Zadie Smith - White Teeth

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White Teeth: краткое содержание, описание и аннотация

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Zadie Smith's White Teeth is a delightfully cacophonous tale that spans 25 years of two families' assimilation in North London. The Joneses and the Iqbals are an unlikely a pairing of families, but their intertwined destinies distill the British Empire 's history and hopes into a dazzling multiethnic melange that is a pure joy to read. Smith proves herself to be a master at drawing fully-realized, vibrant characters, and she demonstrates an extraordinary ear for dialogue. It is a novel full of humor and empathy that is as inspiring as it is enjoyable.
White Teeth is ambitious in scope and artfully rendered with a confidence that is extremely rare in a writer so young. It boggles the mind that Zadie Smith is only 24 years old, and this novel is a clarion call announcing the arrival of a major new talent in contemporary fiction. It is a raucous yet poignant look at modern life in London and is clearly the book to read this summer.

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‘Yes, yes, yes.’ He shook her off in irritation, as if batting a fly. ‘I’m quite capable, you know-’

‘I know dat-’

‘It’s man’s work.’

‘Yes, yes, I see – I didn’t mean-’

‘Look, Clara, love, just get out of my way and I’ll get on with it, OK?’

Clara watched him roll up his sleeves with some determination, and tackle the coffee table once more.

‘If you really want to be of some help, love, you can start bringing in some of your clothes. God knows there’s enough of ’em to sink a bloody battleship. How we’re going to fit them in what little space we have I’m sure I don’t know.’

‘I say before – we can trow some dem out, if you tink it best.’

‘Not up to me now, not up to me, is it? I mean, is it? And what about the coat-stand?’

This was the man: never able to make a decision, never able to state a position.

‘I alreddy say: if ya nah like it, den send da damn ting back. I bought it ’cos I taut you like it.’

‘Well, love,’ said Archie, cautious now that she had raised her voice, ‘it was my money – it would have been nice at least to ask my opinion.’

‘Man! It a coat-stand. It jus’ red. An’ red is red is red. What’s wrong wid red all of a sudden?’

‘I’m just trying,’ said Archie, lowering his voice to a hoarse, forced whisper (a favourite voice-weapon in the marital arsenal: Not in front of the neighbours/children ), ‘to lift the tone in the house a bit. This is a nice neighbourhood, new life, you know. Look, let’s not argue. Let’s flip a coin; heads it stays, tails…’

True lovers row, then fall the next second back into each other’s arms; more seasoned lovers will walk up the stairs or into the next room before they relent and retrace their steps. A relationship on the brink of collapse will find one partner two blocks down the road or two countries to the east before something tugs, some responsibility, some memory, a pull of a child’s hand or a heart string, which induces them to make the long journey back to their other half. On this Richter scale, then, Clara made only the tiniest of rumbles. She turned towards the gate, walked two steps only and stopped.

‘Heads!’ said Archie, seemingly without resentment. ‘It stays. See? That wasn’t too hard.’

‘I don’ wanna argue.’ She turned round to face him, having made a silent renewed resolution to remember her debt to him. ‘You said the Iqbals are comin’ to dinner. I was just thinkin’… if they’re going to want me to cook dem some curry – I mean, I can cook curry – but it’s my type of curry.’

‘For God’s sake, they’re not those kind of Indians,’ said Archie irritably, offended at the suggestion. ‘Sam’ll have a Sunday roast like the next man. He serves Indian food all the time, he doesn’t want to eat it too.’

‘I was just wondering-’

‘Well, don’t, Clara. Please .’

He gave her an affectionate kiss on the forehead, for which she bent downwards a little.

‘I’ve known Sam for years, and his wife seems a quiet sort. They’re not the royal family, you know. They’re not those kind of Indians,’ he repeated, and shook his head, troubled by some problem, some knotty feeling he could not entirely unravel.

Samad and Alsana Iqbal, who were not those kind of Indians (as, in Archie’s mind, Clara was not that kind of black), who were, in fact, not Indian at all but Bangladeshi, lived four blocks down on the wrong side of Willesden High Road. It had taken them a year to get there, a year of mercilessly hard graft to make the momentous move from the wrong side of Whitechapel to the wrong side of Willesden. A year’s worth of Alsana banging away at the old Singer that sat in the kitchen, sewing together pieces of black plastic for a shop called Domination in Soho (many were the nights Alsana would hold up a piece of clothing she had just made, following the pattern she was given, and wonder what on earth it was). A year’s worth of Samad softly inclining his head at exactly the correct deferential angle, pencil in his left hand, listening to the appalling pronunciation of the British, Spanish, American, French, Australian:

Go Bye Ello Sag, please.

