Zadie Smith - White Teeth

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White Teeth: краткое содержание, описание и аннотация

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Zadie Smith's White Teeth is a delightfully cacophonous tale that spans 25 years of two families' assimilation in North London. The Joneses and the Iqbals are an unlikely a pairing of families, but their intertwined destinies distill the British Empire 's history and hopes into a dazzling multiethnic melange that is a pure joy to read. Smith proves herself to be a master at drawing fully-realized, vibrant characters, and she demonstrates an extraordinary ear for dialogue. It is a novel full of humor and empathy that is as inspiring as it is enjoyable.
White Teeth is ambitious in scope and artfully rendered with a confidence that is extremely rare in a writer so young. It boggles the mind that Zadie Smith is only 24 years old, and this novel is a clarion call announcing the arrival of a major new talent in contemporary fiction. It is a raucous yet poignant look at modern life in London and is clearly the book to read this summer.

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‘Too safe, too easy,’ repeated Samad, as great-aunt Bibi wiped Magid lovingly with some Mr Sheen. ‘A month back home would sort each and every one of them out.’

But the fact was Millat didn’t need to go back home: he stood schizophrenic, one foot in Bengal and one in Willesden. In his mind he was as much there as he was here. He did not require a passport to live in two places at once, he needed no visa to live his brother’s life and his own (he was a twin after all). Alsana was the first to spot it. She confided to Clara: By God, they’re tied together like a cat’s cradle, connected like a see-saw, push one end, other goes up, whatever Millat sees, Magid saw and vice versa ! And Alsana only knew the incidentals: similar illnesses, simultaneous accidents, pets dying continents apart. She did not know that while Magid watched the 1985 cyclone shake things from high places, Millat was pushing his luck along the towering wall of the cemetery in Fortune Green; that on 10 February 1988, as Magid worked his way through the violent crowds of Dhaka, ducking the random blows of those busy settling an election with knives and fists, Millat held his own against three sotted, furious, quick-footed Irishmen outside Biddy Mulligan’s notorious Kilburn public house. Ah, but you are not convinced by coincidence? You want fact fact fact? You want brushes with the Big Man with black hood and scythe? OK: on the 28th of April, 1989, a tornado whisked the Chittagong kitchen up into the sky, taking everything with it except Magid, left miraculously curled up in a ball on the floor. Now, segue to Millat, five thousand miles away, lowering himself down upon legendary sixth-former Natalia Cavendish (whose body is keeping a dark secret from her); the condoms are unopened in a box in his back pocket; but somehow he will not catch it; even though he is moving rhythmically now, up and in, deeper and sideways, dancing with death.

Three days:

15 October 1987

Even when the lights went out and the wind was beating the shit out of the double glazing, Alsana, a great believer in the oracle that is the BBC, sat in a nightie on the sofa, refusing to budge.

‘If that Mr Fish says it’s OK, it’s damn well OK. He’s BBC, for God’s sake!’

Samad gave up (it was almost impossible to change Alsana’s mind about the inherent reliability of her favoured English institutions, amongst them: Princess Anne, Blu-Tack, Children’s Royal Variety Performance, Eric Morecambe, Woman’s Hour ). He got the torch from the kitchen drawer and went upstairs, looking for Millat.

‘Millat? Answer me, Millat! Are you there?’

‘Maybe, Abba, maybe not.’

Samad followed the voice to the bathroom and found Millat chin-high in dirty pink soap suds, reading Viz .

‘Ah, Dad, wicked. Torch. Shine it over here so I can read.’

‘Never mind that.’ Samad tore the comic from his son’s hands. ‘There’s a bloody hurricane blowing and your crazy mother intends to sit here until the roof falls in. Get out of the bath. I need you to go to the shed and find some wood and nails so that we can-’

‘But Abba, I’m butt-naked!’

‘Don’t split the hairs with me – this is an emergency. I want you to-’

An almighty ripping noise, like something being severed at the roots and flung against a wall, came from outside.

