Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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To be accurate, I should really refer to you as my teachers or guides. You clarified my thinking, rectified my attitude, and reformed my overall outlook, rekindling in me the same flame of enthusiasm for living and life that burns in the masses! My intractable obstinacy and extreme pig-headedness must have exhausted you, given you no peace at all, and left you emaciated from the need to give me constant attention. I remember you once saying that it would be easier to deal with an undercover commando or a posse of female American CIA agents than to deal with me. Obviously, I've been a major headache to you, and a thorn in your side. And worst of all, despite your help, I treated you as my enemies. It fills me with shame and distress to think back on how heartless I have been.

Now, at last, I understand, and it is because of this that I am writing to you here to express my sincere thanks, and to give you a full report on my life and work at present.

My mood has changed, and I'm always happy now. Sometimes I have a hankering to feel melancholy, but I just can't bring it off. I often go out for a walk, and I've discovered that every day it's a new sun, and the touch of its golden light makes me smile. All the women that I meet on the street are just like my mama. They ask me if everything is okay, if I'm hungry, or not feeling well. And all the men I meet are just like the model soldier and citizen Lei Feng. If I should carelessly stumble, they fight to be first to rush over and pick me up, and make great efforts to help me brush the dust off my clothes, and they offer me money to go to the hospital to get my cuts bandaged, even if I haven't so much as scraped the skin on my knee. I really don't understand: when I walked on the streets before, why did those empty scenes leave me so cold, so troubled? Why could I not suppress my tears?

Even a vegetable seller in the farmers' market gave me things for free. It was one time when I had gone there to buy some cucumbers. There was a little boy in line right behind me. Actually, there was all kinds of room around us, but he stuck there right behind me anyway. I had seen him around before. He was always in the market, perched on the top of a heap of vegetables in the sunshine, eating an apple or reading some children's book. I guess he was one of the sellers' kids, maybe the lady's in front of me. I thought they looked a bit alike, so I didn't pay him any further notice. The lady selling vegetables was particularly friendly that day, talking nonstop about this and that, asking me where I bought my dress, and how much money the mayor earned. Picking over the cucumbers, I said, "The mayor serves the people. He just doesn't think about things like that." When I went to pay her, I discovered that my purse had disappeared. I must have carelessly dropped it somewhere. I was so upset I started to cry, but the lady said, "Don't cry. We all have troubles sometimes. Here, the cucumbers are free." I was so deeply moved!

Now my house is always jammed with visitors. I wend my way among the happy crowds, nodding my head in greeting, smiling, clinking glasses, never the least bit lonely. And the telephone is constantly ringing off the hook. I used to have a sign on the front door that said, Visitors please say "Bye" after ten minutes. There's still a sign on the door, but the message is totally different. Now it reads, Make yourself at home – you're welcome anytime. Now in my home, the front room is like a market, the front door always open. When one group leaves, another arrives. My friends go on about my complexion, they say my face is beautiful, my skin delicate and fair. When I say, "I haven't had a chance to wash it yet!" they all laugh. What bothers me is that I can't figure out why all these male and female friends love me so much, or whether or not I should get married. I'm afraid that if I marry one of them, I'll lose too many friends; yet if I marry the lot of them, not only will they wear me to a frazzle, I'll be in trouble with the law as well. It's such a happy time – the days flit by like minutes!

Even if it should happen that none of my friends comes to visit, I am very happy all by myself. With my supper I have a tiny glass of American ginseng whisky (please note: just a tiny glass, not a large one), for health purposes only. With the weather gradually getting colder, and my blood circulation being rather poor, as you know, my hands and feet are always cold, and a little shot of whisky warms up my nerve endings. Although there was one time when I drank just a tad too much and chatted with myself the entire night. Asking this and answering that, I was quite a scene, a veritable symposium all by myself, so much so that the next morning when I bumped into my neighbors in the hall, they asked me, "Just how many guests did you have in your place last night?" But, I promise you, nothing like that will ever happen again.

My present rapid progress is, of course, all the result of your guidance and your treatment!

What is especially pleasing is that no longer do I just sit at home staring at the walls, living off what my mother left me. I have gone out into the world and joined the work of society. Not too far from home, I got a job in a warehouse, keeping track of incoming and outgoing inventory. Because of my extensive educational background, I was very quickly made the manager of my section, but even then people thought the job didn't tap my abilities. But I was very pleased. Even though, counting me, the warehouse had only two workers, being manager of a section was not too far from being deputy head of a department, and after that it's only one more little step to becoming a bona fide cadre.

Of course, a road up is never without its twists and turns, and responsibilities are always arduous. As you all know, I'm not very good at mathematical calculations. Although I am quite aware of the old saying that when there's a tiger on the mountain you should skirt around it, when you choose a job checking inventory you can't avoid dealing with numbers, and even after a tough stretch of trying, I still managed to mix up incoming and outgoing inventory. So I had no choice but to give up my management job. But this didn't dishearten me at all.

Yesterday, a city census officer knocked on my door. Looking through the peephole, I first thought it was a man, but when I looked closely, I saw it was a woman. She was beautiful, very striking; and, quite reassured, I opened the door. With Mother's death, the number of people in the house had changed from the original two to one, and she had come to take care of the change in registration. Right then and there, I decided that I would like to be a census officer. I told her this and asked her to help me. She talked to me for a long time that day. I could see that she really liked me and would surely be able to help me. As soon as I thought that before long I could put on my uniform and go from house to house mixing gloriously with the common people, knowing who was eating rice, who was out of soy sauce, who borrowed an onion from whom, who had a new daughter-in-law, I felt an ineffable joy and completeness. What pleasure all this will bring me!

It is obvious from all this that my "agoraphobia" has been thoroughly rooted out by you. And from this written report you should be able to see how clear, how precise, and how logical my thinking has become. So, since I am now fully recovered, there is no need for any further examinations.

Thank you all once again for your care and attention!

Ni Niuniu

Early winter, 1994, Beijing

After I had mailed the letter to the hospital, I went to the store and bought a blue lampshade, a vibrant yellow artificial sunflower, and a milk-white and lavender porcelain flower vase, which I took home and carefully arranged in my beloved bathroom.

When I was finished, it was just like another world.

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