Geoff Ryman - Lust Or No Harm Done

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From Publishers Weekly
"Reality's got a hole in it." That's what runs through Michael Blasco's head when he discovers that he has the uncanny ability to bring his fantasies to life in this wacky, inspired third novel by Ryman (Was). The 38-year-old gay protagonist is a government scientist experimenting on baby chicks and has a flat in London 's West End with Phil, his passionless boyfriend. While seething on a subway platform, he imagines the beefy trainer at his gym stripping naked right in front of him-and poof-it happens! Terrified at first, Michael quickly regains his composure and wills into action a series of characters like Tarzan and cartoon diva Taffy Duck; narcissistically, he also conjures a copy of himself. His reunion with a long-lost high school sweetheart nicknamed Bottles proves to be touching and funny, but his meeting with Mark, a victim of AIDS, turns sad when Mark rebuffs his plea to revive him. In an effort to inject passion into his stagnant relationship, Michael "calls up" a younger version of Phil paired with a younger version of himself. When this scheme backfires, he returns to the anonymous "speedy, functional sex" that has long sustained him. A night out with feisty Billie Holiday, passionate sex with Picasso and dalliances with Lawrence of Arabia on Viagra reinvigorate him and make for some funny, titillating reading, but as Michael's notebook of his wild adventures begins to overflow, the story's whimsical tone changes, revealing more of his true character as well as some particularly troublesome personal problems. Among them is a disturbing boyhood fixation on his father, which mutates into a wincingly unnerving incestuous sequence. Ryman's "careful-what-you-wish-for" message is artfully packaged in this quirky, offbeat, entertaining novel.
"Inventive… a risky, highly imaginative addition to a unique and valuable boody of work." – Kirkus
"Ryman's 'careful-what-you-wish-for' message is artfully packaged in this quirkyy, off-beat, entertaining novel." – Publishers Weekly
***
David, a young scientist investigating what happens to the brain during the process of learning, suddenly finds himself the subject of a bizarre experiment. On the way home from the lab one night he spies Tony, a fitness instructor from his gym, on the same platform waiting for the tube. David's had an obsession with Tony for weeks, but Tony's barely noticed him at all. Until now. When David imagines the man naked, an extraordinary thing happens: Tony strips there and then on the platform and offers himself in front of all onlookers. Horrified, David flees. But back at his flat, Tony reappears, as if by magic. And disappears, when David wishes him away. And reappears when he calls him back. David can conjure up anyone, from any time, and he does: Billie Holliday, Johnny Weismuller, Daffy Duck, Picasso, Sophia Loren, even his younger self. Mad with lust and losing all scientific objectivity, he runs the gamut of his fantasies until, sated and morally bankrupt, he's forced to confront himself. It is not a pretty sight.

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'Yeah, yeah, an Angel.'

Henry paused, pressing his two hands together gently. 'Yes, that's what I mean.'

Michael felt his heart thump. The next thought came to him sharp as a knife. Was there someone else who could do this? Michael did not want to be the only one who did this. He wanted someone else to talk to about it. 'Did someone else make you? Do you know who?'

This managed to throw Henry. 'Someone else?' He scratched his head and began to smile. 'I was assuming that it had to be you. In fact, Michael, I still am pretty certain it is you.'

'Why do you say that? I've hardly even heard of you.'

Henry's gaze at Michael was wistful, determined and sympathetic. 'Philip and I met at First Out. Suddenly I was just standing there next to him and asked if I could see his copies of the free papers.'

Henry's eyebrows raised as if offering up the story in evidence on a tray.

'That's how Phil and I met,' said Michael.

Henry nodded. 'He even said, "This has happened once before."'

It was as if Michael's heart were pricked with goosebumps all over. It's one thing to lose a property or a painting when a relationship breaks up. It is another to give away your memories. He went back and looked idly at the newspaper's date: 17 February 1998.

It could be that Henry wasn't telling the truth. Maybe he was trying to shock Michael. Maybe he was playing a joke, or just wanted one up on Michael in some vague way because they were rivals in love. Michael looked at him, and Henry sat waiting patiently for him, calm and orderly and not at all fussed.

Whatever else Michael thought about Henry, he didn't think he was mean, or mad, or jealous for attention or any of the other things that would explain this if it were a charade. And if it were none of those things, then what on earth was going on?

Henry helped him out. Henry kept on talking. 'So Philip passed me the newspapers and I realized that I didn't really have any memories of anything else before then. I couldn't think how I got there. I knew it was a gay coffee shop, I had information, like I had been briefed. I knew I was supposed to talk to Philip and that I was going to fancy him. I said to myself, "Gosh, Stumpy would really like to know about this. This would really interest Stumpy; he's into mystical stuff." ' Henry smiled and did a slight, self-deprecatory shrug that wasted not an ounce of energy. 'Then I realized that I was Stumpy. Sort of. When Philip said, "You're Stumpy," I said what I said to you. "I'm only a copy." But it was as if he didn't hear or couldn't remember. A few days later, there was something in the news about Stumpy being in Northampton and I knew I couldn't be in two places at once. So I knew I was in a bit of a strange situation. And this morning I began to understand what was going on.'