Two minutes later and the family Iqbal were standing regimental in varying states of undress, looking out through the long kitchen window on to a patch in the lawn where the shed used to be. Millat clicked his heels three times and hammed it up with cornershop accent, ‘O me O my. There’s no place like home. There’s no place like home.’

All right , woman. Are you coming now ?’

‘Maybe, Samad Miah, maybe.’

Dammit ! I’m not in the mood for a referendum. We’re going to Archibald’s. Maybe they still have light. And there is safety in numbers. Both of you – get dressed, grab the essentials, the life or death things , and get in the car!’

Holding the car boot open against a wind determined to bring it down, Samad was first amused and then depressed by the items his wife and son determined essential, life or death things:

Samad slammed the boot down No pen knife no edibles no light sources - фото 2

Samad slammed the boot down.

‘No pen knife, no edibles, no light sources. Bloody great. No prizes for guessing which one of the Iqbals is the war veteran. Nobody even thinks to pick up the Qurān. Key item in emergency situation: spiritual support. I am going back in there. Sit in the car and don’t move a muscle.’

Once in the kitchen Samad flashed his torch around: kettle, oven hob, teacup, curtain and then a surreal glimpse of the shed sitting happy like a treehouse in next door’s horsechestnut. He picked up the Swiss army knife he remembered leaving under the sink, collected his gold-plated, velvet-fringed Qurān from the living room and was about to leave when the temptation to feel the gale, to see a little of the formidable destruction, came over him. He waited for a lull in the wind and opened the kitchen door, moving tentatively into the garden, where a sheet of lightning lit up a scene of suburban apocalypse: oaks, cedars, sycamores, elms felled in garden after garden, fences down, garden furniture demolished. It was only his own garden, often ridiculed for its corrugated-iron surround, treeless interior and bed after bed of sickly smelling herbs, that had remained relatively intact.

He was just in the process of happily formulating some allegory regarding the bending Eastern reed versus the stubborn Western oak, when the wind reasserted itself, knocking him sideways and continuing along its path to the double glazing, which it cracked and exploded effortlessly, blowing glass inside, regurgitating everything from the kitchen out into the open air. Samad, a recently airborne collander resting on his ear, held his book tight to his chest and hurried to the car.

‘What are you doing in the driving seat?’

Alsana held on to the wheel firmly and talked to Millat via the rear-view mirror. ‘Will someone please tell my husband that I am going to drive. I grew up by the Bay of Bengal. I watched my mother drive through winds like these while my husband was poncing about in Delhi with a load of fairy college boys. I suggest my husband gets in the passenger seat and doesn’t fart unless I tell him to.’

Alsana drove at three miles an hour through the deserted, blacked-out high road while winds of 110 m.p.h. relentlessly battered the tops of the highest buildings.

‘England, this is meant to be! I moved to England so I wouldn’t have to do this. Never again will I trust that Mr Crab.’

‘Amma, it’s Mr Fish.’

‘From now on, he’s Mr Crab to me,’ snapped Alsana with a dark look. ‘BBC or no BBC.’

The lights had gone out at Archie’s, but the Jones household was prepared for every disastrous eventuality from tidal wave to nuclear fallout; by the time the Iqbals got there the place was lit with dozens of gas lamps, garden candles and night lights, the front door and windows had been speedily reinforced with hardboard, and the garden trees had their branches roped together.

‘It’s all about preparation,’ announced Archie, opening the door to the desperate Iqbals and their armfuls of belongings, like a DIY king welcoming the dispossessed. ‘I mean, you’ve got to protect your family, haven’t you? Not that you’ve failed in that depar – you know what I mean – ’sjust the way I see it: it’s me against the wind. If I’ve told you once, Ick-Ball, I’ve told you a million times: check the supporting walls . If they’re not in tip-top condition, you’re buggered, mate. You really are. And you’ve got to keep a pneumatic spanner in the house. Essential.’

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