Cormac McCarthy - The Road

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The Road: краткое содержание, описание и аннотация

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A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

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What if there's someone here, Papa?

There's no one here.

We should go, Papa.

We've got to find something to eat. We have no choice.

We could find something somewhere else.

It's going to be all right. Come on.

He took the pistol from his belt and tried the door. It swung slowly in on its great brass hinges. They stood listening. Then they stepped into a broad foyer floored in a domino of black and white marble tiles. A broad staircase ascending. Fine Morris paper on the walls, waterstained and sagging. The plaster ceiling was bellied in great swags and the yellowed dentil molding was bowed and sprung from the upper walls. To the left through the doorway stood a large walnut buffet in what must have been the diningroom. The doors and the drawers were gone but the rest of it was too large to burn. They stood in the doorway. Piled in a windrow in one corner of the room was a great heap of clothing. Clothes and shoes. Belts. Coats. Blankets and old sleeping bags. He would have ample time later to think about that. The boy hung on to his hand. He was terrified. They crossed the foyer to the room on the far side and walked in and stood. A great hall of a room with ceilings twice the height of the doors. A fireplace with raw brick showing where the wooden mantel and surround had been pried away and burned. There were mattresses and bedding arranged on the floor in front of the hearth. Papa, the boy whispered. Shh, he said.

The ashes were cold. Some blackened pots stood about. He squatted on his heels and picked one up and smelled it and put it back. He stood and looked out the window. Gray trampled grass. Gray snow. The cord that came through the window was tied to a brass bell and the bell was fixed in a rough wooden jig that had been nailed to the window molding. He held the boy's hand and they went down a narrow back hallway into the kitchen. Trash piled everywhere. A ruststained sink. Smell of mold and excrement. They went on into the adjoining small room, perhaps a pantry.

In the floor of this room was a door or hatch and it was locked with a large padlock made of stacked steel plates. He stood looking at it.

Papa, the boy said. We should go. Papa.

There's a reason this is locked.

The boy pulled at his hand. He was almost in tears. Papa? he said.

We've got to eat.

I'm not hungry, Papa. I'm not.

We need to find a prybar or something.

They pushed out through the back door, the boy hanging on to him. He shoved the pistol in his belt and stood looking out over the yard. There was a brick walkway and the twisted and wiry shape of what once had been a row of boxwoods. In the yard was an old iron harrow propped up on piers of stacked brick and someone had wedged between the rails of it a forty gallon castiron cauldron of the kind once used for rendering hogs. Underneath were the ashes of a fire and blackened billets of wood. Off to one side a small wagon with rubber tires. All these things he saw and did not see. At the far side of the yard was an old wooden smokehouse and a toolshed. He crossed half dragging the child and went sorting through tools standing in a barrel under the shed roof. He came up with a longhandled spade and hefted it in his hand. Come on, he said.

Back in the house he chopped at the wood around the haspstaple and finally jammed the blade under the staple and pried it up. It was bolted through the wood and the whole thing came up lock and all. He kicked the blade of the shovel under the edge of the boards and stopped and got his lighter out. Then he stood on the tang of the shovel and raised the edge of the hatch and leaned and got hold of it. Papa, the boy whispered.

He stopped. Listen to me, he said. Just stop it. We're starving. Do you understand? Then he raised the hatch door and swung it over and let it down on the floor behind.

Just wait here, he said.

I'm going with you.

I thought you were scared.

I am scared.

Okay. Just stay close behind me.

He started down the rough wooden steps. He ducked his head and then flicked the lighter and swung the flame out over the darkness like an offering. Coldness and damp. An ungodly stench. The boy clutched at his coat. He could see part of a stone wall. Clay floor. An old mattress darkly stained. He crouched and stepped down again and held out the light. Huddled against the back wall were naked people, male and female, all trying to hide, shielding their faces with their hands. On the mattress lay a man with his legs gone to the hip and the stumps of them blackened and burnt. The smell was hideous.

Jesus, he whispered.

Then one by one they turned and blinked in the pitiful light. Help us, they whispered. Please help us.

Christ, he said. Oh Christ.

He turned and grabbed the boy. Hurry, he said. Hurry.

He'd dropped the lighter. No time to look. He pushed the boy up the stairs. Help us, they called.

Hurry.

A bearded face appeared blinking at the foot of the stairs. Please, he called. Please.

Hurry. For God's sake hurry.

He shoved the boy through the hatch and sent him sprawling. He stood and got hold of the door and swung it over and let it slam down and he turned to grab the boy but the boy had gotten up and was doing his little dance of terror. For the love of God will you come on, he hissed. But the boy was pointing out the window and when he looked he went cold all over. Coming across the field toward the house were four bearded men and two women. He grabbed the boy by the hand. Christ, he said. Run. Run.

They tore through the house to the front door and down the steps. Half way down the drive he dragged the boy into the field. He looked back. They were partly screened by the ruins of the privet but he knew they had minutes at most and maybe no minutes at all. At the bottom of the field they crashed through a stand of dead cane and out into the road and crossed into the woods on the far side. He redoubled his grip on the boy's wrist. Run, he whispered. We have to run. He looked toward the house but he could see nothing. If they came down the drive they would see him running through the trees with the boy. This is the moment. This is the moment. He fell to the ground and pulled the boy to him. Shh, he said. Shh.

Are they going to kill us? Papa?

Shh.

They lay in the leaves and the ash with their hearts pounding. He was going to start coughing. He'd have put his hand over his mouth but the boy was holding on to it and would not let go and in the other hand he was holding the pistol. He had to concentrate to stifle the cough and at the same time he was trying to listen. He swung his chin through the leaves, trying to see. Keep your head down, he whispered.

Are they coming?

No.

They crawled slowly through the leaves toward what looked like lower ground. He lay listening, holding the boy. He could hear them in the road talking. Voice of a woman. Then he heard them in the dry leaves. He took the boy's hand and pushed the revolver into it. Take it, he whispered. Take it. The boy was terrified. He put his arm around him and held him. His body so thin. Dont be afraid, he said. If they find you you are going to have to do it. Do you understand? Shh. No crying. Do you hear me? You know how to do it. You put it in your mouth and point it up. Do it quick and hard. Do you understand? Stop crying. Do you understand?

I think so.

No. Do you understand?

Yes.

Say yes I do Papa.

Yes I do Papa.

He looked down at him. All he saw was terror. He took the gun from him. No you dont, he said.

I dont know what to do, Papa. I dont know what to do. Where will you be?

It's okay.

I dont know what to do.

Shh. I'm right here. I wont leave you.

You promise.

Yes. I promise. I was going to run. To try and lead them away. But I cant leave you.

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