean, even if you did, it's no big deal, and if the guy wanted anything you could just say no, right?'

Al nodded, holding his chin up. 'I could, yeah.' He edged closer to Michael. 'Have you ever met anyone… like that?'

'Naw,' said Michael, going into big and butch mode. 'No, I never.'

And in big, blurting butch mode Michael had stood up, afraid, away from the bed.

Al had sat up too, and suddenly swung his feet onto the floor. A few more things were said, and then Al announced, his face closed and wary, 'Anyway, I got my homework to do.'

And outside the studio flat, Michael stopped. Next door was the newsagents where Michael glanced up nervously at Gay Times. He had to lean against the wall, and he nearly doubled over in rage. At first, he thought that he was outraged that a pass had been made at him. Then he thought he was enraged at the betrayal of Tabitha. Then he was mad at himself and mad at Al, and he did not know why. A blinding headache spread across the breadth of his forehead.

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