Geoff Ryman - Lust Or No Harm Done

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From Publishers Weekly
"Reality's got a hole in it." That's what runs through Michael Blasco's head when he discovers that he has the uncanny ability to bring his fantasies to life in this wacky, inspired third novel by Ryman (Was). The 38-year-old gay protagonist is a government scientist experimenting on baby chicks and has a flat in London 's West End with Phil, his passionless boyfriend. While seething on a subway platform, he imagines the beefy trainer at his gym stripping naked right in front of him-and poof-it happens! Terrified at first, Michael quickly regains his composure and wills into action a series of characters like Tarzan and cartoon diva Taffy Duck; narcissistically, he also conjures a copy of himself. His reunion with a long-lost high school sweetheart nicknamed Bottles proves to be touching and funny, but his meeting with Mark, a victim of AIDS, turns sad when Mark rebuffs his plea to revive him. In an effort to inject passion into his stagnant relationship, Michael "calls up" a younger version of Phil paired with a younger version of himself. When this scheme backfires, he returns to the anonymous "speedy, functional sex" that has long sustained him. A night out with feisty Billie Holiday, passionate sex with Picasso and dalliances with Lawrence of Arabia on Viagra reinvigorate him and make for some funny, titillating reading, but as Michael's notebook of his wild adventures begins to overflow, the story's whimsical tone changes, revealing more of his true character as well as some particularly troublesome personal problems. Among them is a disturbing boyhood fixation on his father, which mutates into a wincingly unnerving incestuous sequence. Ryman's "careful-what-you-wish-for" message is artfully packaged in this quirky, offbeat, entertaining novel.
"Inventive… a risky, highly imaginative addition to a unique and valuable boody of work." – Kirkus
"Ryman's 'careful-what-you-wish-for' message is artfully packaged in this quirkyy, off-beat, entertaining novel." – Publishers Weekly
***
David, a young scientist investigating what happens to the brain during the process of learning, suddenly finds himself the subject of a bizarre experiment. On the way home from the lab one night he spies Tony, a fitness instructor from his gym, on the same platform waiting for the tube. David's had an obsession with Tony for weeks, but Tony's barely noticed him at all. Until now. When David imagines the man naked, an extraordinary thing happens: Tony strips there and then on the platform and offers himself in front of all onlookers. Horrified, David flees. But back at his flat, Tony reappears, as if by magic. And disappears, when David wishes him away. And reappears when he calls him back. David can conjure up anyone, from any time, and he does: Billie Holliday, Johnny Weismuller, Daffy Duck, Picasso, Sophia Loren, even his younger self. Mad with lust and losing all scientific objectivity, he runs the gamut of his fantasies until, sated and morally bankrupt, he's forced to confront himself. It is not a pretty sight.

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'Yeah sure. I'll get a mobile, so you can call me.'

Michael jerked forward, wanting to escape. Ebru had more to say. 'The grant application forms have been on your desk for a week. I just wanted to make sure you knew they were there.' Michael had to apply for funds for the next stage of research; they were to teach the chicks tasks such as pushing buttons for food. The aim was to keep the facility going, so the University could rent it out for other projects. The aim was that Michael would eventually make himself some kind of Director.

'Right, yes. I've been meaning to get to that.'

'Emilio was saying that he has not been told the file names for the control group slides. This means he has fallen behind on his data entry and filing.'

'Sorry,' said Michael. 'A lot on my plate.'

Ebru dismissed it, as if sleepy. 'I wasn't chasing you.'

Oh yes you were.

Alone in his windowless office, Michael told himself: you have been neglecting your job.

It had been just over three weeks since the episodes began. There had been five afternoons at the Chez Nous, four with Johnny and one with himself. They had moved from late winter into spring. How did he think people would not notice?

There was a Fridge full of frozen, unfiled slides. How could he ask people to work for him? People who were on short-term contracts, which meant they could not get a mortgage. How could he ask them to work punctiliously, perfectly, as science demanded?

And, oh shit, he was also supposed to be writing a phase paper on the difference between Windows NT and Unix for his MSc in Computer Science. It was due next Monday. He'd done nothing about it.

Michael hung his head, and then lowered it into his hands from shame.

God, he found himself asking, why have you done this to me?

God, in the form of the painted brick wall, could not answer, or rather, decided not to, or rather, couldn't be bothered.

Well, the wall seemed to say, on its own behalf if not God's, I'm just a wall and not very interesting, but I am the life you have chosen. You put yourself in this office with these slides and files and papers and coursework and you'd better get on with it.

Michael needed to talk to someone. He had no one to talk to, most especially not his staff, his lover, or their friends. All his friends were Phil's friends.

'Help,' he said in a small voice that was not meant to be heard.

'Hiya,' said a voice that poised somewhere in mid-Atlantic. Something white moved in the corner of his eye.

