Jennifer Weiner - Good in Bed

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From Publishers Weekly
It is temping at first but unwise to assume Candace Shapiro is yet another Bridget Jones. Feisty, funny and less self-hating than her predecessor, Cannie is a 28-year-old Philadelphia Examiner reporter preoccupied with her weight and men, but able to see the humor in even the most unpleasant of life's broadsides. Even she is floored, however, when she reads "Good in Bed," a new women's magazine column penned by her ex-boyfriend, pothead grad student Bruce Guberman. Three months earlier, Cannie suggested they take a break apparently, Bruce thought they were through and set about making such proclamations as, "Loving a larger woman is an act of courage in our world." Devastated by this public humiliation, Cannie takes comfort in tequila and her beloved dog, Nifkin. Bruce has let her down like another man in her life: Cannie's sadistic, plastic surgeon father emotionally abused her as a young girl, and eventually abandoned his wife and family, leaving no forwarding address. Cannie's siblings suffer, especially the youngest, Lucy, who has tried everything from phone sex to striptease. Their tough-as-nails mother managed to find love again with a woman, Tanya, the gravel-voiced owner of a two-ton loom. Somehow, Cannie stays strong for family and friends, joining a weight-loss group, selling her screenplay and gaining the maturity to ask for help when she faces something bigger than her fears. Weiner's witty, original, fast-moving debut features a lovable heroine, a solid cast, snappy dialogue and a poignant take on life's priorities. This is a must-read for any woman who struggles with body image, or for anyone who cares about someone who does.

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What does a lesbian bring on a second date? goes the joke. A U-Haul. What does a gay guy bring on a second date? What second date?

An old joke, true, but there’s a certain amount of truth to it. After they started dating, Tanya did in fact move out of the basement of her codependent obsessive-compulsive ex-girlfriend’s condominium and into an apartment of her own.

But for all intents and purposes, she’d moved in on the second date. I realized this when I came home six weeks after what my siblings and I were referring to as Mom’s Outage, and saw the writing on the wall.

Well, the poster on the wall. “Inspiration,” it read, above a picture of a cresting wave, “is believing we can all pull together.”

“Mom?” I called, dropping my bags on the floor. Nifkin, meanwhile, was whining and cringing by my legs in a most un-Nifkin-like manner.

“In here, honey,” yelled my mother.

Honey? I wondered, and walked into the family room with Nifkin cowering behind me. This time, the new poster was of frolicking dolphins. “Teamwork,” it said. And beneath the dolphin poster were my mother and a woman who could only be Tanya, in matching purple sweatsuits.

“Hey!” said Tanya.

“Hey,” my mother repeated.

A large tangerine-colored cat leapt off of the windowsill, stalked insolently up to Nifkin, and stretched out a paw, claws extended. Nifkin gave a shrill yip and fled.

“Gertrude! Bad cat!” called Tanya. The cat ignored her and curled up in a patch of sunlight in the center of the room.

“Nifkin!” I called. From upstairs I heard a faint whine of protest – Nifkin-speak for no way, no day.

“Do we have employees that we’re trying to motivate?” I asked, pointing at the teamwork dolphins.

“Huh?” said Tanya.

“What?” said my mother.

“The posters,” I said. “We’ve got the exact same ones in the printing plant at work. Right next to the “27 Days Injury Free” sign. They’re, like, motivational artwork.”

Tanya shrugged. I’d been expecting a standard-issue gym teacher, with sinewy calves and ropy biceps and a no-nonsense haircut. Evidently I’d been expecting wrong. Tanya was a tiny boiled pea of a woman, barely five feet tall, with an aureole of frizzy reddish hair and skin tanned the color and consistency of old leather. No chest or hips to speak of. She looked like a little kid, right down to the scabby knees and the Band-Aid wrapped around one finger. “I just like dolphins,” she said shyly.

“Uh-huh,” I said. “I see.”

And those were just the most obvious of the changes. There was a collection of dolphin figurines above the fireplace where the family pictures had been. Plastic magazine racks were bolted to the walls, giving our family room the look of a doctor’s office – the better to display Tanya’s copies of Rehabilitation magazine. And when I went to drop my bags in my room, the door wouldn’t open.

“Mom!” I called, “there’s something wrong up here!”

