John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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Rain whips at the screen. The leak onto the windowsill accelerates its tapping. A brilliant close flash shocks the air everywhere and less than a second later a heart-stopping crack and splintering of thunder crushes the house from above. As if in overflow of this natural heedlessness, Pru says "Shit," jumps from the bed, slams shut the window, pulls down the shade, tears open her bathrobe and sheds it, and, reaching down, pulls her nightie up over her head. Her tall pale wide-hipped nakedness in the dimmed room is lovely much as those pear trees in blossom along that block in Brewer last month were lovely, all his it had seemed, a piece of Paradise blundered upon, incredible.

III. MI

BY MID-JUNE the weeds have taken over: burdock and chicory stand three feet tall along the stony dry shoulders of Route 111, and the struggling little yew hedge meant to dress up the base of the Springer Motors display window has crabgrass and purslane spreading through the rotting bark mulch, which hasn't been renewed for a couple of years. It's one of the things Harry keeps making a mental note to do: call the landscaping service and renew the mulch and replace the dead yews, about a third of them, they look like hell, like missing teeth. Across the four-lane highway, its traffic thicker and faster than ever though the state still holds to the fifty-five-mile-an-hour speed limit, the takeout restaurant called the Chuck Wagon has been replaced by a Pizza Hut, one of the six or so around Brewer now. What do people see in it? All those gummy wedges of dough and cheese, that when you try to eat them pull long strings out in front of your face. But, on Saturdays when in the weekend mood Benny runs over and brings back an order for whoever wants it, Harry allows himself a pepperoni with peppers and onions but no anchovies, please. Like little snails stuck in the mud.

Today is not Saturday, it is Monday, the day after Father's Day. Nobody sent Harry a card. He and Janice have visited Nelson twice, for family therapy at this gloomy big rehab center in North Philly, full of banisters and bulletin boards and a damp mimeograph smell that reminds him of the basement Sunday school he went to, and both times it was like a quarrel around the kitchen table only with a referee, a lean pale colored woman with fancy spectacles and one of these sweet churchgoing smiles Harry associates with the better type of Philadelphia black. They go over the old stuff -the baby's death, the mess in the Sixties with Janice moving out and Jill and Skeeter moving in, the crazy way Nelson got himself married to this Kent State secretary an inch taller and a year older than he, a Catholic furthermore, and the kind of crazy way the young couple moved into the old Springer house and the older couple moved out and in fact lives half the year in Florida, all so the kid can run wild with the car agency; Harry explains how from his point of view Nelson's been spoiled rotten by his mother because of her guilt complex and that's why the kid feels entitled to live in never-never land with all these fags and druggies and let his wife and children go around in rags. When he talks, the mocha-colored therapist's smile gets even more pious and patient and then she turns to one of the others, Nelson or Janice or Pru, and asks them how they feel about what they've just heard, as if what he's saying isn't a description of facts but a set of noises to be rolled into some general mishmash. All this "talking through" and "processing" therapists like to do cheapens the world's facts; it reduces decisions that were the best people could do at the time to dream moves, to reflexes that have been "processed" in a million previous cases like so much shredded wheat. He feels anticipated and discounted in advance, whatever he says, and increasingly aggravated, and winds up telling Janice and Pru to go next time without him.

Benny comes over to where Harry stands at the window looking out and asks, "Whajja do for Father's Day?"

Harry is pleased to have an answer. "Nelson's wife brought our grandchildren over in the afternoon and I did a cookout for everybody on the outdoor grill." It sounds ideally American but had its shaky underside. Their grill, for one thing, is a metal sphere that Consumer Reports said years ago was a classic but that Harry never has quite the patience for, you must wait until the briquettes are gray and ashy, but he's afraid of waiting too long, so there was a lot of staring at the raw hamburger patties not cooking, with Janice annoying him by offering to cook them in the kitchen, since the children were being eaten alive by mosquitoes. For another, the grandchildren brought him cute grandfather's cards, all right, both by this new artist Gary Larson that everybody else thinks is so funny, but this uniformity – they were even signed by the same red pen, Judy's with quite a girlish flourish to the "y" and Roy's a bunch of aimless but intense pre-literate stabs – suggested a lack of planning, a quick stop at the drugstore on the way over from the Flying Eagle. Pru and the kids arrived with their hair wet from the pool. She brought a bowl of salad she had made at home.

"Sounds terrific," Benny says, in his husky small voice.

"Yeah," Harry agrees, explaining, as if his image of Pru with her wet long hair holding this big wooden bowl of lettuce and sliced radishes on her hip was visible to them both, "we've arranged a temporary membership for Nelson's wife over at the country club, and they'd been swimming over there most of the day."

"Nice," Benny says. "She seems a nice gal, Teresa. Never came over here to the lot much, but I hate to see a family like that having a hard time."

"They're managing," Harry says, and changes the subject. "D'jou watch any of the Open?" Somebody really should go out and pick up all the wrappers that blow over from the Pizza Hut and get caught in the struggling little yew hedge. But he doesn't like to bend over, and doesn't quite feel he can order Benny to do it.

"Naa, I can't get turned on by games," the pudgy young sales representative says, more aggressively than the question requires. "Even baseball, a game or two, I'm bored. You know, what's in it for me? So what?, if you follow me."

There used to be a stately old maple tree across Route 111 that the Pizza Hut cut down to expand its red-roofed facility. The roof is shaped like a hat, with two slants. He ought to be grateful, Harry thinks, to have a lively business along this struggling little strip. "Well," he tells Benny, not wanting to argue, "with the Phils in last place you aren't missing much. The worst record in baseball, and now they've traded away two of their old all-stars. Bedrosian and Samuel. There's no such thing as loyalty any more."

Benny continues to explain himself, unnecessarily. "Me, I'd rather do something myself f on a nice Sunday, not sit there like a couch potato, you know what I mean? Get outdoors with my little girl at the neighbor's pool, or go take the family for a walk up the mountain, if it's not too hot, you know."

These people who keep saying "you know": as if if they don't keep nailing your attention to their words it'll drift off. "That's the way I used to be," Harry tells him, relaxing as the disturbing image of Pru holding the great bowl on her hip recedes, and feeling philosophical and pleasurably melancholic the way he usually does gazing out this big window. Above his head the big blue paper banner spelling ArnAUATOYoT with the sun shining through it is beginning to come unstuck from the glass. "Always doing some sport as a kid, and up until recently out on the golf course, flogging the stupid ball."

"You could still do that," Benny says, with that Italian huskiness, faintly breathless. "In fact, I bet your doc advises it. That's what mine advises, exercise. You know, for my weight."

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