Jennifer Weiner - Good in Bed

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Good in Bed: краткое содержание, описание и аннотация

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From Publishers Weekly
It is temping at first but unwise to assume Candace Shapiro is yet another Bridget Jones. Feisty, funny and less self-hating than her predecessor, Cannie is a 28-year-old Philadelphia Examiner reporter preoccupied with her weight and men, but able to see the humor in even the most unpleasant of life's broadsides. Even she is floored, however, when she reads "Good in Bed," a new women's magazine column penned by her ex-boyfriend, pothead grad student Bruce Guberman. Three months earlier, Cannie suggested they take a break apparently, Bruce thought they were through and set about making such proclamations as, "Loving a larger woman is an act of courage in our world." Devastated by this public humiliation, Cannie takes comfort in tequila and her beloved dog, Nifkin. Bruce has let her down like another man in her life: Cannie's sadistic, plastic surgeon father emotionally abused her as a young girl, and eventually abandoned his wife and family, leaving no forwarding address. Cannie's siblings suffer, especially the youngest, Lucy, who has tried everything from phone sex to striptease. Their tough-as-nails mother managed to find love again with a woman, Tanya, the gravel-voiced owner of a two-ton loom. Somehow, Cannie stays strong for family and friends, joining a weight-loss group, selling her screenplay and gaining the maturity to ask for help when she faces something bigger than her fears. Weiner's witty, original, fast-moving debut features a lovable heroine, a solid cast, snappy dialogue and a poignant take on life's priorities. This is a must-read for any woman who struggles with body image, or for anyone who cares about someone who does.

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There’s no fancy landscaping, no big pool parties in the summer, no construction crews making a racket at seven A.M. adding on that new home office or master bedroom suite. The paint job lasts for four or five years instead of two or three, and is more than a little bit flaky by the time it gets redone.

But mostly, you could tell on Saturday mornings, when what my friends and I dubbed the Daddy Parade began. At about ten or eleven o’clock every other Saturday, the driveways up and down our street, and the neighboring streets, would fill with the cars of the men who used to live in these big four- and five-bedroom houses. One by one, they’d exit their cars, trudge up the walkways, ring the bells of the homes where they used to sleep, and collect their kids for the weekends. The days, my friends would tell me, would be full of every kind of extravagance – shopping excursions, trips to the mall, the zoo, the circus, lunch out, dinner out, a movie before and after. Anything to keep the time passing, to fill the dead minutes between children and parents who suddenly had very little to say to each other once they’d got done either mouthing pleasantries (in the cordial no-fault cases) or spitting vitriol (in the contested cases, where the parents paraded each other’s shortcomings and infidelities in front of a judge – and, by extension, in front of a gossipy public, and, eventually, their children as well).

My friends all knew the drill. My brother and sister and I did it a few times in the early days of my parents’ split, before my father announced that he wanted to be less like a father, more like an uncle, and that our weekend visits didn’t fit in with his vision. Saturday nights would be spent on a pullout bed in his condo across town – a small, dusty space full of too much expensive stereo equipment and top-of-the-line TVs, and either too many pictures of the children, or, eventually, none at all. At my dad’s place Lucy and I would huddle on the thin mattress of the pullout couch, feeling the metal frame poke us all night long, while Josh would sleep beside us in a sleeping bag on the floor. Meals would be taken in restaurants exclusively. Few of the newly single dads had the skills to cook, or the desire to learn. Most of them, it turned out, were just waiting for a replacement wife or girlfriend to come along, to stock the refrigerators and have dinner waiting every night.

And on Sunday morning, in time for church or Hebrew school, the parade would begin again, only in reverse: the cars pulling up and disgorging the kids, who’d hustle up the driveway trying not to run or look too relieved, and the fathers trying not to drive away too fast, trying to remember that this was supposed to be a pleasure, not a duty. For two years, three years, four years they’d come. Then they’d vanish – remarried, mostly, or moved away.

It wasn’t that bad, really – not third-world bad, not Appalachia bad. There was no physical pain, no real hunger. Even with the drop in the standard of living, the suburbs of Philadelphia were still a damn sight better than the way most people in the world – or the country – lived. Even if our cars were older and our vacations less lavish and our in-ground swimming pools less than pristine, we still had cars, and vacations, pools in the backyards, and roofs over our heads.