Chicken Jail Fret See wiv Chips, fanks.

From six in the evening until three in the morning; and then every day was spent asleep, until daylight was as rare as a decent tip. For what is the point, Samad would think, pushing aside two mints and a receipt to find fifteen pence, what is the point of tipping a man the same amount you would throw in a fountain to chase a wish? But before the illegal thought of folding the fifteen pence discreetly in his napkin hand even had a chance to give itself form, Mukhul – Ardashir Mukhul, who ran the Palace and whose wiry frame paced the restaurant, one benevolent eye on the customers, one ever watchful eye on the staff – Mukhul was upon him.

‘Saaamaad’ – he had a cloying, oleaginous way of speaking – ‘did you kiss the necessary backside this evening, cousin?’

Samad and Ardashir were distant cousins, Samad the elder by six years. With what joy (pure bliss!) had Ardashir opened the letter last January, to find his older, cleverer, handsomer cousin was finding it hard to get work in England and could he possibly…

‘Fifteen pence, cousin,’ said Samad, lifting his palm.

‘Well, every little helps, every little helps,’ said Ardashir, his dead-fish lips stretching into a stringy smile. ‘Into the Piss-Pot with it.’

The Piss-Pot was a black Balti pot that sat on a plinth outside the staff toilets and into which all tips were pooled and then split at the end of the night. For the younger, flashy, good-looking waiters like Shiva, this was a great injustice. Shiva was the only Hindu on the staff – this stood as tribute to his waitering skills, which had triumphed over religious differences. Shiva could make a four quid tip in an evening if the blubberous white divorcee in the corner was lonely enough and he batted his long lashes at her effectively. He could also make his money out of the polo-necked directors and producers (the Palace sat in the centre of London’s theatreland, and these were still the days of the Royal Court, of pretty boys and kitchen-sink drama) who flattered the boy, watched his ass wiggle provocatively to the bar and back, and swore that if anyone ever adapted A Passage to India for the stage he could have whichever role tickled his fancy. For Shiva, then, the Piss-Pot system was simply daylight robbery and an insult to his unchallenged waitering abilities. But for men like Samad, in his late forties, and for the even older, like the white-haired Muhammed (Ardashir’s great-uncle), who was eighty if he was a day, who had deep pathways dug into the sides of his mouth where he had smiled when he was young, for men like this the Piss-Pot could not be complained about. It made more sense to join the collective than pocket fifteen pence and risk being caught (and docked a week’s tips).

‘You’re all on my back!’ Shiva would snarl, when he had to relinquish five pounds at the end of the night and drop it into the pot. ‘You all live off my back! Somebody get these losers off my back! That was my fiver and now it’s going to be split sixty-five-fucking-million ways as a hand-out to these losers! What is this: communism?’

And the rest would avoid his glare and busy themselves quietly with other things, until one evening, one fifteen pence evening, Samad said, ‘Shut up, boy,’ quietly, almost under his breath.

‘You!’ Shiva swung round to where Samad stood, crushing a great tub of lentils for tomorrow’s dal. ‘You’re the worst of them! You’re the worst fucking waiter I’ve ever seen! You couldn’t get a tip if you mugged the bastards! I hear you trying to talk to the customer about biology this, politics that – just serve the food, you idiot – you’re a waiter, for fuck’s sake, you’re not Michael Parkinson. “ Did I hear you say Delhi ” ’ – Shiva put his apron over his arm and began posturing around the kitchen (he was a pitiful mimic) – ‘ “I was there myself, you know, Delhi University, it was most fascinating, yes – and I fought in the war, for England, yes – yes, yes, charming, charming.” ’ Round and round the kitchen he went, bending his head and rubbing his hands over and over like Uriah Heep, bowing and genuflecting to the head cook, to the old man arranging great hunks of meat in the walk-in freezer, to the young boy scrubbing the underside of the oven. ‘Samad, Samad …’ he said with what seemed infinite pity, then stopped abruptly, pulled the apron off and wrapped it round his waist. ‘You are such a sad little man.’

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