Cormac McCarthy - The Road

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The Road: краткое содержание, описание и аннотация

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A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

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What?

I think they're gone. They probably had a lookout.

It could be a trap, Papa.

Okay. Let's wait a while.

They waited. They could see the smoke through the trees. A wind had begun to trouble the top of the spire and the smoke shifted and they could smell it. They could smell something cooking. Let's circle around, the man said.

Can I hold your hand?

Yes. Of course you can.

The woods were just burned trunks. There was nothing to see. I think they saw us, the man said. I think they saw us and ran away. They saw we had a gun.

They left their food cooking.

Yes.

Let's take a look.

It's really scary, Papa.

There's no one here. It's okay.

They walked into the little clearing, the boy clutching his hand. They'd taken everything with them except whatever black thing was skewered over the coals. He was standing there checking the perimeter when the boy turned and buried his face against him. He looked quickly to see what had happened. What is it? he said. What is it? The boy shook his head. Oh Papa, he said. He turned and looked again. What the boy had seen was a charred human infant headless and gutted and blackening on the spit. He bent and picked the boy up and started for the road with him, holding him close. I'm sorry, he whispered. I'm sorry.

He didnt know if he'd ever speak again. They camped at a river and he sat by the fire listening to the water running in the dark. It wasnt a safe place because the sound of the river masked any other but he thought it would cheer the boy up. They ate the last of their provisions and he sat studying the map. He measured the road with a piece of string and looked at it and measured again. Still a long way to the coast. He didnt know what they'd find when they got there. He shuffled the sections together and put them back in the plastic bag and sat staring into the coals.

The following day they crossed the river by a narrow iron bridge and entered an old mill town. They went through the wooden houses but they found nothing. A man sat on a porch in his coveralls dead for years. He looked a straw man set out to announce some holiday. They went down the long dark wall of the mill, the windows bricked up. The fine black soot raced along the street before them.

Odd things scattered by the side of the road. Electrical appliances, furniture. Tools. Things abandoned long ago by pilgrims enroute to their several and collective deaths. Even a year ago the boy might sometimes pick up something and carry it with him for a while but he didnt do that any more. They sat and rested and drank the last of their good water and left the plastic jerry jug standing in the road. The boy said: If we had that little baby it could go with us.

Yes. It could.

Where did they find it?

He didnt answer.

Could there be another one somewhere? I dont know. It's possible.

I'm sorry about what I said about those people. What people?

Those people that got burned up. That were struck in the road and got burned up.

I didnt know that you said anything bad.

It wasnt bad. Can we go now?

Okay. Do you want to ride in the cart?

It's okay.

Why dont you ride for while?

I dont want to. It's okay.

Slow water in the flat country. The sloughs by the roadside motionless and gray. The coastal plain rivers in leaden serpentine across the wasted farmland. They went on. Ahead in the road was a dip and a stand of cane. I think there's a bridge there, he said. Probably a creek.

Can we drink the water?

We dont have a choice.

It wont make us sick.

I dont think so. It could be dry.

Can I go ahead?

Yes. Of course you can.

The boy set off down the road. He'd not seen him run in a long time. Elbows out, flapping along in his outsized tennis shoes. He stopped and stood watching, biting his lip.

The water was little more than a seep. He could see it moving slightly where it drew down into a concrete tile under the roadway and he spat into the water and watched to see if it would move. He got a cloth from the cart and a plastic jar and came back and wrapped the cloth over the mouth of the jar and sank it in the water and watched it fill. He raised it up dripping and held it to the light. It didnt look too bad. He took the cloth away and handed the jar to the boy. Go ahead, he said.

The boy drank and handed it back.

Drink some more.

You drink some, Papa.

Okay.

They sat filtering the ash from the water and drinking until they could hold no more. The boy lay back in the grass.

We need to go.

I'm really tired.

I know.

He sat watching him. They'd not eaten in two days. In two more they would begin to get weak. He climbed the bank through the cane to check the road. Dark and black and trackless where it crossed the open country. The winds had swept the ash and dust from the surface. Rich lands at one time. No sign of life anywhere. It was no country that he knew. The names of the towns or the rivers. Come on, he said. We have to go.

They slept more and more. More than once they woke sprawled in the road like traffic victims. The sleep of death. He sat up reaching about for the pistol. In the leaden evening he stood leaning with his elbows on the cart handle and looking across the fields at a house perhaps a mile away. It was the boy who had seen it. Shifting in and out of the curtain of soot like a house in some uncertain dream. He leaned on the cart and looked at him. It would cost them some effort to get there. Take their blankets. Hide the cart someplace along the road. They could reach it before dark but they couldnt get back.

We have to take a look. We have no choice.

I dont want to.

We havent eaten in days.

I'm not hungry.

No, you're starving.

I dont want to go there Papa.

There's no one there. I promise.

How do you know?

I just know.

They could be there.

No they're not. It will be okay.

They set out across the fields wrapped in their blankets, carrying only the pistol and a bottle of water. The field had been turned a last time and there were stalks of stubble sticking out of the ground and the faint trace of the disc was still visible from east to west. It had rained recently and the earth was soft underfoot and he kept his eye on the ground and before long he stopped and picked up an arrowhead. He spat on it and wiped away the dirt on the seam of his trousers and gave it to the boy. It was white quartz, perfect as the day it was made. There are more, he said. Watch the ground, you'll see. He found two more. Gray flint. Then he found a coin. Or a button. Deep crust of verdigris. He chipped at it with the nail of his thumb. It was a coin. He took out his knife and chiseled at it with care. The lettering was in Spanish. He started to call to the boy where he trudged ahead and then he looked about at the gray country and the gray sky and he dropped the coin and hurried on to catch up.

They stood in front of the house looking at it. There was a gravel drive that curved away to the south. A brick loggia. Double stairs that swept up to the columned portico. At the rear of the house a brick dependency that may once have been a kitchen. Beyond that a log cabin. He started up the stairs but the boy pulled at his sleeve.

Can we wait a while?

Okay. But it's getting dark.

I know.

Okay.

They sat on the steps and looked out over the country.

There's no one here, the man said.

Okay.

Are you still scared?

Yes.

We're okay.

Okay.

They went up the stairs to the broad brickfloored porch. The door was painted black and it was propped open with a cinderblock. Dried leaves and weeds blown behind it. The boy clutched his hand. Why is the door open, Papa?

It just is. It's probably been open for years. Maybe the last people propped it open to carry their things out.

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