John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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"I probably should do something," Harry agrees, "to keep the circulation going. But, I don't know, golf suddenly seemed stupid. I realized I'd never get any better at it, at this point. And the guys I had my old foursome with have pretty well moved away. It's all these blond beefy yuppie types up at the club, and they all ride carts. They're in such a fucking hurry to get back to making money they ride around in carts, wearing the grass off the course. I used to like to walk and carry. You'd strengthen your legs. That's where the power of a golf swing is, believe it or not. In the legs. I was mostly arms. I knew the right thing to do, I could see it in the other guys and the pros on TV, but I couldn't make myself do it."

The length and inward quality of this speech make Benny uneasy. "You ought to be getting some exercise," he says. "Especially with your history."

Rabbit doesn't know if he means his recent medical history, or his ancient history of high-school athletics. The framed blowups of his old basketball photos have come out of Nelson's office and back onto the walls, rose-colored though they are, above the performance board. That was something he did carry through on, unlike the rotting bark mulch. ANGSTROM HITS FOR 42. "When Schmidt quit, that got to me," he tells Benny, even though the guy keeps saying he is no sports nut. Maybe he enjoys bullying him with it, boring him. He wonders how much Benny was in on Nelson's shenanigans, but didn't have the heart or energy to fire him when he came back to run the lot. Get through the day, and the cars sell themselves. Especially the Carnry and Corolla. Who could ask for anything more?

"All he had to do," he explains to Benny, "to earn another half million was stay on the roster until August fifteenth. And he began the season like a ball of fire, two home runs the first two games, coming off that rotator-cuff surgery. But, like Schmidt himself said, it got to the point where he'd tell his body to do something and it wouldn't do it. He knew what he had to do and couldn't do it, and he faced the fact and you got to give him credit. In this day and age, he put honor over money."

"Eight errors," Elvira Ollenbach calls in her deep voice from over in her booth, on the wall toward Paraguay, where she has been filling out the bill of sale and NV-1 for an ivory Corolla LE she sold yesterday to one of these broads that come in and ask to deal with her. They have jobs, money, even the young ones that used to be home making babies. If you look, more and more, you see women driving the buses, the delivery trucks. It's getting as bad as Russia; next thing we'll have women coalminers. Maybe we already do. The only difference between the two old superpowers is they sell their trees to Japan in different directions. "An error each in the last two games against the Giants," Elvira inexorably recites. "And hitting.203, just two hits his last forty-one at bats." Her head is full, between her pretty little jug ears, with figures. Her father was a sports addict, she has explained, and to communicate with him she followed all this stuff and now can't break the habit.

"Yeah," Rabbit says, he feels weakly, taking some steps toward her desk. "But still, it took a lot of style. Just a week ago, did you see, there was this interview in some Philadelphia paper where he said how great he felt and he was only in a slump like any overeager kid? Then he was man enough to change his mind. When all he had to do was hang around to collect a million and a half total. I like the way he went out," Rabbit says, "quick, and on his own nickel."

Elvira, not looking up from her paperwork, her pendulous gold earrings bobbing as she writes, says, "They would have cut him by August, the way he was going. He spared himself the humiliation."

"Exactly," Harry says, still weakly, torn between a desire to strike an alliance with this female and an itch to conquer her, to put her in her place. Not that she and Benny have been difficult to deal with. Docile, rather, as if anxious that they not be swept out of the lot along with Lyle and Nelson. It was easiest for Harry to accept them as innocents and not rock the agency worse than it was being rocked. Both of them have connections in Brewer and move Toyotas, and if the conversations during idle time "down" time, young people called it now – weren't as satisfying, as clarifying, as those he used to have with Charlie Stavros, perhaps the times were less easy to clarify. Reagan left everybody in a daze, and now the Communists were acting confused too. "How about those elections in Poland?" he says. "Voting the Party out – who ever would have thought we'd live to see the day? And Gorby telling all the world the contractors who put up those sand castles in Armenia were crooks? And in China, what's amazing isn't the crackdown but that the kids were allowed to run the show for a month and nobody knew what to do about it! It's like nobody's in charge of the other side any more. I miss it," he says. "The cold war. It gave you a reason to get up in the morning."

He says these things to be provocative, to get a rise out of Benny or Elvira, but his words drift away like the speech of old people on the porches when he was a boy. Not for the first time since returning to the lot does he feel he is not really there, but is a ghost being humored. His words are just noises. In Nelson's old office, and the office next to it where Mildred used to be, the accountant Janice has hired on Charlie's advice is going through the books, a task so extensive he has brought a full-time assistant. These two youngish men, who dress in gray suits of which they hang up the jackets when arriving, putting them on again when they depart, feel like the real management of the firm.

"Elvira," he says, always enjoying pronouncing her name, "did you see this morning in the paper where four men were charged with a felony for chaining themselves to a car in front of an abortion clinic? And with contributing to the delinquency of a minor since they had a seventeen-year-old boy along?" He knows where she stands: pro-choice. All these independent bimbos are. He takes a kind of pro-life tilt to gall her but his heart isn't really in it and she knows it. She leaves her desk and comes striding toward him, thrillingly thin, holding the completed NV-1s, her wide jawed little head balanced with its pulled-back shiny-brown hair on her slender neck, her dangling big gold earrings shaped like Brazil nuts. He retreats a step and the three of them stand together at the window, Harry between them and a head taller.

"Wouldn't you know," she says, "it would be all men. Why do they care so much? Why are they so passionate about what some women they don't even know do with their bodies?"

"They think it's murder," Harry says. "They think the fetus is a little separate person from the morning after on."

His way ofputting it feeds into her snort of disgust. "Tccha, they don't know what they think," she says. "If men could get knocked up this wouldn't even be a debate. Would it, Benny?"

She is bringing him in to dilute whatever Harry is trying to do to her with this provocative topic. Benny says carefully, huskily, "My church says abortion is a sin."

"And you believe them, until you want to do it, right? Tell us about you and Maria – you use birth control? Seventy per cent of young married Catholics do, you know that?"

A strange aspect of his encounter with Pru, Harry remembers, had been the condom she had produced, out of the pocket of her shorty bathrobe. Either she always kept one there or had foreseen fucking him before coming into the room. He wasn't used to them, not since the Army, but went along with it without a protest, it was her show. The thing had been a squeeze, he had been afraid he couldn't keep up his own pressure against it, and his pubic hair, where he had some left after the angioplasty, the way they shaved him, got caught at the base in the unrolling, a little practical fussing there, she helped in the dim light, it maybe had made him slower to come, not a bad thing, as she came twice, under him once and then astraddle, rain whipping at the window behind the drawn shade, her hips so big and broad in his hands he didn't feel fat himself, her tits atwitter as she jiggled in pursuit of the second orgasm, he near to fainting with worry over joggling his defective heart. A certain matter-of-fact shamelessness about Pru reduced a bit the poetry of his first sight of her naked and pale like that street of blossoming trees. She did it all but was blunt about it and faintly wooden, as if the dressmaker's dummy in the dark behind him had grown limbs and a head with swinging carrot-colored hair. To keep his prick up he kept telling himself, This is the first time I've ever fucked a left-handed woman.

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