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Cormac McCarthy: The Road

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Cormac McCarthy The Road

The Road: краткое содержание, описание и аннотация

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A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

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What is it?

Here. Sit down.

He slipped the boy's knapsack straps loose and set the pack on the floor behind him and he put his thumbnail under the aluminum clip on the top of the can and opened it. He leaned his nose to the slight fizz coming from the can and then handed it to the boy. Go ahead, he said.

The boy took the can. It's bubbly, he said.

Go ahead.

He looked at his father and then tilted the can and drank. He sat there thinking about it. It's really good, he said.

Yes. It is.

You have some, Papa.

I want you to drink it.

You have some.

He took the can and sipped it and handed it back. You drink it, he said. Let's just sit here.

It's because I wont ever get to drink another one, isnt it?

Ever's a long time.

Okay, the boy said.

By dusk of the day following they were at the city. The long concrete sweeps of the interstate exchanges like the ruins of a vast funhouse against the distant murk. He carried the revolver in his belt at the front and wore his parka unzipped. The mummied dead everywhere. The flesh cloven along the bones, the ligaments dried to tug and taut as wires. Shriveled and drawn like latterday bogfolk, their faces of boiled sheeting, the yellowed palings of their teeth. They were discalced to a man like pilgrims of some common order for all their shoes were long since stolen.

They went on. He kept constant watch behind him in the mirror. The only thing that moved in the streets was the blowing ash. They crossed the high concrete bridge over the river. A dock below. Small pleasureboats half sunken in the gray water. Tall stacks downriver dim in the soot.

The day following some few miles south of the city at a bend in the road and half lost in the dead brambles they came upon an old frame house with chimneys and gables and a stone wall. The man stopped. Then he pushed the cart up the drive.

What is this place, Papa?

It's the house where I grew up.

The boy stood looking at it. The peeling wooden clapboards were largely gone from the lower walls for firewood leaving the studs and the insulation exposed. The rotted screening from the back porch lay on the concrete terrace.

Are we going in?

Why not?

I'm scared.

Dont you want to see where I used to live?

No.

It'll be okay.

There could be somebody here.

I dont think so.

But suppose there is?

He stood looking up at the gable to his old room. He looked at the boy. Do you want to wait here?

No. You always say that.

I'm sorry.

I know. But you do.

They slipped out of their backpacks and left them on the terrace and kicked their way through the trash on the porch and pushed into the kitchen. The boy held on to his hand. All much as he'd remembered it. The rooms empty. In the small room off the diningroom there was a bare iron cot, a metal foldingtable. The same castiron coalgrate in the small fireplace. The pine paneling was gone from the walls leaving just the furring strips. He stood there. He felt with his thumb in the painted wood of the mantle the pinholes from tacks that had held stockings forty years ago. This is where we used to have Christmas when I was a boy. He turned and looked out at the waste of the yard. A tangle of dead lilac. The shape of a hedge. On cold winter nights when the electricity was out in a storm we would sit at the fire here, me and my sisters, doing our homework. The boy watched him. Watched shapes claiming him he could not see. We should go, Papa, he said. Yes, the man said. But he didnt.

They walked through the diningroom where the firebrick in the hearth was as yellow as the day it was laid because his mother could not bear to see it blackened. The floor buckled from the rainwater. In the livingroom the bones of a small animal dismembered and placed in a pile. Possibly a cat. A glass tumbler by the door. The boy gripped his hand. They went up the stairs and turned and went down the hallway. Small cones of damp plaster standing in the floor. The wooden lathes of the ceiling exposed. He stood in the doorway to his room. A small space under the eaves. This is where I used to sleep. My cot was against this wall. In the nights in their thousands to dream the dreams of a child's imaginings, worlds rich or fearful such as might offer themselves but never the one to be. He pushed open the closet door half expecting to find his childhood things. Raw cold daylight fell through from the roof. Gray as his heart.

We should go, Papa. Can we go?

Yes. We can go.

I'm scared.

I know. I'm sorry.

I'm really scared.

It's all right. We shouldnt have come.

Three nights later in the foothills of the eastern mountains he woke in the darkness to hear something coming. He lay with his hands at either side of him. The ground was trembling. It was coming toward them.

Papa? The boy said. Papa?

Shh. It's okay.

What is it, Papa?

It neared, growing louder. Everything trembling. Then it passed beneath them like an underground train and drew away into the night and was gone. The boy clung to him crying, his head buried against his chest. Shh. It's all right.

I'm so scared.

I know. It's all right. It's gone.

What was it, Papa?

It was an earthquake. It's gone now. We're all right. Shh.

In those first years the roads were peopled with refugees shrouded up in their clothing. Wearing masks and goggles, sitting in their rags by the side of the road like ruined aviators. Their barrows heaped with shoddy. Towing wagons or carts. Their eyes bright in their skulls. Creedless shells of men tottering down the causeways like migrants in a feverland. The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.

He sat by a gray window in the gray light in an abandoned house in the late afternoon and read old newspapers while the boy slept. The curious news. The quaint concerns. At eight the primrose closes. He watched the boy sleeping. Can you do it? When the time comes? Can you?

They squatted in the road and ate cold rice and cold beans that they'd cooked days ago. Already beginning to ferment. No place to make a fire that would not be seen. They slept huddled together in the rank quilts in the dark and the cold. He held the boy close to him. So thin. My heart, he said. My heart. But he knew that if he were a good father still it might well be as she had said. That the boy was all that stood between him and death.

Late in the year. He hardly knew the month. He thought they had enough food to get through the mountains but there was no way to tell. The pass at the watershed was five thousand feet and it was going to be very cold. He said that everything depended on reaching the coast, yet waking in the night he knew that all of this was empty and no substance to it. There was a good chance they would die in the mountains and that would be that.

They passed through the ruins of a resort town and took the road south. Burnt forests for miles along the slopes and snow sooner than he would have thought. No tracks in the road, nothing living anywhere. The fireblackened boulders like the shapes of bears on the starkly wooded slopes. He stood on a stone bridge where the waters slurried into a pool and turned slowly in a gray foam. Where once he'd watched trout swaying in the current, tracking their perfect shadows on the stones beneath. They went on, the boy trudging in his track. Leaning into the cart, winding slowly upward through the switchbacks. There were fires still burning high in the mountains and at night they could see the light from them deep orange in the soot-fall. It was getting colder but they had campfires all night and left them burning behind them when they set out again in the morning. He'd wrapped their feet in sacking tied with cord and so far the snow was only a few inches deep but he knew that if it got much deeper they would have to leave the cart. Already it was hard going and he stopped often to rest. Slogging to the edge of the road with his back to the child where he stood bent with his hands on his knees, coughing. He raised up and stood with weeping eyes. On the gray snow a fine mist of blood.

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