And the mothers and children learned how to lean on each other. Divorce taught us how to deal with stuff, whether it was reduced circumstances, or what to say when the Girl Scout leader asked what you’d like to bring to the Father/Daughter banquet. (“A father,” was the preferred answer.) My girlfriends and I learned to be flippant and tough, a posse of junior cynics, all before we hit sixteen.

I always wondered, though, what the fathers felt as they drove up the street they used to drive down every night, and whether they really saw their former houses, whether they noticed how things got frayed and flaky around the edges now that they were gone. I wondered it again as I pulled up to the house I’d grown up in. It was, I noticed, looking even more Joad-like than usual. Neither my mother nor the dread life partner, Tanya, was much into yard work, and so the lawn was littered with drifts of dead brown leaves. The gravel on the driveway was as thin as an old man’s hair combed across an age-spotted scalp, and as I parked I could make out the faint glitter of old metal from behind the little toolshed. We used to park our bikes in there. Tanya had “cleaned” it by dragging all the old bikes, from tricycles to discarded ten-speeds, out behind the shed, and leaving them there to rust. “Think of it as found art,” my mother had urged us when Josh complained that the bike pile made us look like trailer trash. I wonder if my father ever drove by, if he knew about my mother and her new situation, if he thought about us at all, or whether he was content to have his three children out there in the world, all grown up, and strangers.

My mother was waiting in the driveway. Like me, she’s tall, and heavy (a Larger Woman, I heard Bruce’s voice taunt in my head). But whereas I am an hourglass (an extremely full hourglass), my mother is shaped like an apple – a round midsection on toned and muscular legs. A former high-school standout in tennis, basketball, and field hockey, and the current star of the Switch Hitters (her inevitable lesbian softball team), Ann Goldblum Shapiro has retained both the carriage and the sensibilities of a onetime jock, a woman who believes there’s no problem that can’t be solved, and no situation that can’t be improved, by a good brisk walk or a few laps in the pool.

She wears her hair short and lets it stay gray and dresses in comfortable clothes in shades of gray and beige and pale pink. Her eyes are the same green as mine, but wider and less anxious, and she smiles a lot. She’s the kind of person who’s constantly being approached by strangers – for directions, for advice, for honest assessments of whether bathing suits made the would-be wearer’s butt look big in the communal dressing room at Loehmann’s.

Today, she was dressed for our outing in wide-legged pale pink sweatpants, a blue turtleneck sweater, one of her fourteen pairs of activity-specific sneakers, and a windbreaker accented with a small triangular, rainbow-colored pin. She wore no makeup – she never wore it – and her hair was in its usual air-dried spikes. She looked happy as she climbed into the car. For her, the free cooking demonstrations at Philadelphia ’s premiere downtown food market cum meeting place were better than standup comedy. They weren’t intended to be participatory, but nobody bothered to tell her that.

“Subtle,” I said, pointing at her pin.

“You like?” she asked, oblivious. “Tanya and I picked them up in New Hope last weekend.”

“Did you get me one?” I asked.

“No,” she said, refusing to take the bait. “We got you this.” She handed me a small rectangle wrapped in purple tissue paper. I unwrapped it at a red light, to find a magnet depicting a cartoon girl with squiggly curled hair and glasses. “I’m not gay, but my mother is,” it read. Perfect.

I fiddled with the radio and kept quiet during the half hour drive back to town. My mother sat quietly beside me, obviously waiting for me to bring up Bruce’s latest opus. On the way into the Terminal, in between the vegetable vendor and the fresh fish counter, I finally did.

“Good in bed,” I snorted. “Hah!”

My mother gave me a sideways glance. “So I take it he wasn’t?”

“I don’t want to be having this conversation with you,” I grumbled, as we worked our way past the bakeries and the Thai and Mexican food stalls and found seats in front of the demonstration kitchen. The chef – a semiregular I remembered from the Southern Favorites lesson three weeks before – blanched as my mother sat down.

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