His Angel was sitting on the corner of the desk, wearing his white lab coat. His smile was mild and his eyes faded; he looked detached.

Michael saw himself. I have good feelings for people, but I don't connect. So they don't always know that.

'Hiya,' Michael said. 'I've been neglecting things.'

'You have a miracle to deal with. Ah. I think you'll find that most people who have one of those find it's a full-time job. I mean, Phil Dick just saw pink lights, and look how long that took to sort out.'

Michael's face shook itself with unexpected tears, like a dog getting out of water. He certainly didn't feel that unhappy. The reaction didn't seem to link to any emotion until he spoke, vehemently.

'I didn't want an extra full-time job. I didn't ask for this. What is it for, what I am supposed to do with it, and why, why me?'

The Angel looked back, big and kindly and powerless. 'I know less than you do.'

Michael apologized, his default mode. 'I'm sorry, this isn't easy for you either.'

'I don't matter. I'm not real.' The Angel managed to say that with a smile. 'Why don't you let me help?'

It took a while for the anger to be stilled. The Angel kept talking.

'I know what you know. I can do just as good a job as you can. We've got a backlog. Why don't you stay here and do the accounts or whatever? I'll go to the Fridge and do the slides.'

What a wonderful idea. Michael chuckled. 'It'll be like the Shoemaker and the Elves.'

'Let's wait until tonight,' said the Angel. 'That way no one will see you in two places at the same time. We don't want to give anyone a heart attack.'

'Can we talk afterwards?' Michael asked. He felt the same yearning he would for a lover.

'Sure, baby.'

That was what Michael always used to say to Phil. When they were young and in love.

So he filled in the form for the second stage of their research grant, and wrote the first draft of the accompanying business case. Michael's career plan was simple. He would keep using the lab for further research projects until his own reputation was established and then let out the secure facility for other projects. At 5.00 pm he was able to bustle into Ebru's office, fluttering papers.

'Well, here we go. This is the business case for the grant. First draft. Can you read it for me, make any comments. Oh. I also know nothing about the admin costs, so could you run off a 104 on the office expenses.'

Ebru was still watchful, languid. 'It's five o'clock. Do you need it this instant?'

'Not right now, of course. Close of play tomorrow for the comments. I'll need the 104 sometime tomorrow morning.'

'I can do that for you,' she said airily, gathering up her bag. No, she seemed to say, I am not working late to make up for your lost time. She smiled a hazy, hooded smile at him, and gave him a dinky little wave with the tips of her fingers. 'Good night. See you tomorrow.' Faultlessly polite. The draft was left on her desk.

He was left standing alone in the room. I have really pissed her off.

It was 5.03 and there was absolutely no one there. They had all gone home. Who would work late if the boss wasn't there?

The whole universe has burst its bonds in order to put you in this position. Impossible things are happening, and they are screwing up your life, and nothing in your intellectual or emotional history has prepared you for them.

And you have allowed yourself to become alone.

His only friend was literally himself.

Michael went into the cold room. There was his other self, big and happy, a cheerful anorak singing old Wham! songs. 'Bad boys…' The Angel was merry in his work. He turned around smiling, the smile coming from being usefully employed and suffering no doubts. When Michael smiled his eyes went tiny and narrow, almost closed, and that in turn made him look a bit like a Chinese Santa Claus.

'Just started,' said the Angel, cheerfully. His breath came out as vapour; frost settled on his eyebrows. 'Things really aren't that bad. Emilio's been good, he's using a temporary naming convention, which we might as well accept. And everything's been labelled, in boxes. It just needs to be put away properly.'

The Angel pulled open a drawer. There were the first of his slides, label side up and out, in neat rows. 'There's only about an hour's work.'

Things really weren't that bad. Relief was like a pillow. Michael settled into it. The work would be done, he would apologize to Emilio, and amends would be made. It would be all right.

'I'll be back then.' Michael kept the need out of his voice.

Back in his office, there were 37 e-mails needing answers. They were mostly from the University, agendas or minutes attached, or new curriculum proposals. He went through picking the most important first. His professor had written three days ago, asking if the project was progressing well.

Michael defaulted to apologies. Sorry, I've been in the grip of applying for grants. Wouldn't it be great if someone just said, fine, here's all the money you need in one go? We could put it in the bank and use the interest for the project as well. But the project is going fine, great. A lot of data to work through.

There was an invitation to speak at a conference, with a carefully worded guarantee of security. 'We realize your work is controversial. We will make sure that only nominated delegates can attend, so all questioning will be on the methodology and preliminary results.' This was exactly the kind of fallout Michael had wanted from the research: increased profile, keynote addresses, publications, and acknowledgement, if only from a very few people worldwide. Michael accepted the invitation, feeling suddenly that all was right with the world.

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