Jennifer Weiner - Good in Bed

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Good in Bed: краткое содержание, описание и аннотация

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From Publishers Weekly
It is temping at first but unwise to assume Candace Shapiro is yet another Bridget Jones. Feisty, funny and less self-hating than her predecessor, Cannie is a 28-year-old Philadelphia Examiner reporter preoccupied with her weight and men, but able to see the humor in even the most unpleasant of life's broadsides. Even she is floored, however, when she reads "Good in Bed," a new women's magazine column penned by her ex-boyfriend, pothead grad student Bruce Guberman. Three months earlier, Cannie suggested they take a break apparently, Bruce thought they were through and set about making such proclamations as, "Loving a larger woman is an act of courage in our world." Devastated by this public humiliation, Cannie takes comfort in tequila and her beloved dog, Nifkin. Bruce has let her down like another man in her life: Cannie's sadistic, plastic surgeon father emotionally abused her as a young girl, and eventually abandoned his wife and family, leaving no forwarding address. Cannie's siblings suffer, especially the youngest, Lucy, who has tried everything from phone sex to striptease. Their tough-as-nails mother managed to find love again with a woman, Tanya, the gravel-voiced owner of a two-ton loom. Somehow, Cannie stays strong for family and friends, joining a weight-loss group, selling her screenplay and gaining the maturity to ask for help when she faces something bigger than her fears. Weiner's witty, original, fast-moving debut features a lovable heroine, a solid cast, snappy dialogue and a poignant take on life's priorities. This is a must-read for any woman who struggles with body image, or for anyone who cares about someone who does.

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She shrugged her shoulders. “Oh, your mother figured it was something with Bruce, so if she’s right, I’ve got to pay her.”

Great, I thought. My poor life reduced to a series of ten-dollar bets. Easy tears sprang to my eyes. It seemed these days I was crying about everything, starting with my situation and continuing relentlessly to human-interest stories that ran in the Examiner’s Lifestyle section and Campbell ’s soup commercials.

“I guess you saw that last article he wrote, huh?” said Tanya.

I’d seen it. “Love, Again,” it was called, in the December issue, which had hit stands just in time to ruin my Thanksgiving. “I know I should be focusing on E. by herself,” he’d written.

I know that it’s wrong to compare. But there’s no way to avoid it. After The First, it seems that the next woman is, necessarily, The Second. At least in the beginning, at least for a little while. And E. is in every way different from my first love: short where she was tall, fine and delicate where she was broad and solid, sweet where she was bitterly, mordantly funny.

“Rebound,” my friends tell me, nodding their heads like ancient rabbis instead of twenty-nine-year-old full-time temps and graduate students. “She’s your rebound girl.” But what’s wrong with rebound, I wonder? If there was a first and it didn’t work out, then there has to be a second, a next. Eventually, you have to move on.

If first love was like exploring a new continent, I think that second love is like moving to a new neighborhood. You already know there will be streets and houses. Now you have the pleasure of learning what the houses look like inside, how the streets feel beneath your feet. You know the rules, the basic vocabulary: phone calls, Valentine’s Day chocolates, how to comfort a woman when she tells you what’s gone wrong in her day, in her life. Now you can fine-tune. You find her nickname, how she likes her hand held, the sweet spot just beneath the curve of her jaw…

And that was as far as I’d made it before running to the toilet for my second hurl of the day. Just the idea of Bruce kissing someone else on the sweet spot just beneath the curve of her jaw – even the thought of him noticing such a thing – was enough to send my already queasy stomach into revolt. He doesn’t love me anymore. I had to keep reminding myself of that, and every time I thought those words, it was like hearing them for the first time, in all-capital italic letters, being boomed out by the guy who did voice-overs for movie previews: HE DOESN’T LOVE ME ANYMORE.

“It must be tough,” mused Tanya.

“It’s ridiculous,” I snapped. And really, the whole situation was pretty ridiculous. After three years of resisting his pleas, his offers, his desperate importunings, and biweekly proclamations that I was the only woman he’d ever want, we were apart, I was pregnant, and he’d found somebody else, and I would, most likely, never see him again. (Never was another word I’d hear in my head a lot, as in: You’ll never wake up next to him again, or, You’ll never talk to him on the telephone.)