'But why would it be you?' Michael was suddenly sweating and his voice was raised.

Henry's voice was lowered. 'Philip said he'd always fancied Stumpy. He said he kept a kind of file? Of newspaper cuttings about him?' It was a question but Michael shook his head no, firmly. 'He said he did. But then he also said that he doubted you noticed.'

'So?' Michael was feeling unaccountably combative.

'Soooooo… I think you may have known about Philip liking Stumpy, but only just out of the corner of your eye.'

'So why would I be making up boyfriends for Philip?'

Henry smiled indulgently, as if Michael were sweetly old-fashioned. 'Because you love him and you want him to be happy.'

'At the expense of my own marriage.' Michael made a circular gesture of the hand that meant, come on, follow your own logic.

'Maybe you want to be happy too.'

It was like having a particularly annoying conversation with your mother, when she is all-knowing and wise and kindly.

'You think I did this to get rid of Philip.'

Henry's nod of agreement was almost imperceptible. 'People do things without knowing,' he said.

'Tuh!' Michael snorted and couldn't accept, but found that he couldn't fully deny.

'Innnnn any event,' said Henry, drawing the word out to buy a moment's time and staring at his hands. 'There is one way to resolve things. And if you were to do this thing, then you would get Philip back.'

'Oh yeah, and what would that be?' Michael felt his shoulders move like a bull lowering his head. He was on the verge of concluding that this was a scam and that Henry was about to demand money in exchange for Philip. Or the address of the lab.

'You could send me back,' whispered Henry. His eyes were honest and unreadable. 'If you send me away, then none of this would have happened. I imagine Philip would snap back into your sitting room like a rubber band.'

It took Michael a moment to change gears.

Henry gave the strangest, saddest smile. 'I just thought I would make sure you knew that was possible.'

He's volunteering, Michael thought. He's volunteering for non-existence. I can't think of another word for that other than goodness. Whether he's real or not.

And that's when he finally had to admit that what Henry was suggesting was likely to be true.

'Thank you,' Michael said.

Henry shrugged. 'You're the ones who are real. I don't count as much.'

Michael found himself saying, 'Yes you do.'

'I don't really exist. I'm not sure how fair it is on Philip for him to love someone who doesn't really exist.'

And Michael saw then in his eyes: he really loves Phil. And Phil must really love him.

'When this thing ends, Philip will never know I existed. It won't hurt him. I don't really exist. There won't be any memories for him to have, because I was never there. I couldn't even leave him a note.'

Henry held out his hands, smiling. He was, in fact, without hope. 'There's nothing I can change,' he said. 'Except you.' And for just a moment there was a fleck of light along the uppermost edge of his eye.

He sighed and sat up and looked almost merry. 'So. What are you going to do?'

'What, like destroy you?' Michael could only splutter and shake his head helplessly. He could of course do it. He could do it and get Philip back. He could return to the long lonely nights of not knowing where Philip was. Michael remembered uncomfortable evenings with Philip's arty friends. He could go back to silences over breakfast and to doing most of the household chores himself. Michael found that his heart sank.

'I think,' Michael said, 'I'm going to leave things as they are.'

'Do you have any idea why that might be?'

Michael shrugged. 'Maybe I don't really want Philip back.'

Henry reached across the table and took Michael's hand. The expression welling up in his eyes might as well be called love. 'Then. Maybe you did this to give him somewhere to go, so that you could move on as well.'

Michael felt rebellious. 'There are easier ways of getting rid of a boyfriend.'

Henry's smile was patient and unfooled. 'Are there? I can't think of one.'

The gleam came into Henry's eyes again. 'Is… is there anything in your life you can't talk about?'

'Why, has Philip said something?'

Henry's smile was still sad for him as he shook his head. 'It would probably be something you couldn't tell Philip.'

Michael felt only slightly flustered. His eyelids flapped like butterfly wings. He thought he was calmly considering the proposition. He surveyed the history of his life and for the moment, he couldn't really think of anything like that.

'No. Nope. No, there's nothing.'

Henry looked a bit disappointed. 'OK,' he whispered, and smiled, and rubbed the top of Michael's hand. He quickly drank the rest of the tea. 'I think I'd better be getting back.'

'Sure. Sure, no problem,' said Michael, unaccountably veering all the way into an American accent, and he stood up jauntily, anxious for Henry to go.

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