Zadie Smith - White Teeth

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White Teeth: краткое содержание, описание и аннотация

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Zadie Smith's White Teeth is a delightfully cacophonous tale that spans 25 years of two families' assimilation in North London. The Joneses and the Iqbals are an unlikely a pairing of families, but their intertwined destinies distill the British Empire 's history and hopes into a dazzling multiethnic melange that is a pure joy to read. Smith proves herself to be a master at drawing fully-realized, vibrant characters, and she demonstrates an extraordinary ear for dialogue. It is a novel full of humor and empathy that is as inspiring as it is enjoyable.
White Teeth is ambitious in scope and artfully rendered with a confidence that is extremely rare in a writer so young. It boggles the mind that Zadie Smith is only 24 years old, and this novel is a clarion call announcing the arrival of a major new talent in contemporary fiction. It is a raucous yet poignant look at modern life in London and is clearly the book to read this summer.

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Fiveinch letters between one leg of the bench and the other IQBAL It wasnt - фото 7

Five-inch letters, between one leg of the bench and the other. IQBAL. It wasn’t clear, and the colour of it was a murky rust, but it was there. The story of it was old.

A few months after his father arrived in England, he had sat on this bench nursing a bleeding thumb, the top sliced off by a careless, doddering stroke from one of the older waiters. When it first happened, in the restaurant, Samad couldn’t feel it because it was his dead hand. So he just wrapped it in a handkerchief to stem the flow and continued work. But the material had become soaked in blood, he was putting the customers off their food and eventually Ardashir sent him home. Samad took his open thumb out of the restaurant, past theatreland and down St Martin’s Lane. When he reached the square he stuck it in the fountain and watched his red insides spill out into the blue water. But he was making a mess and people were looking. He resolved instead to sit on the bench, gripping it at the root until it stopped. The blood kept on coming. After a while, he gave up holding his thumb upright and let it hang down to the floor like halal meat, hoping it would quicken the bleeding process. Then, with his head between his legs, and his thumb leaking on to the pavement, a primitive impulse had come over him. Slowly, with the dribbling blood, he wrote IQBAL from one chair leg to the next. Then, in an attempt to make it more permanent, he had gone over it again with a pen knife, scratching it into the stone.

‘A great shame washed over me the moment I finished,’ he explained to his sons years later. ‘I ran from it into the night; I tried to run from myself. I knew I had been depressed in this country… but this was different. I ended up clinging on to the railings in Piccadilly Circus, kneeling and praying, weeping and praying, interrupting the buskers. Because I knew what it meant, this deed. It meant I wanted to write my name on the world . It meant I presumed . Like the Englishmen who named streets in Kerala after their wives, like the Americans who shoved their flag in the moon. It was a warning from Allah. He was saying: Iqbal, you are becoming like them . That’s what it meant.’

No, thought Millat, the first time he heard this, no, that’s not what it meant. It just meant you’re nothing . And looking at it now, Millat felt nothing but contempt. All his life he wanted a Godfather, and all he got was Samad. A faulty, broken, stupid, one-handed waiter of a man who had spent eighteen years in a strange land and made no more mark than this. It just means you’re nothing , repeated Millat, working his way through the premature vomit (girls drinking doubles since three o’clock) over to Havelock, to look Havelock in his stony eye. It means you’re nothing and he’s something . And that’s it. That’s why Pande hung from a tree while Havelock the executioner sat on a chaise longue in Delhi. Pande was no one and Havelock was someone. No need for library books and debates and reconstructions. Don’t you see, Abba ? whispered Millat. That’s it. That’s the long, long history of us and them. That’s how it was. But no more .

Because Millat was here to finish it. To revenge it. To turn that history around. He liked to think he had a different attitude, a second generation attitude. If Marcus Chalfen was going to write his name all over the world, Millat was going to write it BIGGER. There would be no misspelling his name in the history books. There’d be no forgetting the dates and times. Where Pande misfooted he would step sure. Where Pande chose A, Millat would choose B.

Yes, Millat was stoned. And it may be absurd to us that one Iqbal can believe the breadcrumbs laid down by another Iqbal, generations before him, have not yet blown away in the breeze. But it really doesn’t matter what we believe. It seems it won’t stop the man who thinks this life is guided by the life he thinks he had before, or the gypsy who swears by the queens in her tarot pack. And it’s hard to change the mind of the high-strung woman who lays responsibility for all her actions at the feet of her mother, or the lonely guy who sits in a fold-up chair on a hill in the dead of night waiting for the little green men. Amidst the strange landscapes that have replaced our belief in the efficacy of the stars, Millat’s is not such odd terrain. He believes the decisions that are made, come back. He believes we live in circles. His is a simple, neat fatalism. What goes around comes around.

‘Ding, ding,’ said Millat out loud, tapping Havelock’s foot, before turning on his heel to make his hazy way to Chandos Street. ‘Round two.’

December 31st 1992

He that increaseth knowledge increaseth sorrow

Eccles. ch. 1, v. 18

When Ryan Topps was asked to assemble the Lambeth Kingdom Hall’s Thought for the Day desk calendar for 1992, he took especial care to avoid the mistakes of his predecessors. Too often in the past, Ryan noted, when the assembler came to choose quotations for entirely fatuous, secular days, he let sentiment get the better of him, so that on Valentine’s Day 1991 we find there is no fear in love; but perfect love casteth out fear , I John 4:18, as if John were thinking of the paltry feeling that prompts people to send each other Milk Tray and cheap teddy bears rather than the love of Jesus Christ, which nothing surpasseth. Ryan took very much the opposite approach. On a day like New Year’s Eve, for example, when everybody was running around making their New Year resolutions, assessing their past year and plotting their success for the next, he felt it necessary to bring them to earth with a bump. He wanted to offer a little reminder that the world is cruel and pointless, all human endeavour ultimately meaningless, and no advancement in this world worth making besides gaining God’s favour and an entry ticket into the better half of the after-life. And having completed the calendar the previous year and forgotten much of what he’d done, he was pleasantly surprised – when he ripped off the 30th and looked at the crisp white page of the 31st – at just how effective the reminder was. No thought could have been more apt for the day ahead. No warning more propitious. He ripped it from the calendar, squeezed it into the tight leather of his trousers and told Mrs B. to get in the side car.

He who would valiant be, ’gainst all disaster !’ sang Mrs B. as they zipped along Lambeth Bridge, heading for Trafalgar Square. ‘ Let ’im in constancy, follow de master ! ’

Ryan made sure to signal a good minute before turning left so that the Kingdom ladies in the minibus behind wouldn’t get confused. He made a quick mental inventory of the things he’d put in the van: songbooks, instruments, banners, Watchtower leaflets. All present and correct. They had no actual tickets, but they would make their protest outside, in the cold, suffering like true Christians. Praise be to God! What a glorious day! All portents were good. He even had a dream last night that Marcus Chalfen was the devil himself and they were standing nose to nose. Ryan had said: Myself and yourself are at war. There can be only one winner . Then he had quoted the same piece of scripture at him (he couldn’t recall precisely what it was now, but it was something from Revelation) over and over and over again, until the devil/Marcus had become smaller and smaller, grown ears and a long forked tail, and finally scurried away, a tiny satanic mouse. As in this vision, so it would be in life. Ryan would remain unbending, unmoving, absolutely constant, and, in the end, the sinner would repent.

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