“So what are you going to do?” she asked.

“That’s the big question,” I said, and hopped off the table and onto my bike, heading back home. Except it didn’t feel like home any-more and, thanks to Tanya’s invasion, I wasn’t sure it ever would again.

The less you know about your parents’ sex lives, the better. Sure, you figure, they had to have done it at least once, to get you, and then maybe a few more times, if you had brothers and sisters, but that was procreation; that was duty, and the thought of them using their various openings and attachments for fun, for pleasure – in short, in the manner you, their child, would like to be using yours – was nothing short of sick-making. Particularly if they were having the kind of trendy, cutting-edge love life that was all the rage in the late 1990s. You don’t need to know about your parents having sex, and you especially don’t need to know about them having hipper sex than you are.

Unfortunately, thanks to Tanya’s self-help training, and my mother’s being rendered senseless by love, I got the whole story.

It started when my brother, Josh, came home from college and was rummaging in my mother’s bathroom for the toenail clippers, when he came across a small stack of Hallmark greeting cards – the kind with abstract watercolors of birds and trees on the front, and florid calligraphy’d sentiments inside. “Thinking of you,” read the front of one, and inside, beneath the rhymed Hallmark couplet, someone had written, “Annie, after three months, the fire still burns strong.” No signature.

“I think they’re from this woman,” said Josh.

“What woman?” I asked.

“The one who’s living here,” said Josh. “Mom says she’s her swim coach.”

A live-in swim coach? This was the first I’d heard of it.

“It’s probably nothing,” I told Josh.

“It’s probably nothing,” Bruce told me, when I’d talked to him that night.

And that was how I started my conversation with my mother when she called at work two days later: “This is probably nothing, but…”

“Yes?” asked my mother.

“Is there, um, someone else… living there?”

“My swim coach,” she said.

“You know, the Olympics were last year,” I said, playing along.

“Tanya’s a friend of mine from the Jewish Community Center. She’s between apartments, and she’s staying in Josh’s room for a few days.”

This sounded slightly suspect. My mother didn’t have friends who lived in apartments, let alone who slept over because they were between them. Her friends all lived in the houses their ex-husbands had left, just like she did. But I let it go until the next time I called home and an unfamiliar voice answered the telephone.

“H’lo?” the strange voice growled. It was, at first, impossible to tell whether I was talking to a woman or a man. But whoever it was sounded as if they’d just gotten out of bed, even though it was almost eight o’clock on a Friday night.

“I’m sorry,” I said politely, “I think I have the wrong number.” “Is this Cannie?” demanded the voice.

“Yes. Who’s this, please?”

“Tanya,” she said proudly. “I’m a friend of your mother’s.” “Oh,” I said. “Oh. Hi.” “Your mother’s told me a lot about you.” “Well, that’s… that’s good,” I said. My mind was churning. Who was this person, and what was she doing answering our telephone?

“But she’s not here right now,” Tanya continued. “She’s playing bridge. With her bridge group.” “Right.” “Do you want me to have her call you?” “No,” I said, “no, that’s okay.” That was Friday. I didn’t speak to my mother again until she called on Monday afternoon at work.

“Is there something you want to tell me?” I asked her, expecting her to say some variation of “No.” Instead, she took a deep breath.

“Well, you know, Tanya… my friend? She’s… well. We’re in love and we’re living together.”

What can I say? Subtlety and discretion run in the family.

“I’ve got to go,” I said, and hung up the phone.

I spent the whole rest of the afternoon staring blankly into space, which, believe me, did nothing to add to the quality of my article about the MTV Video Music Awards. At home, there were three messages on my machine: one from my mother (“Cannie, call me, we need to discuss this”); one from Lucy (“Mom said I have to call you and she didn’t say why”); and one from Josh (“I TOLD you so!”).

I ignored all of them, instead rounding up Samantha for an emergency dessert and strategy session. We went to the bar around the corner, where I ordered a shot of tequila and a slab of chocolate cake with raspberry sauce. Thus fortified, I told her what my mother had told me.

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