I heard a whispered consultation going on in the kitchen: my mother’s voice calm and soothing, Tanya’s bass grumble rising toward hysteria. Every once in a while I could make out words. “Therapist” and “privacy” seemed to comprise a dominant theme. Finally my mother walked up the stairs, looking troubled.

“Um, actually, I was going to talk to you about this.”

“About what? The door being stuck?”

“Well, the door’s locked, actually.”

I just stared.

“Tanya’s kind of been… keeping some of her things in there.”

“Tanya,” I pointed out, “has an apartment. Can’t she keep her things there?”

My mother shrugged. “Well, it’s a very small apartment. An effi-ciency, really. And it just kind of made sense… maybe you can sleep in Josh’s room tonight.”

At this point I was getting impatient. “Ma, it’s my room. I’d like to sleep in my room. What’s the big deal?”

“Well, Cannie, you don’t… you don’t live here anymore.”

“Of course I don’t, but that doesn’t mean I don’t want to sleep there when I come home.”

My mother sighed. “We made some changes,” she murmured.

“Yeah, I noticed. So what’s the big deal?”

“We, um… well. We kind of got rid of your bed.”

I was speechless. “You got rid of…”

“Tanya needed the space for her loom.”

“There’s a loom in there?”

Indeed there was. Tanya stomped up the stairs, unbolted the door, and stomped back downstairs, looking sullen. I entered my room and saw the loom, a computer, a battered futon, a few ugly pressboard bookshelves covered with plastic walnut veneer, containing volumes with titles like Smart Women, Foolish Choices, and Courage to Heal, and It’s Not What You’re Eating, It’s What’s Eating You. There was a rainbow-triangle suncatcher hanging in the window and, worst of all, an ashtray on the desk.

“She smokes?”

My mother bit her lip. “She’s trying to quit.”

I inhaled. Sure enough, Marlboro Lights and incense. Yuck. Why did she have to plant her self-help guides and her cigarette smells in my room? And where was my stuff?

I turned toward my mother. “You know, you really could have told me about this. I could have come down and taken my things with me.”

“Oh, we didn’t get rid of anything, Cannie. It’s all in boxes in the basement.”

I rolled my eyes. “Well, that makes me feel a lot better.”

“Look,” she said. “I’m sorry. I’m just trying to balance things here”

“No, no,” I said. “ ‘Balance’ involves taking different things into account. This,” I said, sweeping my hand to indicate the loom, the ashtray, the stuffed dolphin perched upon the futon, “is taking what one person wants into account, and completely screwing the other person. This is completely selfish. This is absolutely ridiculous. This is…”

“Cannie,” said Tanya. She’d somehow come up the stairs without my hearing.

“Excuse us, please,” I said, and slammed the door in her face. I took a perverse pleasure in listening to her work at the door handle after I’d locked it with her lock.

My mother started to sit down where my bed used to be, caught herself mid-sit and settled for Tanya’s desk chair. “Cannie, look. I know this is a shock”

“Have you gone completely crazy? This is ridiculous! All it would have taken was one lousy phone call. I could have come, gotten my stuff…”

My mother looked miserable. “I’m sorry,” she said again.

I wound up not staying the night. That visit occasioned my first – and, so far, my last – stint at therapy. The Examiner’s health plan paid for ten visits with Dr. Blum, the smallish, Little Orphan Annie -looking woman who scribbled frantically, while I told her the whole crazy-father-bad-divorce-‌lesbian-mother tale. I worried about Dr. Blum. For one thing, she always looked a little scared of me. And she always seemed a few twists behind the current plot.

“Now, back up,” she’d say, when I’d segue abruptly from Tanya’s latest atrocity to my sister, Lucy’s, inability to keep a job. “Your sister was, um, dancing topless for a living, and your parents didn’t notice?’

“This was ’86,” I’d say. “My father was gone. And my mother somehow managed to miss the fact that I was sleeping with my substitute history teacher and I’d gained fifty pounds during my freshman year of college, so yeah, she pretty much believed that Lucy was babysitting until four every morning.”

Dr. Blum would squint down at her notes. “Okay, and the history teacher was… James?”

“No, no. James was the guy on the crew team. Jason was the E-Z-Lube poet. And Bill was the guy in college, and Bruce is the guy right now.”

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